Movie News


WGA Update: 2008 Film Schedule Covered

By: Jarrod Sarafin, News Editor
Date: Monday, November 05, 2007
Source: Variety

The WGA 12:01 AM PT walk-out has officially commenced, something which will clearly affect the television industry and short-term programming plans in the very near future. The Late Night Talk Show circuits will go dark tonight and within a month, most networks will have to plan alternative programming as they run out of the scripted shows in their seasonal lineups. The film industry, however, is covered for the next year. It's not exactly suprising given that nearly every article over the last six months had some sort of warning inside about the studio wanting to get the deals done and the script fleshed out before any strike complications. Today, Variety reports that various Hollywood production companies have at least 50 feature films said to be in preparation for lensing in the coming months, with many still to be cast. This is a far cry from the initial 300 pre-strike list which originally surfaced online but it's certainly something for short-term goals.

This doesn't include many of the films already lensed over the past year, films such as INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL, IRON MAN, HELLBOY II, etc. In other words, high profile projects set for a Summer 2008 release. Most, if not all, of the 2008 productions have scripts ready to go leading into the fall season.

Of course, that isn't to say there won't be issues for the studios with this WGA strike as an on-going issue. For one thing, their advertising avenues will have to change. They can't exactly push their movies by having stars on Leno, Letterman, etc when those programs are in reruns, nor can they hope to reach as large an advertising audience during the networks primetime lineup when they too are televising reruns and alternative programming. Outside of the advertisement questions, they also have to think about long term issues for the film industry should this strike not be resolved in the foreseeable future. For example, their release schedules past next winter. They have nearly every 2008 release scripted by now but that same assessment can't be said for their 2009-2010 films.

Another example would be the larger strike questions set for next year. In June of 2008, the SAG and DGA contracts with the AMPTP also expire. If all three unions have not come to an agreement with AMPTP, they are expected to support each other in a collective negotiation with the threat of a collective strike that would effectively cripple the Hollywood film industry for years to come. If necessary, the other two organizations would strike in July of 2008, just after the SAG and DGA contracts with the AMPTP expire.

Click here for more from the story.

 

Another note: So, what happened during the emergency Sunday session? It seems more bitter exchanges ensued between WGA and AMPTP. During the day, the Producers Guild caused a flashpoint by telling WGA-East to delay its 12:01 ET deadline another three hours to match up with WGA-West deadline, a request which was promptly shot down.

"Notwithstanding the fact that negotiations were ongoing, the WGA decided to start their strike in New York," AMPTP president Nick Counter said. "When we asked if they would 'stop the clock' for the purpose of delaying the strike to allow negotiations to continue, they refused.

"We made an attempt at meeting them in a number of their key areas including Internet streaming and jurisdiction in new media," Counter said. "Ultimately, the guild was unwilling to compromise on most of their major demands. It is unfortunate that they choose to take this irresponsible action."


The WGA had a statement of their own after the meeting broke up late into the night.

"Early today, the WGA completely withdrew its DVD proposal, which the companies said was a stumbling block," the guild said. "Yet the companies still insisted on ... no jurisdiction for most of new media writing, no economic proposal for the part of new media writing where they do propose to give coverage, Internet downloads at the DVD rate, no residual for streaming video of theatrical product, (and) a "promotional" proposal that allows them to reuse even complete movies or TV shows on any platform with no residual."

 The most troublesome areas have been DVD and new-media residuals throughout these meetings between the two sides. The strike can be pin-pointed to that subject alone above all other reasons. The WGA also slammed what it called a management proposal for a distribution window providing "free reuse on the Internet that makes a mockery of any residual."

"Our position is simple and fair," WGA West president Patric Verrone said Friday after the WGAW board and WGA East Council voted to approve strike recommendations for 12:01 a.m. Monday. "When a writer's work generates revenue for the companies, that writer deserves to be paid."


Click here for more about the planned picket lines.







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Comments/Responses
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ponyboy76 • Nov 05, 2007, 08:46am •
While I really think that the situation sucks, I have to fully agree with the WGA. If the stuidos are making money of a writers sweat and blood, then that writer should be getting paid a residual. Don't creators of other content continue to get residual payments for whatever they create, ie, music?
It also seems in my opinion, if you are to believe the WGA statement, they were at least trying to compromise. The DVD situation was a pretty big deal to give up, so I'd say they at least tried to resolve the problem. Now, we the content viewers and much worse the people who work in the industry will have to suffer for awhile. It is necessary for people to be heard and if striking is the only option then so be it.

Whiskeymovie • Nov 05, 2007, 10:03am •
I am kind of torn on the whole strike thing. I feel if writers deserve mmore money, they should get it, but I can not stand people who protest or strike. And like I read on another posting, there are tons of people trying to make it in Hollywood, so if Hollywood was smart, they would bring them in and be like FU to everyone else. It reminds me of a few years back when in America all the illegal immagrants took a day off to protest to prove that we need them here.....it didn't do crap ecept give them an unpaid day off,,,,good for them...it just proves that a lot of the time protesting and striking is futile.

skyn3t • Nov 05, 2007, 12:14pm •
Um... maybe HALF the writers deserve the increase , the other half should be fired. It's time to start picking who's worth what in Hollywood and drop the dead weight. It's time for some new blood in Tinseltown...or am I wrong?

WhiteKnight • Nov 05, 2007, 12:34pm •
Protesting and striking is far from futile. If it were there wouldn't be unions in the first place. I agree that, if resolved quickly, this whole thing will be looked back on as much ado about nothing. However, should it be a long, drawn out process the film industry could lose billions in revenues.

Imagine, if you will, this strike continues into 2009 and there are no new scripts to put into production. That means no new films for a significant period of time, and that means people will obviously not be piling in to theatres.

Now imagine that in 2008 almost every major network television series in production today has been in rerun hell for an entire season because nobody is writing new scripts. You mean to tell me people won't stop watching? You think the advertisers won't notice people have stopped watching and won't cutback on the billions they pump into advertising?

Now look even deeper into the crystal ball and take a look at what happens if the SAG and DGA go on strike in June. It won't matter how many scripts studios have stock piled if they can't get name actors or directors attached to their films. Yeah, we might still get some good sleeper hits without the likes of name actors and directors, but you can kiss your $100 million opening weekends goodbye. Even if they bring in new blood there is a good chance they are just as bad, or worse, talentless hacks as those we're already saddled with. This strike carries on for any lenght of time and I promise you people will stop going to the movies.

Now all of this is far from what I'd call probable, but it is possible. It would take many dominoes falling at the same time to make this hypothetical situation a reality, but the notion it could happen should say striking is far from a futile action.

WISEGUY562 • Nov 05, 2007, 02:18pm •
I'm not against unions, but these guys are asking for a 100% increase from dvd and new media formats. I don't care where you work when you start out asking for double your rate you're asking for too much in my mind. Not to mention that the black market and internet are such a piracy problem that the studios continue to loose millions. Also the writers are not the only ones that get residuals, the studios take all the risk, writers get a fat paycheck upfront for their work and they still get residuals. They need to face the piracy problem and concede on some points. And not all the stuff they put out is profitable anyway and they don't return the money when their work bombs.

crazay • Nov 05, 2007, 02:37pm •
Forgive my ignorance on this as a subject but I have never once worked with a Union, nor have I ever been a member of one but there have always been the concept of "Scab Workers" in the past from what I've read/heard.

Could this not just open up new opportunities to people who have been struggling to make it as a writer? I mean if they went in with proper representation, and are not members of the WGA, could they not bring these people in to do the work?

They wouldn't be expecting as much in the way of overall $$$ as the other more established people are and they get their big chance to work in Hollywood thereby padding their resumes to get themselves to bigger contracts in the future?

fft5305 • Nov 05, 2007, 03:01pm •
Wiseguy, from what I've read, they're not asking for a bigger piece of the pie, they're asking for a piece. Period. When their last contract was negotiated, TV on DVD sales were nothing and TV on the web and for download didn't exist yet, so they get nothing on either.

Crazay, the studios *could* hire scabs, but eventually the strike will end and the studio will have to go back to using union workers. Good luck to a scab trying to join the union then. Same thing happened when the NFL used scabs during the players strike. Some of the scabs carried over to regular play, but they never truly had the respect or support of their teammates.

WISEGUY562 • Nov 05, 2007, 03:46pm •
From what I've read they get 4 to 5 cents on dvd's and they want to go to 8 and keep in mind that the piracy wasn't as prevalent then as it is now.

acidsquall • Nov 05, 2007, 03:47pm •
Just gives me time to catch up on all my TiVoed shows and movies I've bought and haven't had time to watch.

rgtchtiger • Nov 05, 2007, 03:48pm •
You know, with this strike going on, if it's a fairly long-term strike how will this impact websites like Mania? There probably won't be many news updates on new projects or deals if this strike goes on for the rest of the year and spills over into 2008. I realize it's a small fish in a big pond, but I'm sure people working at sites such as Mania get paid based on news being reported in and around Hollywood as well, and if there's no news to report due to a strike there probably won't be many updates to report.

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