Caprica: The Imperfections of Memory Review - Mania.com



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  • TV Series: Caprica
  • Episode: The Imperfections of Memory
  • Starring: Eric Stoltz, Esai Morales, Paula Malcomson, Alessandra Torresani, Magda Apanowicz, Sina Najafi, and Polly Walker
  • Written By: Matthew B. Roberts
  • Directed By: Wayne Rose
  • Network: Syfy
  • Series:

Caprica: The Imperfections of Memory Review

Wandering Along

By Rob Vaux     March 14, 2010


Esai Morales as Joseph Adama in Syfy's CAPRICA(2010).
© Syfy/Bob Trate

 

"The Imperfections of Memory" acts as what we like to call a space-filler episode. It mainly bridges the points between more important shows, but struggles to create any identity of its own. Its primary revelation is saved for the end: an inevitable moment whose appearance as the tagger compounds its lack of appreciable development.
 
Which isn't to say it's bad. Indeed, it's absolutely necessary in order to goose along certain plot points which have been spinning their wheels of late. Most of them concern Daniel Graystone (Eric Stoltz) and his efforts to move his company past the crisis stage. He needs to duplicate the protean Cylon in order to do so, but hasn't cracked the code until now. For that, he needs a little surreptitious help from Zoe (Alessandra Torresani), who manipulates the besotted Philomon (Alex Arsenault) into delivering the information to him. The ploy rescues one of Caprica's weaker plot threads--Zoe's forty-kinds-of-icky romance with Philomon--by repositioning it as pure Machiavellian scheming.
 
It also gives us another look at Tomas Vergis (John-Pyper-Ferguson), who shows up at a Bucs game to mock Graystone and inadvertently reveal that the stolen MCP isn't supposed to work. In the space of just two episodes, Vergis has become one of Caprica's must-see elements, a gleefully hateful villain happy to push Graystone in all the wrong directions. His oh-so-brief appearance here demonstrates just how much energy he lends the proceedings, and how the Graystone-Cylon arc wouldn't be the same without him.
 
The episode's other principal subplot centers around Joseph (Esai Morales), now aware that Tamara (Genevieve Buechner) is still alive and determined to find her no matter what the cost. He coerces Heracles (Richard Harmon) into showing him New Cap City in v-world--a place with no rules where "dying" gets you banned from the area permanently--then watches as a virtual dive bomber ices his newfound guide for good. As with the Graystone thread, this segment works less for what it shows than what it promises: Adama left on his own in a strange environment, grasping desperately at straws that will either silence his demons for good or send him completely over the edge.
 
Sadly, the remainder of the episode can't hold up against the two main threads. As hard as she tries, Polly Walker simply lacks the material to keep up with the rest of the show. Her Sister Willow sinks her claws deeper into Amanda Graystone (Paula Malcomson) with a combination of booze, hallucinogens and girl talk. Both actresses give it their all, but the thread still smacks of undue contrivance, and while Willow's eventual verbal faux pas is intended to add intrigue to the proceedings, it succeeds only in painting her as a blundering fool. The entire thread seemingly exists just to keep the two of them occupied while more important things take place elsewhere.
 
Similarly, Amanda's apparent descent into madness fails to ignite any sparks. She sees phantoms of her long-dead brother on the street--killed in an accident which sent her into a mental home for several years. We already knew she was playing with less than a full deck, so her deepening instability holds no great shocks now. Sister Willow may be pushing her towards the brink (what was in that bottle of booze, anyway?), but that possibility never generates any steam.
 
Luckily, the episode has more to offer than that, though its disparate ideas swing wildly between fascination and boredom throughout. The good outweighs the bad, and even the bad is more inert than dreadful, but none of its diverse elements help "The Imperfections of Memory" stand on its own. It skates along on series goodwill, taking care of necessary plot developments so that other episodes can shine all the brighter. Every series has shows like this one, and for what it's worth, Caprica's are better than most. "The Imperfections of Memory," however, ultimately leaves one craving for things to come, rather than letting us relish what's already here.

COMMENTS AND RESPONSES

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jdiggitty 3/14/2010 8:44:32 PM

Rob, I gotta say I agree with you whole-heartedly. This episode doesn't seem to have wheels of its own, but you cna see the need for the trip. The Amanda Greystone character is getting tedious and i found myself wanting to fast forward those scenes.

I haven't seen this mentioned before, but this whole mythology seems to be lifted directly from Ray Kurzweil's The Singularity is Near. I have a hard time believing that hasn't provided the map for the BSG universe. Anyone else catch that vibe?

DaForce1 3/15/2010 2:03:35 AM

 Let me guess, Adama whined about getting his 'daughter' out of the vr world, again, and Stoltz's character is still wondering why his robot isn't working the way it's supposed to?

*yawn*

Same events since episode two. Rob, you give Spartacus sh!t about spinning its wheels storywise, yet you eat up the very same blandness with Caprica. And honestly, the acting in Caprica is almost as bad as it is in Spartacus, but at least Spartacus has a little nudity as its saving grace. 

okonomiyaki4000 3/15/2010 6:15:35 AM

 Is this crap still on? 

Hobbs 3/15/2010 6:54:53 AM

No oko...it's not on.  Rob just made up a review of a pretend episode.

Actually DaForce...you are kind of correct.  Adama is actually looking for his daughter in the VR world and Graystone finally figured out that the Robot is his daughter.

You are going to have slow going on in this show from time to time.  As I pointed out last week I read that Moore said he wanted Caprica to be the "Dallas" of sci-fi which means this is basically going to be a soap.

jdiggitty....its no more Kurzweils than any other sci-fi that's been around since the 60's.  His idea isn't an original concept to begin with. 

LittleNell1824 3/15/2010 1:23:02 PM

Hobbs, that's hilarious. Jeez, if he wants it to be the "Dallas" of sci-fi, he's got to loosen up a little.

Maybe he doesn't understand what makes a soap successful. It's not enough to have characters you love or hate. Soaps require lighter sub-plots to balance out the heavier plots. That means you have characters on the sidelines who are involved in something completely different than the main characters. Something more mundane, like trying to win a competition, or graduate college, or get a job, or a date. The sub and main characters cross paths, but they don't drag each other's plots down.

In other words, he needs to have a few characters who are living the light side of Caprica - just doing Caprican things. It would make the show more endearing and it would enhance the eerie foreshadowing. Let's face it, at this point Caprica is so grim that you almost don't care that the Cylons are about to bring it down.

DayDrumFour 3/15/2010 3:20:13 PM

I'm just wondering if I would watch this if it wasn't BSG-related.

The whole series just feels like the calm before the storm.

I wouldn't mind playing "New Cap City" on my Playstation 3 though.
 

thorin02 3/15/2010 10:33:35 PM

 I think you completely misread Zoe's scheme.  She did NOT want to father to find out she's in the robot (she made that clear in the first episode).  If she did all she'd have to do is tap it out on the keyboard and tell him directly.  No need for some convoluted plot.  Her plan was to get Philomon to take the Cylon outside.  She was trying to make him think that the Cylon needed a varied environment or different stimulation in order to develop.  That would give her a chance to escape to Gemenon.  

 

Hobbs 3/16/2010 6:40:06 AM

Nell, Your post made me lol.  Though when you think about it, that's probably what Moore is aiming for that you don't care that Cylons are about to bring down their society.  On a personal note though I would like a little more light hearted parts as well.  I could understand why BSG was also so dark as it was the end of the world and not a lot to be happy about but this...yeah, there should be some happy people.

I don't remember the exact quote from Moore.  Just googled it to see if I could find it but I couldn't.  I do remember him making comparisons to Dallas but I don't remember the specific quote.  So it's possible I'm misrepresenting him.

Hobbs 3/17/2010 8:57:41 AM

Everyone is probably done reading this thread but in case Mania doesn't cover it.  AICN has a post that says ScyFY channel has approached Moore about doing another BSG spin off, set more in space like BSG was.  They are talking to Moore about it so who knows what it will be...maybe it will be the first Cylon war?  Anyways, if that's true I would think Moore is going to get a 2nd season of Caprica if they are talking another spin off.

lracors 3/18/2010 8:30:51 AM

Hobbs,

Your right about the Dallas comment:  "Moore himself has likened Caprica to the 1980s prime time soap opera Dallas, and it has been referred to as "television's first science fiction family saga." from Battlestar Galactica News (Gateworld) 08-06-2008.

I like the show and the direction it's moving, my only critique is Polly Walker combined with the suddenly "i was crazy" plotline for Amanda... Makes me think of 24 Day One maybe next she'll get amnesia.  Finally, Zoe's suduction of the dweeb makes sense and is less creepy more manipulative.  I still don't get how she expects her clueless friend Lacy to transport the robot... she's smarter than that and could she have manipulated via V-World a means of transport with altered records... i'm just sayin...

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