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- TV Series: Dollhouse
- Episode: Instinct
- Starring: Eliza Dushku, Olivia Williams, Tahmoh Penikett, Dichen Lachman, Fran Kranz
- Written By: Michelle Fazekas, Tara Butters
- Directed By: Marita Grabiak
- Network: Fox
- Series: Dollhouse
Dollhouse: Instinct Review
Whedon Tries to Follow his Instinct. By Kurt Anthony Krug
October 04, 2009
Dollhouse Review(2009).
© Fox/Bob Trate
“Instinct” – the second episode of Dollhouse – isn’t too impressive, sadly. Echo’s (Eliza Dushku) identity of the week is that of Emily, a mother of a baby boy named Jack and wife of an affluent engineer named Nate (Kristoffer Polaha). Nate has hired the services of the Dollhouse to provide a replacement mommy for Jack, whose real mother died in childbirth. However, he’s really not getting his money’s worth as he discovers he’s living a lie. Further, Echo’s Emily persona becomes a little too paranoid upon overhearing Nate tell the Dollhouse he’s not happy with the services it’s providing and he wants to get rid of Jack.
Dollhouse mad scientist (with a dash of nerdy thrown in – more than a dash of, actually) Topher (Fran Kranz) mind-wipes Echo. This time when she wakes up, the trademark “Did I fall asleep?” that is followed up “Only for a little while” has quite the twist as Echo palm-strikes Topher, knocking him cold.
And that’s when things get silly.
Echo steals one of the Dollhouse’s cars, which conveniently has its keys in the ignition. Okay, in an earlier scene, Dollhouse security guards beat on Echo. This time around, she strolls out of there effortlessly and a car with keys in the ignition is readily available? Just like that? WTF? All of the sudden, this clandestine organization’s security’s really lousy. Not only that, that’s really asking the viewers to suspend a lot of disbelief.
Echo heads off to Nate’s home to get Jack. Turns out that Topher’s personality download was better than he expected as he implanted her with a maternal instinct.
“Maternal instinct is too strong for a normal wipe. I outplayed myself…” Topher says. “Perhaps triggering lactation was a bridge too far.”
When she confronts Nate, it degenerates into a clichéd horror movie. There’s an electrical storm, the phones and power goes out right when Dollhouse honcho Adelle DeWitt (Olivia Williams) calls him and tells him to get out of the house because Echo is coming. The baby stops crying and Nate turns around to see him in the arms of the nutty Echo, who’s wielding a butcher knife. It’s like a gender-bender Stepfather meets Single White Female. Nate convinces Echo to put the knife down, and her handler Paul Ballard (Tahmoh Penikett) comes in and gets her. From there, they talk and the show ends.
Fox did Joss Whedon and his legion of fans a service when it renewed Dollhouse for a second season. Let’s hope future episodes are better than this disappointment. Whedon’s strength is sweeping, multi-episode story arcs that he did on Buffy the Vampire Slayer and Angel. Let him apply that formula to Dollhouse in order to make it succeed as this identity du jour stuff is getting old real fast – and it’s only the second episode.
"The human brain is kind of like Van Halen. If you keep removing and replacing one piece, the whole thing degrades."
Like most of Joss' work, this seemingly unimportant episode is the groundwork for something bigger that's going to come back and bite the Dollhouse in the ass. It's the emotional commitment that the dolls are experiencing with every personality that's the problem.
"and her handler Paul Ballard (Tahmoh Penikett) comes in and gets her. From there, they talk and the show ends."
Obviously from reading your review, this is the first time you've even watched an episode of Dollhouse. That talk at the end between Ballard and Echo was very important. But only to people who have actually watched the show and not just glossed over it so they could write a mediocre article.