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Anime Expo - Sunday Report

By Andrew Tei     July 05, 2002

Hiroyuki Morioka Panel & Interview

In March of 2002, I watched Crest of the Stars for the
first time and immediately regretted not picking it up when it first came out.
When Otakon announced they were having Hiroyuki Morioka as a guest, I was quite
happy. Since I wasn't going to Otakon as press. I could relax and have some fun.
I started getting more excited about it though, especially after having a friend
dress as Lafiel during Otakon.


Hiroyuki Morioka's panel turned out to be the first Guest
of Honor panel at Otakon due to Mad House Studios being delayed. The panel
started out with Hiroyuki Morioka coming up on stage, with Satoshi Kanuma as the
translator for the panel. They started with an opening.


Anime made directly from a novel is very rare, and Morioka
is quoted as being a savior of science fiction in Japan. Publishers in Japan
were disguising science fiction as something else, until Morioka came around.


Hiroyuki Morioka was born in Kobe, and had a normal life as
a student. After that he worked for a company. It was always his hobby to write
novels even as a student and while he worked for a company. After a year of
working at the company, a novel he wrote was given an award for new writers.


"Yume no ki ga tsugetanara" won the seventeenth Hayakawa
Science Fiction award.


So why science-fiction? His father was a big fan of science
fiction to start with, and the novels used in school were never science fiction.
Frustrated, he turned to his father's library were science fiction. So in his
early life he formed the opinion that adults read science fiction.


How specifically was the Crest of the Stars Universe
formed? Its a tough question. Before he put it down, he had two ideas. Crest of
the Stars eventually was the merging of those ideas. How they merge? Both ideas
were set in a similar universe. One was about how things happened in an empire,
and the other was about a normal boy who meets a superior in the military during
a space war.


Where is Crest of the Stars going? Morioka then brought out
his first printings of them. The original Crest of the Stars was 3 novels made
into 13 episodes. The first Banner of the Stars novel was made into a series.
Volume two was made into 10 episodes.  Volume three of banner of the stars
hasn't been animated. Morioka doesn't know much about the animating, but he is
planning to get the volume number up to at least ten (much applause from the
audience).


After that long introduction, the panel was opened up for
audience questions.


Question: Can I give you an English translation I
gave? And can I obtain the publishing rights?


Answer: Yes. (Audience member gives Morioka a eighty
eight page translation of the first novel). You would have to talk to the
publisher (Hayakawa) in Japan.


Question:  Are you satisfied with how your story was
made into an anime?


Answer: I'm very happy with the animation,
especially with Crest of the Stars. There is one thing in the animated version
where a risk was taken. What I mean is the Abh language and how they didn’t
subtitle it. It was a good to put it in to dismay people


Question: How was the Abh language developed?


Answer: It's based on Japanese Actually I just
changed the sounds of the words. First write it down using the alphabet, using
consonants and sounds. Then mark the same vowels first. The basic idea is to
group similar sounding vowels then shorten the syllables. Randomize the
consonants. I'm sure no one will understand this explanation.


Question: How to you plan all this?


Answer: I don't really plan all this, it comes along
as I work on it.


Question: Who are some of your favorite sci-fi
authors?


Answer: Ryumitsei who wrote "Ten Billions Days and
Ten Billions Nights".  Its been made into a serialized comic in Japan.


Question: What served as the basic model for the Abh
Empire? Was it Rome or Imperial Japan?


Answer: There are four historic organizations that
they are based on. Italy's Renaissance government, the Ottoman Empire in turkey,
Feudal Japan, and the  Mitsui Corporation in Japan(where all the heads of the
company are trained when they are children, so similar to the way the Abh are
trained).


Question: Do you think the publisher would be
interested in other markets?


Answer: I don't know the inside story of Hayakawa.


Question: Why do the Abh look elf-like?


Answer: First, pointy ears are not that common. It's
more in Lafiel's family. I think the pointy ears are the results of some fetish.
As for the slender body, Bandai was responsible for that.


Question: The world Crest of the Stars is set in has
a rich story. What came first the story or the setting?


Answer: The premise for the story came first. Story
wise, Crest of the Stars is about one person transcending from one world to
another which is a device to see how the world is set.


Question: Are the Abh supposed to have facial hair?
In the book, they have facial hair.


Answer: Actually, I think you are talking about a
character who changed from man to a woman. During the production of the anime,
they got rid of facial hair due to the amount of work it takes to animate it.


Question: Is space opera science fiction?


Answer: Of course.


Question: Do you have a final scene in your head
when you were writing the series?


Answer: The ending changes as I write.  Even Crest
of the Stars ending changed.


Question: But do you have a sense of where the whole
series in going.


Answer: There are two possible endings right now to
Banner of the Stars. I don't have it set, and who knows there could be a third.


Question: Can you think of any woman more attractive
than Lafiel?


Answer: Personally I see Lafiel more of a selfish
young lady than a  woman.


Question: Is it significant that the Abh only seem
to have cats as pets?


Answer: It isn't like they don't have any other
animals, but they adore cats. One association I had about showing cats was that
an old custom has Japanese navigators having them. It was believed having a male
cat on board would prevent the ship from being wrecked.


Question: What do you think the success of the anime
series here in the US? 


Answer: I'm honored. I grew up reading science
fiction, and the US is the origin of science fiction. It is great to see my
works accepted in the US where the genre started.


Question: After you finish Banner of the Stars, will
you do anything else in the same universe?


Answer: The current storyline for both series
describe the Abh as a mentalist class, but not as a merchant class. So I'm
thinking of writing about that part as a side story.


Question: How did you come up with the mechanical
parts of the story, specifically in relation to the spaceships?


Answer: I haven't really been involved in the
mechanical settings, with the exception of the electronic cannons of the
Gothroth. When I first saw the production designs of the cannons, they looked
really small. So that if the cannons were that small, there was no justification
for the ships to be that large.


Question: So what do about the English adaptation?


Answer: Because of the region coding, I couldn't see
it.


Question: Did you model any of the characters
against people you know in real life?


Answer: The characters are not based directly on
anyone, but there are elements from other people.


Question: Since you plan the novel series to go so
far, do you still plan to have Jinto to be a main character throughout the
series?


Answer: In Crest of the Stars Jinto is the
protagonist. In Battleflag, Lafiel is more of the protagonist. I cannot make
detailed comments about the fate of Jinto, since I cannot guarantee Jinto's
fate.


Question: How many ships can be a in space-time
bubble?


Answer: In the latest novels, there was a tactic
involving a large number of ships. The limitation is based on the mass of the
ships. I have a very detailed memo on it at home.


Question: Were you a consultant on the anime?


Answer: My involvement was going through the script,
but I didn't make any changes. I also watched the actors during their recording
sessions.


Question:  Where did you come up with the idea of
the Abh killing their creators and trying to unify mankind?


Answer: It was a long time ago, so I have to dig
through my memory. The only thing I had on the Abh was them being genetically
engineered. The idea of them killing their creators was them having original
sin.


Question: How much influence did you have over what
the Abh look like in the anime?


Answer: I wrote down everything in my books, so I
didn't really give too much influence. The big thing I gave was them having blue
hair. I did mention pointy ears for Lafiel, but not as big as they eventually
were made.


Question: Could you translate a word into the Abh
language?


There was a demonstration next. He started with the
Japanese word Takamagahara. He then changed it to TAKMGAHAR by reducing the
number of vowels. One feature of Abh language is a consonant before a vowel
changes. It finally became LAKMHAKAR. He doesn't recommend anyone memorizing
this.


Finally a message for those attending Otakon. I'm really
look forward to having Banner of the Stars on DVD also, It's has also really
good to see someone who's so eager to translate his work. Thank you very much
for coming.


*   *   *


The panel went really well, and I went away pretty damn
happy. On Saturday, I was able to get his signature on a Crest of the Stars
anime guide I found in the dealer's room. On Saturday, I was given opportunity
to conduct at interview with Morioka which I gladly took.


I met Morioka and Satoshi on Sunday morning, and proceed
with the interview.


Andrew: When you graduated from the university, you
did so with a literature degree, so what company did you first work for?


Morioka: I first started working as a sales person
at a publishing company. Then I moved to a different company that published
public relations material. After that second job, I decided I wasn't made to be
a company employee, so I moved onto part time job.


Andrew: When did you start writing the short storyy,
"Yume no ki ga tsugetanara", that won the Seventeenth Hayakawa Sci-Fi contest in
1991?


Morioka: I started that work 12-15 years ago, after
I left the second company.


Andrew: What was the subject matter for "Yume no ki
ga tsugetanara".


Morioka: "Beneath the Tree that Dreams" was about
artificial language and intelligence and how man developed.


Andrew: When did you begin writing Crest of the
Stars and what were you initial motivations in writing it?


Morioka: Several years of deliberation, several
ideas formed into one idea. I just had to do it.


Andrew: How would you categorize Crest of the Stars.
Hard core, thought provoking, action, space opera, or historical?


Morioka: To look at Crest of the Stars, it can be
treated as any of those categories. I really just write science fiction, and its
up for the reader to figure that out.


Andrew: The Otakon program guide describes you as
Japan's last science fiction writer? How do you feel about that, and what is the
science fiction genre like in Japan?


Morioka: That title was given by a writer and
reviewer in Japan, and was more meant as a joke. As to the situation in Japan, I
think there are a lot of science fiction writers in Japan too, which also
includes a horror sub-genre that I consider science fiction. So its not exactly
science fiction writing that's not popular, but the awards that popularize the
genre has gone away. Though recently, two new science fiction awards have just
started in Japans.


Andrew: What science fiction conventions do you do
in Japan?


Morioka: Japan Science Fiction Convention is the
main one. Aside from that, there are many local science fiction conventions. I
go to a few every year.


Andrew: Are they panels or signings?


Morioka: There are more panels in Japan then over
here. There are some autographs, but I give them when someone just asks me.


Andrew: How long after you wrote the original Crest
of the Stars, did Bandai approach you to make the anime?


Morioka: After I finished publishing it, there were
2 years when I was approached by several anime companies. I chose Bandai, after
they had the closet proposal to my realization for Crest of the Stars and high
production values.


Andrew: How much involvement did you have during the
development of the anime? Especially character and ship designs?


Morioka: I basically just pointed out things that
were incompatible with the character designs. And if something was like that, as
long as there was a good reason to go with it, I was okay with it.


Andrew: When was Banner of the Flags written
compared to when Crest of the Stars was shown?


Morioka: It wasn't such a long time ago. I had
started writing Banner of the Stars around the same time, but the anime did not
affect it.


Andrew: when you finished Crest of the Stars, did
you know you wanted to continue already with Banner of the Stars?


Morioka: When I wrote Crest of the Starts, I had no
idea it would sell so well. I did have some ideas for Banners of the Stars when
I wrote Crest of the Stars, but I did not form the main ideas until afterwards.


Andrew: How do feel about the Crest of the Stars
anime here in the US, especially that was so popular that Bandai is going to
release Banner of the Stars?


Morioka: I really have no idea, how popular it is
here. That's why I came here to Otakon, for me to find out how it is received
here.


Andrew: How has your visit been here so far?


Morioka: In Japan, cosplayers aren't treated well,
and are being purged in conventions. So only certain areas at a convention, can
you have cosplayers. So here, it’s very interesting to see them everywhere, and
seeing them walking from their hotels. At science fiction conventions in Japan,
everything is split up. Dealers would be a separate convention.


Andrew: What were you influence growing up, any
anime, manga, or other writings?


Morioka: My biggest interest growing up was science
fiction, especially due to my father's sci-fi collection. I read a lot growing
up. Science fiction magazines, especially series in Hayakawa. I watched some
anime early so, but in junior high and high I didn't. In college, though I
started watching again. This was around the time of Nada


Andrew: Were there any American science fiction
writers you read growing up?


Morioka: I was influenced by many writers, but Crest
of the Starts definitely has influenced by Isaac Asimov's Foundation Series and
Michael Moorcock.


Andrew: Did you have the same amount of involvement
in the Banner of the Stars anime?


Morioka: I still don't understand how the anime
industry works well, so I stay out of it mostly.


Andrew: Have you discovered that a lot of people in
Japan have started reading your novels due to the anime?


Morioka: Yes, there are some. But I'm not really
sure it means they are reading other science fiction as well. My impression is
that most people who already read sci-fi novels, picked up the Crest of Stars
books due to the anime


Andrew: Have you received any interesting gifts from
your fans?


Morioka: I haven't really received. But some I do
remember, a mug, and a Zippo with a Crest of the Stars emblem.


Andrew: Your short story involved AI, and Cots
involved genetics, two subjects on the cutting edge of science. Do you feel that
this is part of the next step for mankind?


Morioka: From an ethical point of view, I'm not for
those technologies. But should they be utilized, I want to just write about
them, and not forecast them. I view them mainly with interest.


Andrew: Thank you very much for the interview.


Closing Thoughts


Reikun's Thoughts








Well, it’s been a week since AX was over. This year, AX was a very different experience for me. For the past two years I've gone down with the same set of friends, but this year they all decided to pass. This was also my second year as AnimeOnDVD.com press, though thankfully this year there was the AOD Press Shinsengumi.








AX returned to the Long Beach Convention center, so I did have no advantage this year as I already knew the layout. That didn't prevent a few dashes that Mariela and I had to make to get to some of the panels we had to cover. This year, we also upped our reporting style by making updates to the web site itself instead of posting them in the forum. We had our AOD press hotel room where some reports were written very late into the night. There's nothing more disturbing when you're finishing writing up a report and notice that Chris has logged on.









Thursday at AX is great, because there's nothing very pressing. I did want to hit opening ceremonies thought. I guess I need to make one complaint about the AX press department here. On Wednesday night, I ran to the press room before it closed to find out whether there was press seating at Opening Ceremonies and was told no. I went again Thursday morning on a whim, and then they said yes, there was press seating. I really wish they'd get things straight beforehand. Opening Ceremonies was only 45 minutes late.









After the Opening Ceremonies I ran off to the dealer's room since I had to drop off some artwork for a friend. Again, more disorganization at the art check in line with it starting half an hour late. I missed the Read or Die Panel due to this and Opening Ceremonies running late. NewType USA, Media Blasters, and Urban Vision followed. After this I took a real look into the dealer's room, especially to see the Pioneer's Castle Booth, which was so big it blocked the ADV booth from the entrance to the dealer's room (or Exhibit Hall as AX was calling it this year). I met up with Ardith Santiago from Synch-Point to see how things were going. All the big companies, Pioneer, Bandai, ADV, and Viz had their big booths up front. It was surprising to see Raijin Comics up front also with a huge booth.









I met up with some friends and walked over to the Colonial Buffet at around 7 for the AnimeOnDVD gathering, organized by our very own Wolve "I'm gonna put the lock down on you" forum moderator. We actually had a private room for the gathering, but it wasn't until we filled up a section of the actual part of the restaurant that we were directed to it. There were a lot of laughs, and George Montemayor took plenty of pics. After that, a bunch of us went outside to watch the firework show. We even found the time to watch Princess Nine Vol 5 somehow that night.









On Friday, we had out first real busy day at the con. Mariela and I woke up to head for the Watsuki panel, then the CPM panel. A note to CPM, if you are going to wait until the last five minutes of your panel before you announce new acquisitions, please be sure to actually inform the audience of it. Mariela and I then practically ran over to the Right Stuf panel, where I knew at least one title off of her Top 10 list would get announced. David Williams is a very sneaky man, so I was ready to tape :) Synch-Point and TokyoPop followed.









I guess I'm going to give my 2 cents on TokyoPop here. In the beginning there was MixxZine, and I wanted the concept to work. I also bought some of their early graphic novels. With the launch of their 100% Authentic Manga line, I was floored, plus art books were also coming down the line. At the panel, one girl asked, "Why don't you suck anymore?" right to them. Then we learned of the edits to Initial D. While TokyoPop has now gone public with the changes, they were ready to release stuff edited without telling us. I was very saddened by this. All I know is, there is now not a single piece of TokyoPop merchandise I will buy until others can report whether they contain any changes now, since I can no longer fully trust them.









After TokyoPop, it was off for my interview with Nightjar. That was interesting to say the very least, especially the stuff I can't print. Sorry! After having a fantastic dinner with Mariela and David at Madison's Restaurant and Bar, where I had the absolute best merlot I've ever had, it was off to the Anime Music Video contest. Or disaster. First of all, I had woken up really early in order to get tickets. So I guess the tickets are supposed to solve line problems right? Absolutely not. Since they hadn't let anyone into the theater yet, everyone was in a gigantic mob outside the theater. Absolute chaos. You had people showing anime music videos on their laptops to the crowd, one guy was down to his boxes, people riding the crowd, and people turning signs upside down. The only highlight of the evening was a guy on a saxophone playing to the crowd. He did an excellent rendition of Tank! They finally let everyone inside, and then it was paper airplane time until someone finally hit the $15,000 screen with one of them.









Now it was time for the bad news, the Anime Music Video Contest had to be postponed. The crowd which already was rowdy became very upset. Their first solution was we'll just show in Saturday morning at 8 am. Of course, they had forgotten that people would be in line Saturday morning waiting for masquerade tickets. Also there were people with one day passes. The part that really upsets me is the lacking of planning. You had a mob outside, and they didn't even test how they were going to show the videos. For the curious, they basically rendered all the videos in a system to show them on screen, and screwed up a setting making video playback very poor to say the least. Considering the deadline of the music video contest, this was all stuff that should have been tested beforehand. At least AX didn't sweep the issue under the rug, and had letters of apology the next morning. To say the least, I did not view the AMVs at AX, an event I never miss. The Saturday viewing at 8 am did not fit my schedule, and there was no way I was getting up at Sunday 8 am for the second showing.









Saturday was the day of the big guns though. Pioneer, Viz, ADV, and Bandai had their panels. On this day, I made sure updates were going to go through as fast as possible. Pioneer Video I must say blew away the other companies in terms of their number of acquisitions and they way they presented it. They showed videos basically to announce all their titles. The Pioneer Music section was extrmely small though in comparison. All in all, an excellent day for anime in North America. After the panels, I had a small interview session scheduled with Matt Greenfield and David Williams of ADV.









After exploring the dealer's room afterwards, it was off to dinner at a restaurant on the marina. Again an excellent meal and great company from Mariela, Frank and Justin of CPM. Afterwards, we all headed back to the bar in the Hyatt and talked away the night with Shawn Kleckner of the Right Stuf and David Williams. Aah, what a great way basically to end a day with stories and plenty of drinks :)









Sunday was taking it easy, as we finally were able to sleep in, which was good considering how I was feeling at that point. Especially since I had a seven and an half hour drive back home. After checking out, I headed back to the dealer's room and finally bought something in it. A Mutsumi doll based off the video game dream episode of Love Hina. She's sooo cute! I headed over to the art show since the pieces of art I had dropped off for my friend had gone to auction. One piece, a Belldandy etched onto a mirror got the highest price of a piece of fan art at the auction, so it felt that something good came out of me missing the ROD panel. I stayed around for the charity, and actually tried to win on this amazing ROD promotional cel. Alas, the other bidder really wanted. With the auction over, it was finally time to leave Long Beach. I saw Mariela and David one last time, and said my goodbyes. Of course, we'd all be seeing each other again in less than three weeks at Otakon.









Last Thoughts









Anime Expo. Industry con, yes. And I for one still love the industry part of it. Again, I didn't have an opportunity to step into a single video room, and I missed all the films too. Seeing the Sakura Taisen movie would have been nice, and if I had known the AMV was going to be postponed, I could have hit the Bebop movie also. But there are always problems at a con. The dealer's room inside was a promotional city, and the ADV T-shirts tosses from the top of their booth drew everyone to their booths with chants of ADV, Newtype, and Suncoast. Nu-tech had their porn actresses on display, but I never saw a crowd for them. I guess with all the cosplayers around, there's no need to stare at very clothed porn actresses.









I know people have been saying AX's guest list this was wasn't very spectacular. I have no idea what they are talking about. Maria Kawamura was absolutely fantastic, and it was great to hear her do the Naga cackle. Then there was the amazing list of manga creators. Hojo, creator of City Hunter; Kurata, creator of Read or Die; and Watsuki, creator of Kenshin! That's was just a stellar line up! While I only got to visit Watsuki's panel and it was truly fantastic.









For the first year I also didn't attend the masquerade. I did the same thing at this year's Fanime convention too; maybe I'm just no longer a fan of it. I've seen video though from the masquerade this year and the costumes and performances seemed to be a step up from last year. Of course, there were plenty of cosplayers roaming the halls, and Long Beach's fantastic weather this year certainly helped.









Though in the end, what really made the con fun for me were the people I attended the con with. AnimeOnDVD has formed a community (or cult according to NewType) and while you can post in the forum or talk on IRC, nothing beats hanging out. Of course, there the AOD crack team of reporters: Merliwolf, who will never actually cosplay as a male; Wolve, my Yoko Kanno and Maaya Sakamoto loving forum moderator; and Sapphire, our GHLL maintainer and bestower of kisses, though only studio reps get those. I also got to meet carpboy, and tougo no miko for the first time. Plus there was cthulu27 who I met at last year's Otakon. There was the team of Lizzard, Patrick, and Buford also.I thanks Deli for keeping me awake on the ride back up, and Yan for those fantastic speakers he bought. Of course, how I can forget Tama, who forgot me after one night and chose a pillow instead. I met Justin and Frank of CPM again, as I met them at last year's Otakon. Ardith from Synch-Point is always a blast to talk to, and David Williams of ADV was the man. Plus everyone else who I met, I thank you all for a great time. I know I'll be seeing most of you again at Otakon.









Well, that's all for Anime Expo 2002 for me, except for a few reports I have to put up from some other reporters:) . I'll be back at Anime Expo 2003 in Anaheim!




Wolve's Thoughts








Another year, another AX gone by.

In retrospect, AX was quite a different experience this year for me,
but also the same in many ways. For the first time in the past 5 years,
I attended AX as a member of the press. I also didn't carpool and hang
out with my best friend like I usually do. Instead I spent more time
with my fellow AOD press colleagues (Reikun, Sapphire & Merliwolf). Of
course some things at AX are always the same, such as long lines and
delays.









This is the first year at AX that I've ever seen someone run up and
kiss a company rep at an industry panel. It's also the first time I've
met dlw of ADV in real life (not as scary as his looks in pics). Unlike
previous years, I also had the opportunity to hang out with some other
AOD folks (including one cosplaying in drag).









Probably the most interesting thing I did at AX 2002 was attend the
Koichi Mashimo panel. I really enjoyed his comments about his work and .hack. Seeing Shoji Kawamori in person at the Escaflowne and Arjuna
panels was also very cool. The most surprising thing this year was the
number of new license announcements Pioneer made (although I'm only really
interested in a couple of them). The most disappointing experience was
waiting for almost 2 hours for the AMV Contest to start, then finally
leaving and finding out later it was postponed.









In the end, I had a fun time. I'm not sure if I'll want to do the
press thing again at AX 2003, but I'm definitely going. Heck, I already
pre-registered. :) Maybe next year Maaya Sakamoto will show up as a Guest of Honor. Okay, maybe not... but a guy can dream can't he? ;-)




Sapphire's Thoughts








Anime Expo was an odd little homecoming for me. First time in California since I moved post-SC in 97. First Expo since 97. And that was my first anime con too. What a CHANGE. Expo wasn't small when I first got there - but today. . . Last time I was a gopher (yes, first con and a gopher). I saw like 4 videos, I herded lines, I saw two GoHs, panels weren't even something I considered going to, the AMV contest was an interesting idea on way too late at night. That was then. Now I'd found my weird little niche in fandom, the GHLL. Now I was press. Now I was going to get all these announcements first hand. Now people I'd gone to AX97 with, were company reps. Freaky.









So what did I learn? That after AX, all other cons look like a breeze to cover. One person can't begin to do it. Even with four we missed a lot. (Sure next year we should probably assign things a smidgen better.) Heck, all the panels that had myself AND Rei there resulted in much better, much faster coverage. So hats off to the whole press crew. We did good. But we will do better. Cause we rock. Though I could do without the 4 AM report writing.









I cannot stress enough that big cons should have registration the night before. I cannot stress enough that if the con offers it (like AX does) you should take advantage of it. Being in and out of registration in under 10 minutes is worth getting there early for anyone who wants to get to things quickly on opening day. Course, it would have been nice if we'd known there would be press seating to almost every large even ahead of time. We were just told Masquerade.









What I loved? Being there. Seeing all these great people, some of which I'd known from many eastern cons, some of which I hadn't seen since, well AX 97. Hearing the most INSANE stories which prove just how whacked this industry is. Having to make good on the kiss promise. (Hey I stick to my word.) Finally getting to talk to people from TOKYOPOP in person. Getting all 20 X cards. The steak. (Man, that was one good steak.) The feeling of satisfaction when the report is UP and we were FAST. The second story of the ADV booth. The answer to "What did you guys do tonight?" on Saturday.









What I didn't love? The AMV disaster. Man do I wish I'd gone to see Bebop. Live 2 being so far from everything. Conflicting panels. Having to run from Live 2 to Live 3 and back. Box extensions. (Dear gods.) The Exhibit Hall line - till I realized I didn't have to stand in it. Not being able to talk to people from Viz in person for very long. The newsletter not being available in more places. (Well if it was, we never saw it.) The bootlegs. Yeesh.









Other randomness. Pioneer blew everyone else away with how they presented their new licenses, I really wish I hadn't turned off the tape recorder. Some tops are NOT designed to go running around handing contest prizes. Free T-shirts make fans go kinda wacko. The adage that anything is funny at 3 AM holds very true. People continue to guess the wrong lines trying to pick me out of P9 Vol. 4. If I paid convention center prices for this food, I better get to eat it in the convention center. Oysters are interesting (thank you Justin and Frank.) LA Bookoff is cool (thank you Richard.) Steak is divine (thank you David.) Rooming with all guys is always an experience (thank you Danny.) And Andy - you are the best co-reporter ever.









I can only hope I can make it next year. I owe some karaoke time.


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ANIME/MANGA NEWS UPDATES

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