Comicscape


Comicscape: Five Reasons Why Comics Are Better Than Movies

By: Kurt Amacker
Date: Wednesday, July 09, 2008

Maniacs love movies and comics. But, here at Comicscape, we’re here to lay down the law and crown funny books the king of cool. Everyone gets excited when Hollywood turns a comic into a movie—if those stogie-chomping bigwigs and their notes for “more gags” even get it right. But sometimes, the story’s got to stop at the edge of the page, the end of the series, or the last page in a graphic novel. Whether those movie moguls with their limousines, their millions of dollars, and their fast food tie-ins want to admit it or not, there’s a reason why Hollywood keeps hitting the comic shop for ideas: simply, comics rule, and they put movies to shame. Here’s why.
 
1. No Special Effects Budget
 
Yes, comics cost money. In fact, creating, publishing, and owning them feels like throwing money into a fiery pit that occasionally spits out a comic—or, if it’s Daredevil: Target or Planetary, a big blast of sadness. But, once the bills are paid (or the talent’s been conned—whichever), creators can write and draw just about whatever they want. It doesn’t cost any more to have a fight on the moon than it does to show a couple of characters having coffee. Hell, characters can have coffee on the moon or fight in a coffee shop. The special effects never go over budget. Granted, it might cost more to get Steve McNiven to draw every character in the Marvel Universe in Civil War than Joe Newbie to draw Stick Figure Man, but that’s splitting hairs. Comics can go over-budget like anything else, but it’s not because WETA can handle the visual effects better than ILM. Both movies and comics are visual mediums, but only comics have a blank check for space travel, laser cannon fights, and freakin’ dinosaurs fighting knights on horseback.
 
2. No Content Limits
 
Way back in Hellblazer—like several years ago, in #9—John Constantine prevented the Second Coming of Christ. He only did it because the demon Nergal threatened him with everything imaginable, including eating babies. When old Con Job agreed, the demon injected him with some of his blood. Then, Constantine knocked boots with an old friend who was supposed to birth the new Messiah. But, when an angel approached her to make a little Jesus magic, it sensed the demon seed in her and turned away. Try imagining that scene in the movie Constantine. Comics get away with it all. In both of the cinematic incarnations of the Punisher, Frank Castle’s a pretty mean SOB. But, in Garth Ennis’s MAX series, the character borders on a serial killer who just enjoys hurting criminals. Several issues ago, Castle disemboweled a member of an Eastern European slave trafficking group and draped his intestines over a tree—only, the poor bastard was alive when he woke up and saw the Punisher’s handiwork. Then, there was the interrogation. Alan Moore and Melinda Gebbie’s Lost Girls depicts sex acts that would land any filmmaker in federal prison. Try filming that, and you’d share a cell with a guy that’s got a thing for chickenhawks. But, it’s comics—no children or animals are ever harmed in the production. Comics have it good compared to movies. Occasionally, the Comic Book Legal Defense Fund has to put on the gloves because somebody’s mom gets a comic shop owner arrested. But, while a crappy torture porn flick like Hostel 2 can cause national outrage, the Savage Dragon can watch the Devil kick God in the balls. Only in comics, Maniacs.
 
3. No Length Limits
 
It would take a lot of movies to cover a series like Preacher—66 issues—or Transmetropolitan—60 issues. Both series tell a single epic story with a clear beginning, middle, and end. Comics have movies beat for length. Unless you’re James Bond or Godzilla, most of the time a movie series gets a trilogy, at most. Granted, Star Trek has 10 movies under its belt and Star Wars has six—seven if you count the upcoming animated one. And, yes, a television series can go on for years. Hell, Gunsmoke lasted 20 years. But, TV usually sucks and comics always win that fight (because we said so). And, unless a show has HBO or Showtime behind it, it can expect to run into the same BS budget and content restrictions that movies deal with, but worse. Cerebus ran 300 issues for 27 years. Comics can—and often do—go on forever. And, if the story is good enough, the publisher might collect it into a few phonebook-sized volumes with the words Absolute, Essential, Showcase, or Omnibus in the titles. Beat that, moving pictures.
 
4. Theater of the Mind
 
Comics and movies both use still images to tell a story. Movies just use a hell of a lot more to simulate motion. Add sound effects and dialogue, and you have an experience that hands you the story on a plate. Sometimes, that’s what you need after a hard night at the bar. But, comics make your ass work. They show the reader a sequence of images and make you create the sense of time and motion between panels. The reader also has to create the sound effects. In the same way that a tabletop role-playing game engages the imagination in a way that World of Warcraft never can, comics drag the reader into an intensely vivid experience that movies simply can’t match. You see the art, you hear the words and sounds in your mind, and you move the story forward like a hand-crank 8mm projector. 
 
5. Quantity is Quality
 
There are a hell of a lot more comics out there than movies. Granted, a lot of films come out—great ones, even—that no one ever sees. But, finding offbeat material in comics means a trip to the shop on Wednesday. There are comics that cater to every taste, whim, and genre imaginable. Want to read the 9/11 Commission Report in comic report? It’s there. Do you like westerns, historical fiction, biographies, or demons banging hot elf chicks? Your comic shop’s got it all, or it can get whatever you want for you. And, because of the comparably fewer restrictions on the medium, a bad run on Detective Comics doesn’t mean the end of Batman movies for ten years. Hell, if you don’t like the creative team on Detective Comics, somebody better might be working on Batman. If you don’t like either of them, there are dozens of fantastic stories with the character that you probably haven’t read yet. Comics turn on the tap of unlimited visual media with a wellspring of awesomeness that movies can’t beat. And, if you really can’t find anything you like, it’s a lot cheaper and easier to make your own comics than to make your own movie.
 
As you can see, comics beat movies hands down. Check and mate, cinema. Your time has passed.
 
The Spinner Rack
By Kurt Amacker
 
Kurt: So, Ben’s still on the lam. I told him that life as an ivory smuggler wasn’t all it was cracked up to be, but damned if he didn’t listen and killed an elephant. Nonetheless, the listings must go on. Remember, Maniacs, that comics don’t ship until Thursday because of the Fourth of July holiday.
 
DARK HORSE COMICS

Blood Plus Novel Vol 02 Chevalier (RES) $8.95

BPRD The Warning #1 (of 5) $2.99
Dark Horse has just been cranking out the BPRD comics. I wonder if there’s a movie coming out or something.
 
Goon #26 $2.99
Speaking of which, it looks like there might be a Goon CGI movie. Good stuff.
Goon #26 Top Secret Eric Powell Var CVR $2.99

Hellboy Oddest Jobs TP $14.95
This is actually a collection of prose short stories, with contributions by Joe R. Lansdale, Barbara Hambly, and more.

Indiana Jones & Tomb Of The Gods #1 $2.99
All right, I saw Kingdom of the Crystal Skull again a couple of days ago. I saw it the night it came out, but I wanted to give it some time to sink in and see it again. And you know what? I really liked it.  I would’ve liked a little more mayhem and bloodshed on par with the other three, but I thought it really nailed the Cold War-era pulp thing. I was convinced that I was going to hate it, but I feel quite the opposite. You guys that say that I hate happy, entertaining stuff can relax.
 
DC COMICS

100 Bullets #93 (MR) $2.99
Seven issues to go before I start reading. This one gets a weekend with all of my phones off.
 
Action Comics #867 $2.99

American Virgin TP Vol 04 Around The World (MR) $17.99
I hate each and every one of you for not buying the hell out of this and keeping it alive.
 
Batman And Son TP $14.99

Batman Confidential #19 $2.99
All right, is anyone reading this? Is it any good?
 
Batman Strikes #47 $2.25

Booster Gold #1000000 $2.99

Chuck #2 (of 6) $2.99

Detective Comics #846 Rip $2.99

Final Crisis Requiem #1 $3.99
Oh, for God’s sake.
 
Green Arrow Black Canary #10 $2.99

Huntress Year One #5 (of 6) $2.99

Jokers Asylum The Penguin #1 $2.99
This begins a weekly series of one-shots narrated by the Joker—each one about a single Batman villain. This one’s by Jason Aaron.

Justice Society Of America #17 $2.99

Kikaider Code 02 Vol 07 (MR) $9.99

Legion Of Super Heroes In The 31st Century #16 $2.25

Lost Boys Reign Of Frogs #3 (of 4) (MR) $3.50
Please let me die instead.
 
New York Four $9.99
There’s probably a sports joke in here somewhere. Somebody make it for me, please.

Number Of The Beast #7 (of 8) $2.99

Teen Titans Spotlight Wonder Girl TP $17.99

Trinity #6 $2.99

Variante Vol 04 (MR) $12.99

Women Of The Dcu Series 2 Wonder Girl Bust $55.00
“Dear Diary: Jackpot!”
 
Wonder Woman #22 $2.99

Young Liars #5 (MR) $2.99

IMAGE COMICS

Age Of Bronze #27 (MR) $3.50

Captain Stoneheart & The Truth Fairy HC $19.99

I Kill Giants #1 (of 7) $2.99

Pilot Season Urban Myths #1 $3.99

Shark-Man #3 $3.50

Spawn #180 $2.95
Five more issues until McFarlane comes back.
 
Steve Niles Strange Cases #4 $2.50

Wildguard Insider #3 (of 3) $3.50

Witchblade #119 Ross CVR B $2.99

Witchblade #119 Sejic CVR A $2.99

MARVEL COMICS

Amazing Spider-Girl #22 $2.99

Amazing Spider-Man #565 $2.99

Anita Blake Vh Guilty Pleasures TP Vol 01 $14.99

Annihilation Conquest HC Book 02 $39.99

Captain America White #0 $2.99
This is by Jeph Loeb and Tim Sale. It’s in the same mode as Daredevil: Yellow and Hulk: Gray.
 
Captain America White #0 Tim Sale Var $2.99

Captain Britain And Mi 13 #3 Si $2.99

Criminal TP Vol 03 Dead And Dying (MR) $11.99

Essential Doctor Strange TP Vol 01 New ED $16.99

Eternals #2 $2.99

Genext #3 (of 5) $3.99

Guardians Of Galaxy #3 $2.99

Hulk Chronicles Wwh #1 $4.99
In other words, the way it should’ve been presented originally. Hooray.
 
Hulk Red Hulk Must Have (PP #820) $4.99

Invincible Iron Man #2 2nd Ptg Larroca Var (PP #821) $2.99

Invincible Iron Man #3 $2.99
Matt Fraction rules.
 
Iron Man Legacy Of Doom #4 (of 4) $2.99

Last Defenders #5 (of 6) $2.99

Marvel Adventures Hulk #13 $2.99

Ms Marvel TP Vol 04 Monster Smash $14.99

New Exiles #8 $2.99

Nova #15 $2.99

Power Pack HC Vol 01 (RES) $24.99
Where’s Al Brown when you need him?
 
Powers #29 (MR) $3.95

Runaways Prem HC Dead End Kids $19.99
This collects Joss Whedon’s arc. When I read the title, I thought it said “Dead Emo Kids.” Just for a minute, I was really happy.
 
Runaways Prem HC Dead End Kids DM ED $19.99

Secret Invasion #4 Si $3.99

Ultimate Origins #2 (of 5) $2.99

Ultimate Origins #2 (of 5) Dell Otto Sketch Var $2.99

Wolverine TP Death Of Wolverine $14.99
I guess he technically dies, but not really.
 
X-force #4 2nd Ptg Crain Var (PP #821) $2.99
All right, I dig this series, but isn’t a little early to start reprinting issues that came out a few weeks ago?
 
Young X-Men #4 Dws $2.99
 
Questions? Comments? Let us know what you think at comicscape@mania.com.


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Comments/Responses
1
celt6 • Jul 09, 2008, 07:02am •
Kurt... seriously... Indiana Jones 4? In a few years, everyone is going to refer to it as "oh... the one with the aliens?" in the same tone that is usually used when referencing an ugly knit sweater you received at Christmas from some near-sighted aunt. It was totally out of the vein of the previous films. No supernatural or religious references, too much of the "cute-and-charming" dialogue, and no cool traps to defeat. Admit it... you like it because you WANT to like it, not because it's any good.

That being said, I'd like to throw my hat into the ring to replace Ben, once the Feds finally find him and drag him down from the Great White North to lock him up into his secret fantasy place somewhere deep within Leavenworth with a guy named Bubba. I can promise timeliness, good humor, and minimal references to anything with the #2 on it.

AMiSHPiRATE • Jul 09, 2008, 08:44am •
I will start a nation-wide, grass roots effort to boycott comicscape if the #2 references dry up like a painful #2. Keep `em squishy & flowing like a messy #2, Ben! Don't let the man or constipation hold you back!

Chuck #2 (of 6) $2.99 - Sounds like that'll give you some serious splash back.

Eternals #2 $2.99 - I had stuffed-crust pizza last week that gave me one of those.

Ultimate Origins #2 (of 5) $2.99 - It started in a dark, smelly cave.

and oh yeah

2. No Content Limits - `nuff said.

WISEGUY562 • Jul 09, 2008, 09:28am •
Agree on all 5 points. Comics is the supreme medium for story telling. The problem is most people don't want to read. How many times have you heard "I'll wait for the movie"? Even though most of the time the written material is superior. I love seeing the comics getting their due respect from Hollywood but they'll never be able to replace them IMO.

Thanks for reminding me comics are due Thursday, with gasoline prices being what they are you just saved me about 5 dollars.

SinisterPryde • Jul 09, 2008, 09:57am •
I also agree that comics are a great story-telling medium (if not the best), but there is one way movies have comics beat: ever tried snuggling close to a woman while reading a comc book?

I also liked Indiana Jones 4 (but then, I'm the guy that liked the Star Wars prequels). The way the whole opening adventure ends almost killed it for me, but I allowed it anyway.

I've never read the early Hellblazers, but it sounds a lot like Ben's house...

mckracken • Jul 09, 2008, 02:39pm •
oh you mean the whole "surviving a nuclear bomb from ground zero in a refridgerator" ending? This was the first Indiana Jones where the opening adventure actually tied into the main story. All the villains were there from the start unlike Last Crusade, Templ of Doom and Raiders of the Lost Ark.

Muldfeld • Jul 10, 2008, 11:31am •
I'm so glad my father made me give up comics when I was 16 because I was spending $70 a month of his money; he would have let me continue, but just not as much money. The problem was it became an obsession. I had to have every issue of X-Men and Spiderman, and it was such a waste because comics are shameless at milking money out of people through cross-overs and in milking melodrama and sensationalism. The last X-Men story I read, some guy who turned out to be Professor X's alter ego confesses to Jean Grey that Xavier was in love with her. What about all the stunts comic books pull, killing off characters only to have them return. Wolverine supposedly killed Sabretooth in Wolverine 91 or something before the Age of Apocalypse (which was quite awesome!), but he went retarded and then played at being retarded before trying to kill them all. Silly waste of time and money. Also, comic books exploit teens desire for porn. How many times did Psylocke hit on Cyclops in 1992?

shadowprime • Jul 10, 2008, 12:33pm •

I think I, personally, prefer "different" to "better". Comic Books offer one kind of experience, non-comic books (!) offer another, movies offer still another ... shoot, even radio drama (long gone now) offers still another. I guess I am not an "either/or" type, I like that we have the choice of chocolate, vanilla, and all the other myriad flavors out there.

And I say that as a big fan of comic books, mind you. There definitely is a unique pleasure to the form, and I wouldn't trade, say, the experience of reading WATCHMEN or DARK KNIGHT RETURNS for the first time for the experience of seeing them on the screen. Of course, these days, we can often do both... which is pretty cool.

Shadow

deadcowboy138 • Jul 10, 2008, 03:23pm •
Hey guys, Kurt here.

Here we go.

Celt6 -- No, seriously, I liked Indy 4. I despised Phantom Menace, and I only kind of liked Attack of the Clones. Ep III was fine. I don't know how long you've read this column, but these guys will tell you that I'm pretty up front when I don't like something. I was prepared to dislike Indy 4. I had problems with it, but I think it managed to achieve a place of its own as a piece of Cold War sci-fi pulp. I'd probably rank it above Temple of Doom, but below Raiders and Last Crusade. Sorry, but I dug it.

Everyone else -- yes, comics and movies are different. The idea of this column was to act like a jackass, while making some salient points about the differences between the mediums. Comics have a lot over movies, but they really achieve different things. In some ways, it's like complaining about a theatrical production for its total lack of ballet. I wanted to get a couple of laughs while deconstructing the comics medium a bit. I hope I succeeded.
K

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