Comic Book Review


BATMAN: YEAR 100

By: KURT AMACKER
Review Date: Friday, May 19, 2006

Given the bevy of Batman miniseries that complement the character's already overloaded schedule of monthly titles, it's always pleasant to read one that both portrays the character faithfully and takes him in a new direction. While at first glance, Paul Pope's BATMAN: YEAR 100 sounds like a DARK KNIGHT RETURNS knock-off, it feels more like BLADERUNNER or NEUROMANCER. And, thankfully, it doesn't rehash V FOR VENDETTA, either.

In 2039, Batman operates in a Gotham City without superheroes. After federal agents frame him in the murder of one of their own, he must both clear his name and learn why the dead agent carried the recipe for a deadly chemical weapon called Fleshkiller. All the while, James Gordon of the GCPD must answer to the ruthless federal agent Tibble, who wants the files on the mysterious Bat-Man of Gotham hidden in the home of the late Commissioner Gordon. What James found there shocked him, and, frankly, still confuses me a bit. I won't give it away, though. Pope has written a genuinely engaging Batman story that involves several conspiracies within conspiracies. While the big reveal at the issue's end feels a little forced, the story never falls to convolution.

Though Pope spent the first three issues of BATMAN: YEAR 100 exploring a rich, involving mystery (though not wanting for action), he really takes the gloves off this month and delivers some genuinely exciting action sequences. He shows a prolonged motorcycle chase with agents pursuing both Batman and the new Robin (also dressed as Batman) which, in other creators' hands, could just bore the reader. However, he conveys most of his action scenes with wider panels, lending a cinematic feel to the whole affair. And, while his art seems more suited for a Top Shelf biography about growing up in a family of polygamists or something, it serves as a unique and welcome change of pace from DC's regular fare.


I certainly wouldn't jump on BATMAN: YEAR 100 with the final issue, but I'd recommend reading the entire series. It's a unique, dystopian take on Batman that's well worth your time.

Questions? Comments? Let us know what you think at comicscape@cinescape.com.


More Content By KURT AMACKER
Comicscape: The Kirkman vs. Bendis Steel Cage Match
(Wednesday, October 1, 2008)
Comicscape: Saving Superman's House
(Wednesday, September 24, 2008)
Holy Shitaki, Batgirl
(Wednesday, September 17, 2008)
X-FORCE #6
(Wednesday, September 17, 2008)
PUNISHER: WAR JOURNAL #23
(Monday, September 15, 2008)
Comicscape: What Expands Must Contract
(Wednesday, September 10, 2008)
Comicscape: Warner Bros. Takes DC to the Movies
(Wednesday, August 27, 2008)
Comic Review: DRACULA MEETS THE WOLFMAN #1
(Monday, August 25, 2008)
Comicscape: Robert Kirkman Calls You Out
(Wednesday, August 20, 2008)
Comicscape: Waiting for the Trade: What Will Happen to Monthly Comics?
(Wednesday, August 13, 2008)
Fandango Logo
Comments/Responses
1
manjisan • May 19, 2006, 01:58pm •
Without a doubt, Villarubia and Pope have taken Batman to a new level of visceral intensity and intelligence. At first, I was taken aback by the first issue, but by the time I reached the 2nd to last page, I was hooked. I needed a fix while I waited for the next issue, so I bought 100 Bullets TPB #9 and The Courtyard to appease my attraction to dark materials. Thanks for the review.

• May 19, 2006, 05:33pm •
crappiest artwork I've ever seen

manjisan • May 22, 2006, 06:36am •
Everyone is entitled to their opinion. From Hell shares the same type of artwork and is a classic. But to each their own. What kind of art do you prefer?

1
Login to post a comment!