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Info:
- Title: Captain America Reborn #1
- Writer: Ed Brubaker
- Art: Bryan Hitch and Butch Guice
- Colors: Paul Mounts
- Letters: VC’s Joe Caramagna
- Covers (various): Hitch, Guice & Mounts; John Cassaday & Laura Martin; Alex Ross; Joe Quesada, Danny Miki & Richard Isanove
- Publisher: Marvel Comics
- Publication Date: July 1, 2009
- Price: $3.99
- Series:
Captain America Reborn #1
"Wow, Really?" By
Chad Derdowski
July 03, 2009
Source: Mania
As Sharon Carter rehashes the same conversation she had in Captain America #600, Bucky and Black Widow sneak aboard the H.A.M.M.E.R. Helicarrier to retrieve a device that might hold the key to Steve Rogers’ return. Once there, they encounter what appear to be a team of Cobra Vipers as well as a few other stumbling blocks in their paths. Meanwhile, Arnim Zola meets with Norman Osborn and attempts to explain the ridiculous way in which Ed Brubaker intends to bring Captain America back to life. We also get the prerequisite number of WWII flashbacks that come with any Cap comic.
The Good
I gotta give Brubaker credit for this wonky, Quantum Leap-style return story. It’s original. Bryan Hitch’s pencils look great, as usual and if you’ve read any of my other reviews, you know I love me some World War II action. Brubaker always delivers when it comes to espionage-type stories and if your memory of what’s been going on in Captain America for the past two years is decent, you’ll find that he’s finally starting to tie up all the little loose ends that he’s been leaving laying about.
The Bad
Recipe for a Captain America comic: add equal parts WWII flashback and dark, moody shots of Bucky and the Black Widow crouching in a corridor as they break into the secret compound of [___insert villain’s name___]. Throw in a pinch of Sharon Carter brooding with a dash of flashback to the time she was held captive by the Red Skull. Mix and coat with lots of blue coloring to create “mood”. Top with a brief ending featuring what the villains are up to next. Serve.
The Bottom Line

Cover art to Captain America Reborn #1 by Alex Ross
Have you ever spent a week or two reading the Mary Worth comic strip in your local newspaper? They usually only get three panels per day and they go something like this: Panel One – a recap of what happened yesterday. Panel Two – a bit of conversation and small amount of story progression. Panel Three – a cliffhanger. Essentially, you’re only getting two panels. Per day. Expand this basic model to a proportionately larger scale and you’ve got every issue of Captain America.
Have you ever worked a 9 to 5 job, five days a week? Sure, there are differences each day: some days you have peanut butter and jelly while other days you have tuna fish. But for the most part, it’s all the same. Things progress, you get a raise, maybe a promotion; but ultimately its business as usual day in, day out. Sure, you like the job and you enjoy conversing with your co-workers because they’re interesting, well rounded people and a variety of new things happen to them like marriages, new cars, new children and promotions of their own. But it all comes back to the same old, same old.
World War II flashback, Sharon moping, Bucky & Widow crouching. “I can’t ever live up to Steve’s memory!” Go heavy on the inks, paint it blue and call it a comic. Blah, blah,blah.
Much like Mary Worth or the humdrum of a 9 to 5, it’s not bad by any means. But it gets boring.
Aboring captain America comic? Gee what a surprise.