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- DVD: Bloodrayne: The Third Reich Unrated Director’s Cut
- Rating: Unrated
- Starring: Natassia Malthe, Michael Paré, Brendan Fletcher, Clint Howard
- Written By: Michael Nachoff
- Directed By: Uwe Boll
- Distributor: Phase 4 Films
- Original Year of Release: 2011
- Extras: See Below
- Series:
Bloodrayne: The Third Reich Unrated Director’s Cut DVD Review
Uwe Boll is at it again! By
Tim Janson
August 07, 2011
Natassia Malthe is Bloodrayne
© Phase 4 Films
I supposed I should have known better…When you see the name Uwe Boll connected to any film you can’t set your expectations to high. Bloodryane: The Third Reich is the third film in the series based on the videogame and the third directed by Boll. To be fair, the film gets off to a promising start. This time the setting is World War II as German soldiers are transporting a group of Jewish prisoners to the Auschwitz concentration camp. Boll handles this with remarkable subtlety. It’s not Schindler’s List but the downtrodden march of the prisoners off the train to what they know is their ultimate destination serves as a grim reminder of the horrors of the war. Unfortunately this is only ten minutes of the entire film and it never again hits such a high note.
A group of resistance fighters attacks the German soldiers getting unexpected aid from Bloodrayne (Malthe). Rayne kills the camp’s Commandant, Ekart Brand (Pare) but she makes the mistake of feeding on him to heal her wounds, thus turning him into a Dhampir like her, essentially a vampire without the traditional weaknesses to the Sun, crosses, etc…When Brand returns to life he enlists the aid of a nutty German scientist played by Clint Howard, to try to create a super army of Dhampir with Rayne’s blood and even plans to turn Adolf Hitler into one as well. Rayne joins with the resistance fighters to try and stop Brand’s nefarious plan.
Bloodrayne:The Third Reich has an interesting story. I’m down for anything that finds a sexy vampire slicing up Nazis. It’s just too bad that there is so little of that to be found in Boll’s ponderous film. Part of the reason there is such a light amount of action is that Boll would rather waste time on gratuitous sex and nudity scenes, including a lesbian sex scene between Rayne and a woman in a brothel. Look, nothing against a little titillation but Boll spends about 10 minutes on the brothel scene alone and the entire film is only 75 minutes long. When we finally get to the climactic showdown between Rayne and Ekart, its over in a heartbeat. Rayne spends more time dispatching a pair of random vampires who attack her in the streets earlier in the film. Clearly Boll doesn’t seem to have much of a sense for the dramatic.
The fact that the DVD is titled as the “unrated Director’s Cut” is curious. If the Director’s cut is only 75 minutes long, how long is the standard cut? Well guess what, a quick search at Amazon found there is no standard cut so why advertise this as a Director’s Cut? What’s the point? One thing about Boll is that when he finds actors he likes he continues to re-use them over and over. Pare was in the two previous Bloodrayne films; Fletcher was in Bloodrayne II and Alone in the Dark; and both of them along with Clint Howard will be in Boll’s latest film Blubberella. I have to confess, I never tire of seeing Clint Howard in another screwball role.
Natassia Malthe isn’t a strong or compelling lead, despite playing the role of Bloodrayne for he second time but then again, she isn’t given much to work with. Still, the first two Bloodyane films will hardly go down as classics so perhaps running only 75 Minutes Bloodrayne: The Third Reich may not be better, but it is less torturous.
DVD Extras
The Making of Bloodrayne: The Third Reich (27:00) – Pretty standard documentary with behind-the-scenes footage and interviews with Boll and most of the cast. Interesting here is that Boll seems to hang his hat as a Director on the fact that he gets films made on time and within budget, rather than the films being good.
Interview with the Writer (5:52) – short interview with writer Michael Nachoff who talks about the story’s development.
Seriously, why do you do this to yourself?