Comic Review


Comic Review: ASTONISHING X-MEN #25

By: Kurt Amacker
Review Date: Tuesday, July 29, 2008

The creative dream-team of writer Warren Ellis and artist Simone Bianchi begin their run on Astonishing X-Men with a mutant murder mystery. After Storm returns to the team from Wakanda, the group leaves from its new base in San Francisco to examine a crime scene at the behest of the San Francisco Police Department. A mutant has died, but he’s also burning and floating. The SFPD stands ready to hand off the entire business to their new consultants. After examining the deceased’s personal effects, Cyclops, Wolverine, Armor, Emma Frost, and Storm learn that they’ll be taking a trip someplace far away from the relative safety of San Francisco. Beast remains behind to examine the victim’s peculiar physiology, which suggests something far more sinister than one more anti-mutant hate crime. 
 
Ellis opens this 25th issue with enough banter between the issue’s leads to establish a welcoming tone. San Francisco has become something of a reprieve for the X-Men. They have a sponsor. The police department depends on them. And, they’re more or less under the radar of the Superhuman Registration Act, for the time being. Ellis shows us the familiar shots of Wolverine recovering from a round of binge drinking and Cyclops and his lover, Emma Frost, waking up in bed together. But, Ellis writes dialogue in a manner both witty and intelligent. And, he retains his talent for conveying both concepts and dense exposition in a surprisingly concise manner. The reader may need to digest the story a couple of times before some of the particulars line up, but it all makes sense in the end.
 
Simone Bianchi brings his de rigueur level of stunning detail and utter bloody majesty to this issue. From facial expressions that run the gambit from joyful to intense, to experimental jet planes blasting across the San Francisco skyline, Astonishing X-Men #25 fulfills its titular promise. This is simply a beautiful book to look at. Simone Peruzzi provides a muted color scheme that lends a sense of real-worldliness to the superheroic goings-on. Brightly colored spandex is easier to believe when it’s under an ashen haze. The two Simones provide art that compliments Ellis’s script well. The story deals with mutants and spandex, but the issue’s real hook is in the wonderfully human interactions between its superhuman subjects. Hence, the art maintains a subdued, less-stylized quality that keeps this issue from looking like a music video on paper. Bianchi remains one of the best artists in the business, and this issue just reinforces that.
 
Though the series is 25 issues in, this one provides a perfect jumping-on point for curious readers. It plays a quick game of catch-up through expositional dialogue that helps anyone come aboard. With the creative forces of Warren Ellis and Simone Bianchi at the helm, we can expect a seminal run on Astonishing X-Men. By all means, pick this one up and enjoy.     
 
Questions? Comments? Let us know what you think at comicscape@mania.com.



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Comments/Responses
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gauleyboy420 • Jul 29, 2008, 12:37pm •
Astonishing X-Men 25 is a good read, and t had a tremendously hard act to follow. Astonishing X-men (formerly New X-men) was and is the only X-Men book I can stand to read. I’m a huge X-Fan from the 80’s, but most of the X-books have become un-readable to me.

I was not a huge Joss Whedon fan until Astonishing X-men, I hav e since started watching Firefly, and completely fell in love with it.
I am now a huge Whedon fan.
That said this was a good read, I like the feeling it conveys and it seems to remain faithful to the Astonishing roots, although I always enjoyed the sense that Astonishing took place outside of the 616 universe and was a standalone read. I don’t know how I’ll feel about it now that it is being established in the mainstream Marvel U.

The writing is solid, the dialouge has the feeling of Whedon’s run, BUT one of the thing that bothered me was brought up in this review.
I was always under the impression Wolverine could not get drunk due to his healing factor, and he most certainly wouldn’t be hung over.
That’s getting nit picky but I’m just sayin’

The art is nice, it’s not Cassaday, but it’s ok.
Muted is a bit of an Understatement, the art is IMHO too damn dark. Muted would be okay, but at times I’m almost struggling to make out the page. I’ don’t wanna see 4 color fantasy, but I think the art could be brighter, not more vibrant, just not so muddy.

all in all a good read, a book with a tough act to follow, I’ll tag along and hope it stays on my list of comics I look forward to every month.

audioslave69 • Jul 29, 2008, 02:23pm •
I've always wanted to read the xmen comics but i feel like i would have alot to catch up, is there difrent series of books that wouldn't require me to buy and read over 100 comics that i might not find anywhere?

Derahk • Jul 30, 2008, 10:14am •
Audioslave, Astonishing X-Men is a stand-alone that is only 26 issues in (counting Giant Size Astonishing X-Men), which you could purchase on eBay easily for $25-$50 depending on variants etc. Though, if you want to get into it, now is the time. This series will only increase in worth over time.

lister • Jul 30, 2008, 01:12pm •
A+? Really? For me, this was more like a filler book between two eras than it was a jumping off point. For what was there, I give an A-rating, but by the very end, we really hadn't been taken anywhere. That lowers my score dramatically, or at least puts it in context.

Considering the transition in writing, the team members, the location, the tone and the story line, this should have been a giant-size issue so we could have had some action and more momentum in the plot. Instead it seemed like a mere prelude.

Of course, coming off of the giant-size ending to the Whedon-greatness, maybe a second giant-size seemed a bit much. But come on, this is *The X-Men*... Marvel Lemmings will fork over plenty-o-dough with no problem when it comes to an X-Book with a roundish issue number like "25" and a pic of Wolverine on the cover!

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