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Distributing Outside of Diamond

A crash course for publishers about to be kicked out of Previews

By Kurt Amacker     February 04, 2009
Source: Mania


NO FLY ZONE: Distributing Outside of Diamond
© Mania

Greetings, Maniacs, and welcome to this week’s installment of The No-Fly Zone!

A couple of weeks ago, Diamond Comics Distributor’s announced it would increase the advance sales order minimum from $1,500 to $2,500—meaning, the amount the company actually pays the publisher, translating into several thousand in actual retail orders. The web has seen a lot of traffic on where small publishers will take their comics, as many will not make the minimum requirements to appear in Previews, the distributor’s monthly catalog.

Make no mistake, Maniacs—this is a huge blow to the small press.

Marvel, DC, Image, and Dark Horse will still have their place in Previews, but those publishers that only sell books in the hundreds—and not thousands—will have to find a new outlet. At this point, railing against Diamond’s decision will accomplish very little. The company made the decision purely out of financial consideration, and not out of some megalomaniacal drive to make sure everyone reads Amazing Spider-Man until they die. But, Diamond has historically made life for small publishers difficult.

This may stand as the last straw before an exodus of small publishers gives weight to the distributor’s admittedly scant competition—one hopes, anyway. In this week’s No-Fly Zone, we’re going to look at some of those options and examine their respective benefits and drawbacks. This week’s column will focus on print distributors, and not the digital options. Those remain available and should be considered by publishers in light of the circumstances, but we want to talk about some of the options for printed comics.

First and foremost, Haven Distributors will likely benefit the most from the new benchmarks. Haven stands as Diamond’s only significant national competitor, but it’s a David-and-Goliath scenario at this point. Haven distributes to about 2,300 shops nationwide. It often asks new publishers to sell on consignment initially, but it will buy comics at wholesale if the book features licensed characters or established talent. The distributor’s discount when buying from publishers is usually 60%, in either case. The company used to only solicit books it had in stock, but an advance order system is being phased in to accommodate the influx of publishers.

Right now, most of the major independent publishers work with Haven, including Slave Labor Graphics, Top Shelf, Heavy Metal, and even a little company called Seraphemera Books out of Houston (which publishes this awesome comic called Dead Souls). The benefits of dealing with Haven should attract most small publishers. The distributor has very little in the way of sales minimums or requirements for advertisement space. They require retailers to order a minimum of $50 worth of stuff, but they have no benchmarks for publishers. If you just want someone to carry your book they can get the job done, whether you hope to sell one or 100 comics. Still, there are a couple of drawbacks. New publishers may not be prepared to sell books on consignment, especially if they depended on a regular check from Diamond. With Haven’s comparably limited number of retailers, that means less exposure for a given title and potentially lower sales. A publisher used to selling 500 or 600 copies of a comic through Diamond may find their sales down significantly. Still, Haven may work well for hobby publishers who don’t depend on publishing to pay the light bill.

Logos for various alternate sources for Comics Distribution

Second, Ka-Blam—a print-on-demand company specializing in comics—has just announced its own online distributor called ComicsMonkey, which has yet to actually launch. The distributor will forgo a print catalog and just use its website to sell comics directly to retailers at a 35% discount. There will be no minimum orders. Once the service is up and running, retailers only have to register and order their comics. If it’s listed on the ComicsMonkey site, they will always have it because rather than maintaining a stock of comics, the distributor will simply print as many as retailers order. That means that publishers won’t even have to print their own comics. They simply sign up with Ka-Blam, send their files for approval, and then collect a percentage for each book sold—estimated at about 10% at the moment. That hardly sounds like a lot, but with no setup, printing, or shipping costs, it probably works out better than most would think. ComicsMonkey will likely not have the same volume of orders as Haven, at least initially. However, for new creators, it could be a great opportunity. You just create the book and send the files. You pay nothing up front. If it sells, you make money. If it doesn’t, you don’t. You don’t have to keep hundreds of copies on hand in case someone orders them. Ka-Blam will just print a book if someone orders one.

Third, Ka-Blam’s other site, IndyPlanet and longtime small press printer ComiXpress both have print-on-demand stores that sell directly to fans. If you list your book with either of them, they keep your files and then print the book when someone orders it. They do not offer retailer discounts, but sell directly to consumers. Both IndyPlanet and ComiXpress then subtract the printing cost of the comic from the cover price and give the rest to you, the publisher. In both cases, the opportunities for distribution are fairly limited, but a publisher would make more money per book than with Haven or ComicsMonkey. IndyPlanet also offers a consignment service if a publisher has a stock of books on hand, at a 50% discount. You send them the comics, and they sell them and give you half.

Fourth, publishers always have the option of self-distributing by acting as a vendor for multiple retailers. This stands as a monumental undertaking, almost as laborious as creating a comic in the first place. However, it means that a publisher can shop for a printer, rather than accepting ComiXpress or Ka-Blam’s rates as part of the deal. It can also set its own retailer discount and easily make the most money per book. However, establishing relationships with multiple stores and website takes time and energy. For hobbyist publishers with only a couple of books, this might work enough to stay above water. But, it still means a huge amount of work—understandably, probably more than most publishers will want to undertake.

Finally, Maniacs, let The No-Fly Zone remind you that it comes down to money. Haven, IndyPlanet, ComiXpress, ComicsMonkey, and the publishers that use them will only succeed if people buy their comics. Diamond has put the squeeze on the small press for a long time now. That’s business and we all have to deal with it. But, the distributor has exercised a relative monopoly over comics in the United States for years.

Most fans have proven time and again to prefer established properties to newer creator-owned ones, even from the larger independent publishers like Avatar. This will make little difference to them. But, Marvel, DC, Image, and Dark Horse want guys that cut their teeth on independent comics. Many small press creators and publishers understand that comic books don’t make anyone rich. They’ll suffer for their art, but only for so long.

Diamond isn’t a charity, and they’re only giving consumers what they want. Maniacs, this is our fault. We’re the ones that grab Dark Avengers #1 instead of something new that might interest us—even something off-beat from Marvel. We’re the ones that complain when the status quo changes in a series that has seen print for 60 years. The comic industry needs to foster new talent with fresh ideas. Otherwise, the medium will continue to traffic in recycled ideas, ultimately devolving into ongoing advertisements for licensed merchandise and movies. It’s up to us to show Diamond that they don’t control comics as a medium just because they have exclusive contracts with Marvel and DC.

Tell your retailers about these other distributors. Encourage them to order from Haven and ComicsMonkey. Shop around ComiXpress and IndyPlanet and find some new stuff. Keep the medium alive and interesting and forgo a cape with a new logo on it, for once.

You are now exiting The No-Fly Zone.

COMMENTS AND RESPONSES

Showing items 1 - 6 of 6
1 
everdreaded 2/4/2009 7:19:56 PM

Let me say that I have never liked anything about the hawk it all up attitude of diamond ever since I started reading comics in the late 80's. I always got that mentality to make the little inie pubs suffer and bleed to make thier listings. And as time went on I noticed more and more books by small publishers that i liked fall to the wayside and it always seemed to due with distribution more than anything on the creators.

I was one of the "fools" back in the day that fell for what we at the at my comic direct shop in Baltimore called the THE GLUT" when Image gained a name for itself and then commenced to heapin on the unsuspecting fan any title connected with thier flagships. Shakey one shots, mini series and titles that seemed like they were added on to give another artist pal work.( which wouldnt have sucked so much if that pal could write) and can I also add that as much as these annual crossovers from the BIGTwo suck, they could never be as overhyped and insignificant as anything IMAGE kicked out at the time(WILDSTORM RISING anyone)

And thats when I stopped reading as many till it shuffled down to nothing.

Recently ive gone back to looking up indies online and am pretty content to add myself to a small publishers list for the return of a good story great art and painstaking labour to share what they do to limited but appreciative masses.

So in that regard you are right..WE the purchasers of the mainstream crap are responsible for making Diamond who they are.The only solace and dispute I have with what was stated above is that in these hard economic times, NO one and NO company has been above HARD TIMES  and KARMA comin back to bite them in the ass. And somehow i see Diamond taking a big hit for thier monopolization. I hope the great creative souls who do thier thing outside the mainstream are able to take advantage of these chaotic times, outsmart the corporate gluttons and establish themselves to the masses with the great work they do.

peaace and oh yeah...

 

GET RID OF THAT FACEBOOK CRAP!

mckracken 2/4/2009 11:41:41 PM

i know... I know... .i bled sweat and cried from 1992 to 1997 self publishing my own indie title (nobody ever heard of) and yes I'm sick and tired of Diamonds "one-stop-shop" for retailers buying comics.

Hell, i know i've been away from the small press game for just over ten years, but I've NEVER hear of Haven or any other avenues for distributing indie comics. (I had heard of print-on-demand services... there are more of them than are listed in this article by the way) i ceased comics and turned my attention towards Flash animations for three reasons:

  1. color... do small press comics offer? full color...Glorious... oh my god, it's the little things, i never produced a full color comic way back in the day, hell we were perfecting grey tones via printer output. I NEVER thought I'd see my comics in color!
  2. motion: beautiful full motion if you're willing to draw in droves for your art, animation is either quick and dirty or painstaking, time consuming and laborious...and I wouldnt recommend going the time consuming laborious route alone... find friends ;)
  3. audio: do comics have audio? nope... god I grinned my ass off the first time I figured out how to lip-synch and get my characters to talk...

thats why i switched to animation... plus i actually found something BETTER than attending the San Diego Comic Con...

 

 

HAWAII. :)

TheFuzzyDan 2/12/2009 6:11:52 AM

 I have been publishing my comic book with Ka-Blam.com now for over two years and I am EXTREMELY happy with their service.  As a comic book writer/artist I am much more interested in telling stories than whether or not I can support myself off of my work and Ka-Blam with IndyPlanet has been a godsend.  And now, with their upcoming ComicsMonkey distribution company, who knows?

For anyone wanting to see their work in professional print without deep pockets, you have to give Ka-Blam a look-see.

scottnicholson 2/16/2009 11:22:59 AM

We're starting up the new indie Post Mortem Comic Studios right in the middle of all this. I have friends who write for bigger companies and it seems your choice is (a) sign away all your rights as work for hire or (b) pay a lot of money upfront and hope to break even on your book.

So, really, for a creator, you may be just as well off in this new environment. Diamond was never in it to boost the small people, just as no industry does--arts aren't immune from the real world. I see this is exciting opportunity rather than the death of new comics.

 

Scott Nicholson

www.postmortemcomics.com

scottnicholson 2/16/2009 11:23:19 AM

We're starting up the new indie Post Mortem Comic Studios right in the middle of all this. I have friends who write for bigger companies and it seems your choice is (a) sign away all your rights as work for hire or (b) pay a lot of money upfront and hope to break even on your book.

So, really, for a creator, you may be just as well off in this new environment. Diamond was never in it to boost the small people, just as no industry does--arts aren't immune from the real world. I see this is exciting opportunity rather than the death of new comics.

 

Scott Nicholson

www.postmortemcomics.com

aberrebbi 2/24/2009 2:08:58 PM

I am the former CFO of Future Comics and now do consulting with Big Bang Comics. if you remember, we did the self-distribution route at Future. Looking back, knowing what I know now, I would have suggested we buy Cold Cut or one of the other smaller distributors who not only had the system in place, but the other product as well to make it more worthwhile for the retailer to order from us. It would have been cheaper in the long run too.

One thing we learned was the actual number of TRUE comic shops is a lot smaller than people think. They include anyone who has an account as a comic shop and most of them just carry some books but are NOT traditional comic book stores.

The biggest mystery to me is the future plan(s) of Diamond. To me, they should be the Amazon of comic books, where they give people the ability to do affiliate sales for any comics they wish. A simple way for a Grant Morrison fan site to sell Grant Morrison books and make some money, while spreading the long tail of economics in the comic book business far and wide. Give everyone the ability to sell comics easily

They should also do print on demand for smaller publishers.

Finally, if I was Marvel or DC, I would offer custom printing of EVERY BOOK THEY HAVE EVER CARRIED. Give fans the ability to print on demand, custom trades. For example, I can chose whatever Captain America comics I wanted and make my own trade, with my own cover choice. This would appeal to everyone, old timers and new fans. And I believe it would explode and put a dent in some of the illegal torrents or at the least, use the torrents to fuel interest in these trades. Plus each one would feel like a unique oriignal trade.

Just my simple thoughts here.

1 

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