Movie Profile


Directors Who Matter Steven Spielberg

By: ANTHONY C. FERRANTE
Date: Friday, December 23, 2005

Age: 59

Most Recent Film: Munich

Best Film: Raiders of the Lost Ark

Most Underrated Film: Catch Me if You Can

Did You Know: Played the Cook County assessor's office clerk in The Blues Brothers (1980).

Why He Matters: Continues to make great popcorn films while still taking the time to do smaller, more personal movies with the same care. He's the director every other director wants to be he has the power, the fame, his own studio and still manages to be a nice guy.

In the 1970s and '80s, Steven Spielberg saw alien life forms as benevolent creatures that loved music and Reese's Pieces.

In 2005, they wanted to destroy our planet.

It's surprising that Spielberg had waited so long to show off the dark side of extraterrestrial life forms, but it also makes perfect sense that he did so with an adaptation of the classic H.G. Wells novel War of the Worlds (previously lensed in 1953).

"I'm an equal opportunity director," laughs Spielberg. "I gave the benevolent aliens a shot, now (I've tried) my hand at the worst kind who are just bent on ending civilization and beginning their own."

Although the novel was set in 1898, Spielberg wasn't interested in doing a Victorian-set science fiction film. Instead, he felt in this post-9/11 world that something else could be said with a present-day movie about an alien invasion.


"I think in the shadow of 9/11 there is a little relevance, and we are so unsettled in our feeling about our collective futures," says Spielberg. "That's why I think when I rediscovered War of the Worlds post 9/11, it made more sense. It could be a tremendous emotional story, a very entertaining one and still have some kind of current relevance. I began this movie 12 years ago when I bought at an auction the last surviving [Orson Wells] War of the Worlds radio script. It was amazing. It was a real distillation of the novel."

Of course, Independence Day came out and squelched the idea for a bit.

"When it came out, I said, 'Maybe I won't make it,' because they had kind of picked the bones of that,'" recalls Spielberg. "They didn't pick it clean, they picked different bones than I would have chosen, but that put me off for awhile. I guess I got interested again after Tom [Cruise] and I had such a great time doing Minority Report."

In War of the Worlds, Cruise plays a harried father trying to save his kids from the menace of the alien attack and goes on the road to find some kind of safe haven.

"The point of view is very personal, and everybody can relate to the point of view, because it's about a family trying to survive and stay together [while] surrounded by the most ethically horrendous events you can possibly imagine." Spielberg explains. "It doesn't have the sense of light adventure of Independence Day. We (took) it much more seriously than that. It's ultra-realistic, as I've ever intended to make a movie in terms of its documentary style. At the same time, it's the Hollywood production design that audiences are demanding these days. So it's the combination of blending these huge events visually and this documentary personal story at the center of it."

As far as Spielberg's style on the film, he admits that he's much more entranced by amazing imagery rather than assaulting audiences with the current fast-paced editing that is the norm in many summer movies today.

"I'm more interested in the concept shots than I am with MTV coverage," says Spielberg. "If you can put something on the screen that's sustained, that's where you get to study it and say, 'How did they do that?' I enjoy that more than creating an illusion with 16 different camera angles, where no shots last longer than six frames on screen."

As for Spielberg's trademark deadpan movie sense of humor, the director admitted there was some in War of the Worlds, but it came out of the characters interactions instead of the need to tell a joke.

"I felt that way about Jaws," says Spielberg. "If I didn't create the humor, the audience would find inappropriate places to laugh, and I've done the same with this picture. We've created humor, but it comes out of the natural insanity of this family simply on an odyssey for survival."

(WAR OF THE WORLDS was released on DVD this past week.)


More Content By ANTHONY C. FERRANTE
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Directors Who Matter - Christopher Nolan
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Comments/Responses
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• Dec 23, 2005, 06:03am •
Finally, Cinescape, a director that really does matter. He may not be the absolute best but he's definitely one of the best out there so far. The guy is a pro, he's got class and he knows how to put a great story on the screen. You'll never catch this guy backtracking, rewriting history,making crap up as he goes or selling out his fans just to sell toys.

• Dec 23, 2005, 06:08am •
To the lot of you - Merry Christmas, Seasons Greetings, Happy Festivous, Happy New Year and whatever other cheerful greeting you can think of. All the best to all of you. BTW: Happy Chanukah to my man Spielburg, keep up the good work in 2006...and beyond.

• Dec 23, 2005, 07:31am •
Directors that really make a difference, this guy takes the cake. From E.T. to The War of the Worlds, Spielberg has been impressing us with his visuals for the last 3 decaded. Keep up the great work and happy holidays.

lracors • Dec 23, 2005, 07:47am •
Spielberg has been extremely impressive over the years. I have a problem with some of his phony balony feel-good endings, but he is quite possible the most solid director in our lifetime.

• Dec 23, 2005, 09:25am •
I agree that Cinescape finally through up a no-brainer in this series. I'd also agree with their picks for best and most underrated. I've enjoyed the vast majority of his films, Tom Cruise not withstanding.

I'm not sure I buy radone's argument though. Spielberg certainly backtracked and rewrote history when he digitally replaced guns with cellphones and flashlights in the redo of E.T.

And in agreement with lracors, he certainly crapped out on the ending to AI.

• Dec 23, 2005, 10:13am •
I'll definitely agree that Spielberg is a master of his craft. I'm not sure if he's necessarily the best director out there, but he's certainly the most consistant.

"Raiders" is a masterpiece for the ages. The recent "War of the Worlds" was fantastic. I'm looking quite forward to "Munich"...

The ending in "AI" was apparently as per Kubrick's wishes - though I somehow doubt that spin. I kind of group that film with "Minority Report" - which also was pretty good up until the neat and tidy "happy" ending. But those two films are merely blips on the radar - and for the most part, they were enjoyable.

Anyway, good article, Anthony!

• Dec 23, 2005, 11:23am •
One of my favorite films from Spielberg is Minority Report. I thought Tom was excellent, the visuals incredible, and the story a blast!

His new WotW was fantastic! Though, as with the original, the ending is a bit shallow, but otherwise it was a hell of a flick!

My absolute fav. of his is still the original E.T., not his "updated" version. The magic of that film still works today, and John Williams' score is one of, if not THE greatest film scores in history. He proved he's "The Master".

Anyhow, this was a good article for Cinescape. I think most of us movie fans agree that Spielberg is one of the best directors ever.

• Dec 23, 2005, 11:57am •
Definately not the best, but there is absolutely no doubting that he is a director that matters. Thank you Cinescape for finally picking a really good one.

• Dec 23, 2005, 12:11pm •
A lot of times, when I hear of a movie I see who's starring in the film before deciding if i want to see it or not. When I see Spielberg's name as the director, I don't care who's starring. Jaws, ET, Close Encounters, Raiders of the Lost Ark, The Color Purple, Empire of the Sun, Saving Private Ryan & Shindler's List. Amazing movies all. I know there are so many storied directors in the history of film, but an arguement can defintely be made for Spielberg to be the best. His movies are successful in box office and critical terms. Shindler's List was so brilliant and absolutely moved me to tears. As for happy endings...I like them! :-)

• Dec 23, 2005, 01:29pm •
Yes Spielberg is a director that definitely Matters. Personally I think his most underrated movie is AI. That’s one of those movies that I found myself thinking about days and even weeks after I saw it. There were a lot of layers to filter through. It took me a while to figure out the key to viewing the movie. Yes it’s a fairy tale. But the question is; whose fairly tale is it? Once you answer that question the entire movie changes.

As for Minority Report. I think the ending can be interpreted a couple of ways. It seems at first glance like a ‘happy’ ending but when you think about it, it’s actually a lot more ambiguous. Remember early in the movie one of the characters comments that it’s possible the frozen inmates are dreaming about some fantasy life. When Cruise’s character is captured the POV switches to him being put in the cryo-chamber. From that point forward one could interpret the movie as being Cruise’s fantasy while he is trapped in the chamber. Which is not a happy ending.


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