Comicscape Rant


Don't Believe the Hype

By: Kurt Amacker
Date: Wednesday, March 05, 2008

Who do you trust? Whose side are you on? What would you do with one more day? This summer, everything will change. Do you even care anymore? Public Enemy once said “Don’t believe the hype,” Maniacs. I’m here to follow in the footsteps of Chuck D and Flavor Flav and remind you of that as Marvel, DC, and the sequential art scholars at Wizard inflate us like a punctured tire for another season of event books. 

Consider this week’s Comicscape a wet blanket on the flames of advertising for the forthcoming Secret Invasion from Marvel, in April, and Final Crisis from DC, in May. I don’t think either of these miniseries will fail abysmally, either from a storytelling or sales perspective. And, I mean no discredit to either Brian Michael Bendis or Grant Morrison, particularly for miniseries that haven’t arrived yet. That would just be unfair. They might be the best comics ever. And, Marvel and DC have shareholders to answer to, so I don’t blame them for advertising the hell out of their products. The free market reigns supreme, and Marvel and DC have to eat. Consider this more of a warning to you, the reader, about what you – hell, all of us – will buy into when you plunk down your $4 at the comic shop for an issue of the next hot summer events, and, hopefully, some of their many variant covers. I just want everyone to keep in mind how these things work. Crossovers and event-books are, for the most part, editorially driven collaborations. They reach the very pinnacle of art-as-commerce, and will likely never attain the status of those handful of comics we’ve collectively designated “the best ever written.” Seriously, try to remember the last crossover or drawn-out mega-event that belongs in our comic book equivalent of the Western canonWatchmen, The Dark Knight Returns, Maus, and name-your-favorite sequential art masterpiece. Crisis on Infinite Earths still holds up pretty well, but even that becomes painfully convoluted at times. I realize that every published comic experiences some editorial oversight, and I value that. Every work needs another set of eyes on it. Only Anne Rice thinks she doesn’t need an editor, and look how that turned out. But, publishers will hawk their wares and nothing can – or should stop them. 

I expect to see so many Marvel heroes depicted as Skrulls over the next few months with the slogan, “Who Do You Trust?” below them. At this point, I can’t muster much excitement. I realize that Marvel has built to Secret Invasion for the past few years since New Avengers #1 and Secret War. Likely, Marvel sees this as Bendis’s great contribution to its history, and I wish them both well. But, the first 24 issues of New Avengers failed to grab my interest, and Secret War had far better art by Gabriel Dell’Otto than it did writing. And while we’re at it, House of M did little to justify the hype storm that preceded it. I don’t mean to take shots at Bendis personally, because I thought his work on Daredevil was amazing. I’ve also read the first 78 issues of his run on Ultimate Spider-Man, which I really enjoyed. Hence, while I’ll have to read Secret Invasion to write the inevitable review column in November or December, I can’t say that I anticipate it more than Warren Ellis’s upcoming run on Astonishing X-Men

While we’re at it, DC may have a better writer in Grant Morrison on Final Crisis, but this has too-many-cooks written all over it. In trying to iron out its painfully messy continuity, DC has rearranged the deck chairs on the Titanic a couple of times already. In fact, the publisher’s been trying to fix things since Crisis on Infinite EarthsZero Hour didn’t do it, and neither did Infinite Crisis. As good as 52 was in its own right, it just brought back the Multiverse and knocked down the house of cards that was DC continuity. I like Morrison’s writing a lot and I think his work on Batman has explored some really fascinating territory. But, please forgive me if I doubt that we’ll remember Final Crisis as his definitive work. DC didn’t come to Morrison and say, “Grant, work your magic. We’ll give your book a once-over and then back you up.” That might endanger the sale of future iterations of action figures. I don’t think Thelemic Superman and the Scarlet Wonder Woman would sell very well, or translate very well to an animated show on the WB. 

I realize that this rant makes me sound incredibly naïve. I don’t expect Marvel or DC to publish and market a daring, original, cutting-edge mega-event. Creating something that can’t be undone – or otherwise moves too far outside of fan expectations – would endanger sales and the future of their respective lines. It takes a lot to undo the damage done by Grant Morrison. Just ask Joss Whedon. Both of the Big Two are international multimedia companies with a lot of money riding on the familiarity of their properties. All things will eventually return to the status quo to insure that future readers discover books that resemble the cartoons they saw as children. Refer to Brand New Day in Amazing Spider-Man, Ed Brubaker’s most recent run on Daredevil, or Whedon’s first run on Astonishing X-Men for more evidence. Hence, while I’ve just spent this week’s Comicscape ranting about a couple of over-hyped miniseries that I’ll have to read anyway, I expect nothing less from Marvel and DC. These days, event books sell. They sell, and I have to write about them to keep Comicscape relevant. You find what works and keep doing it until it doesn’t anymore. But, I’ll reiterate what Public Enemy told us all back in 1988 – don’t believe the hype. It’s more of the same, and we’ll keep eating it up. Marvel and DC will never give talented writers the freedom they need to make a truly classic event book. Thus, while both Secret Invasion and Final Crisis will certainly be good enough, that’s all they’ll likely ever be. Both publishers offer fantastic titles, but they seem to emerge more often in the sleeper hits no one expects. No one thought Immortal Iron Fist would ever be worth reading, but here we are and I can’t help but recommend it. The planned mega-events are just that – planned by a lot of people with much more at stake than a single writer trying to do his or her best work. But, I could be wrong. 

The Spinner Rack

By Kurt Amacker

Kurt: Well, Ben’s on the run from the Feds again. The guy just can’t stop adding jihadists to his friends’ list on MySpace.

DARK HORSE COMICS

Buffy The Vampire Slayer #12 $2.99

By Drew Goddard of Cloverfield fame. Wait, that movie sucked. I’m not excited.

Chronicles Of Conan TP Vol 14 $16.95

This ends Roy Thomas’s run on the original Marvel series, Conan the Barbarian. But, I think these trade reprints will continue, last I heard.

End League #2 $2.99

Goon Fancy Pants Ltd Sgn HC Vol 02 $24.95

Star Wars Legacy TP Vol 02 Shards $19.95

Star Wars Rebellion TP Vol 02 Ahakista Gambit $17.95

DC COMICS

All New Atom #21 $2.99

Cartoon Network Action Pack #23 $2.25

Countdown Lord Havok And The Extremists #5 (of 6) $2.99

I quit paying attention already. Ben’s doing the Countdown column, so wake me up when this is over.

Countdown To Adventure #7 (of 8) $3.99

Countdown To Final Crisis 8 $2.99

DC Special Raven #1 (of 5) $2.99

Detective Comics #842 $2.99

Exterminators #27 (MR) $2.99

When Arnold became governor of California.

Fables 1001 Nights Of Snowfall SC (MR) $14.99

Go Go Heaven Vol 05 $9.99

Go-Go Gadget Afterlife!

Green Lantern #28 $2.99

Hawkgirl Hath Set TP $17.99

Highwaymen TP $17.99

Infinity Inc #7 $2.99

Jonah Hex #29 $2.99

Justice League The New Frontier Special $4.99

The reason why I haven’t reviewed the DVD is because I haven’t read the Darwyn Cooke miniseries yet. I know this merits my resignation, but I’ll read it, I promise.

Justice League Unlimited #43 $2.25

Looney Tunes #160 $2.25

Midnighter #17 $2.99

New Dynamix #1 (of 5) $2.99

Nightwing #142 $2.99

Northlanders #4 (MR) $2.99

Scalped #15 (MR) $2.99

Supergirl #27 $2.99

Superman The Man Of Steel TP Vol 06 $19.99

Teen Titans Year One #3 (of 6) $2.99

Teru Teru X Shonen Vol 01 $9.99

Vinyl Underground #6 (MR) $2.99

I really like this series. It’s like Hellblazer for the mod set, but it still rocks my socks.

Wonder Woman Who Is Wonder Woman HC (RES) $19.99

Read it without months of delays in between issues!

Young Liars #1 (MR) $2.99

IMAGE COMICS

Casanova #12 (MR) $1.99

Dead Space #1 (of 6) $2.99

Dynamo 5 #11 $3.50

First Born #1 Cgc Graded 9.8 ED $69.99

Graveslinger #4 (of 4) $3.50

I was slinging some graves last week after I had a few beers, but the police asked me to stop. Then, they offered me a ride to their clubhouse, where I spent the night until my wife traded the rent to get me out. My court date is next month.

Hazed GN (MR) $14.99

That’s what you get for joining a frat.

Invincible Presents Atom Eve #2 (of 2) $2.99

Liberty Meadows Convention Print $29.99

Overman #4 (of 5) (MR) $3.50

Finally, my biography comes out. It’s been a while

Pax Romana #2 (of 4) $3.50

Next, the barbarians show up and ruin everything for everyone.

Ride Die Valkyrie #3 (of 3) (MR) $2.99

Scud The Disposable Assassin #22 $3.50

Unhuman Elephantmen Art Of Ladronn HC (MR) $29.99

MARVEL COMICS

Amazing Spider-Man #552 $2.99

Anita Blake Vh Guilty Pleasures #9 (of 12) $2.99

Cable #1 Dws $2.99

I might have to check this out.

Cable Classic TP Vol 01 $29.99

Clandestine #2 (of 5) $2.99

Dark Tower Long Road Home #1 (of 5) $3.99

More mainstream attention for Marvel, I imagine.

Iron Man Prem HC Demon In A Bottle $24.99

I have a demon in a bottle. His name is Hans, and I make him dance for me in exchange for keeping him out of the freezer.

Iron Man Prem HC Demon In A Bottle DM ED $24.99

Logan #1 (of 3) $3.99

This is by Brian K. Vaughan and it is about Wolverine. There is surely a law somewhere that says you have to read it.

Logan #1 (of 3) Black And White Var (PP #803) $3.99

Lords Of Avalon Sod #2 (of 6) $2.99

Marvel Adventures Spider-Man #37 $2.99

Marvel Spotlight Hamilton Martin $2.99

Marvel Two-in-one #9 $4.99

Moon Knight #16 $2.99

Ms Marvel Prem HC Vol 04 Monster Smash $19.99

The zombies caught on in a flash…

Omega Unknown #6 (of 10) $2.99

Penance Relentless #5 (of 5) $2.99

Powers #28 (MR) $3.95

Punisher War Journal #17 $2.99

Red Prophet Tales Of Alvin Maker Prem HC Vol 02 $19.99

Red Prophet Tales Of Alvin Maker Prem HC Vol 02 DM ED $19.99

Red Prophet Tales Of Alvin Maker Vol 1 TP $15.99

Secret Invasion Saga PI

I guess I should get this so that I don’t actually have to go back and read everything that came out leading up to Secret Invasion. Can you hear the excitement in my voice? I’m going to go drink Drano.

Spider-Man Peter Parker TP Back In Black $24.99

Guest starring Angus Young and Brian Johnson.

Twelve #3 (of 12) $2.99

I actually want to read this, but I think I’m going to wait for the trade.

Ultimate Power HC $34.99

I actually don’t want to read this at all.

Uncanny X-Men #496 Dws $2.99

X-force #2 Bloody Var Dws $2.99

Well, I like bloody, so I’m on board.

X-force #2 Dws $2.99

X-Men Vs Apocalypse TP Vol 01 The Twelve $29.99

It’s really late and I’m out of jokes. Good morning to all.

Questions? Comments? Let us know what you think at comicscape@mania.com.



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Comments/Responses
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nax37 • Mar 05, 2008, 05:48am •
Is Secret Invasion Saga like the Handbooks or Nick Fury Files or whatever? Is it an actual story or just bios on the main characters that will be featured in Secret Invasion?

smegforbrain • Mar 05, 2008, 06:39am •
The Sagas try to condense the story with text telling you most of what's going along with key frames from the issues. So, I guess you could say they're a bit like the Handbooks.

lincolnparadox • Mar 05, 2008, 06:45am •
While I enjoyed Civil War up until the ending, I will most certainly pass on this maxi-series cross-over. This past year, I've dropped most of my Marvel titles from my pull list. The few that remain are typically written outside of normal continuity (Ennis's Punisher, Whedon's Astonishing X-men, the train wreck of writers that is Wolverine). The craptastic end of Civil War, combined with the retcon of everything that JMS did with Amazing Spiderman has turned me off to anything that EIC Smilin' Joe Quesada has to offer.

It almost reminds me of the time back in the late 90s when I dropped all of my X-titles (and there were a lot), just because Bob Harras loved crossovers a bit too much for my pocketbook to handle.

I'm just going to enjoy a few more Vertigo and WS titles from DC for now.

jedibanner • Mar 05, 2008, 06:50am •
I'd say that the up coming summer events in the world of comics looks a bit interesting (secret invasion more then the crisis # 23512345612356134). I've always been a Marvel fan more then a DC fan but, did really enjoyed Identity Crisis and the one right after that. The one part where I see a big difference between Marvel and DC is that Marvel does sometimes make changes that last for a while. Look at CW and how it still affects the Marlvel world compared to DC after the infinite crisis saga. Marvel will make changes soemtimes that are ment to stay a little bit longer because I feel Marvel has a little bit more freedom in their characters and are more open minded then DC.

I don't say this because I'm biased about Marvel but, I say this because when I read DC VS Marvel, I always feel that when DC starts to be a little more edgy then usual (which is cool), they always come back to the original status much more faster so nothing changes from the character for too long.

I know DC is more happy familly oriented then Marvel but, I guess I would have more interest in DC if the larger events they do would have longer repercussion then 1 month then everything is back to normal.

I'm sure some people may disgree with me, feel free to voice your opinion.

WISEGUY562 • Mar 05, 2008, 08:03am •
jedibanner, I agree with most of what you said and I too have a bias for Marvel.
I love all these "mega events", I know they try to milk us out of every penny (especially DC with their 500 minis to go along with Countdown) but I just stick to the main book unless it crosses over to another book that I already follow. I like the fact that it ties all these heroes' worlds together somewhat.
From Identity Crisis, House of M, Sinestro Wars, WWHulk and even 52 and Countdown, I've liked them all to different degrees and I'm really looking forward to Secret Invasion and Final Crisis.
I'm actually pretty curious to see if this is really going to be the Final Crisis.
for DC or like jedibanner said they're going to change up their universe again in a couple of months.

Merin • Mar 05, 2008, 08:35am •
Marvel can go spit. Other than a very few books (Thor, Hulk, and any Whedon book being the main ones) it has been in the crapper since Bendis came on board - Quesada deserves his share of blame, sure, and Millar has been a helping hand in the crap we've been fed. When a decent writer like Pak tries to weed his way through the morass that is Marvel continuity right now, it only partially succeeds (Planet Hulk was refreshing, WWHulk about as good as it could be having to take place in post-Civil War Marvel.)

Seriously, my Marvel shelf in my comic store continues to shrink. To be fair, the DC shelf isn't growing - what's growing is manga, Archie of all things, and indie books (Buffy, Angel, PVP, and some Wildstorm (ok, that's DC technically.) But even my few customers are, outside of some Marvel Zombies, Thor, Hulk and Wolverine fans, not buying Marvel. I'm sure the national numbers are different, but that's my little anecdotal reference.

I do have one good customer who buys all the X-books, but he's branching over to DC books right now and I'm sure that come the Final Crisis mini (which he's going to jump on) he'll make a big switch soon. My other 2 big customers (big = pulling over 20 books a month) are DC buyers.

I agree with the gist of Kurt's column - though I'd only say that Maus deserves the recognition (Dark Knight Returns and Watchmen do nothing, absolutely nothing, for me.)

I really do think the fun to be had from the big two is to either only buy certain runs of comics and treat them as isolated (read: not care about continuity outside that story arc / writer's run) or buy the books that exist outside the continuity (whether writers like Whedon's X-Men, or the Adventures line from Marvel - read: not care about continuity outside of the current story / writer's run.)


I prefer "soap opera", myself, to episodic. I prefer continuing story with developing characters. But with the big two comic companies, they don't allow their characters to develop in any way that they won't get retconned back to status quo.

It is sad that, at this point in my life where I'm selling the books that I'm finally getting jaded over how they are written.

Fallensbane • Mar 05, 2008, 09:06am •
Our store is definitely Marvel fanbased. As far as Marvel goes all I read are the X-titles and the occasional non superhero titles they pop out (Dark Tower). I just got back into X-Men and loved Messiah complex and am enjoying the fallout from that series. Have never really been a big DC fan, Batman and Green Arrow being about the extent of my interest.

I read a ton of independent, that is the way to go imo. There are some great titles out there. Hack/Slash is one I HIGHLY suggest as well as the walking dead. I can't help but hope Showtime or HBO grab up rights to the walking dead as a tv serious is would be awesome.

jedibanner • Mar 05, 2008, 10:25am •
Merin, I'd be curious to understand why you don't like Bendis.

In my mind, Bendis is one of the great writers Marvel has right now. He's extremelly good at bringing characters to life and new very different style and views of those characters. His run on Daredevil rivals frank Miller's run in my view. His writting might be slow and precise but, the purpose itself of what is being said by characters always has a meaning that defines even more the heroes and villains with new struggles.

In my view, Wedhon's run on Astonishing X-Men isn't all that good in my view. I think it's a lot of hype for nothing (and way, wayyyy to long to wait for a comic that isn't that much fun to read) and compared to Bendins, I will take 1 Bendis over Whedon a million tiems over.

But that's just me. In the end, I have a much more larger preference over Marvel's big event then DC because the work that's been done for Secret Invasion is more interesting to me then the Final Crisis. I haven't followed up on Countdown to Crisis but, I don't have that much interest in it also.

And that's where a good writer can make a difference in my view because with Bendis writting Secret invasion, I'm all over it.

Now starts the bashing of me....

joeybaloney • Mar 05, 2008, 11:03am •
Well, Marvel & Quesada can suck on my puckering sphincter the day after some Wicked Wings before I purchase another book from them. Thanks so much for destroying Spidey & most of Marvel’s history ya jackasses.
I was actually intrigued by the whole Secret Invasion thing. It held some potential but, clearly, the editorial staff there will ultimately make the whole affair meaningless before 12 months have passed it up. Bendis was definitely a draw for me there too, jedibanner. No bashing from me on that point. I think he came in with a really fresh story-telling style a few years ago and IMO he’s held up very well. His Ultimate Spidey is a great book & I miss buying it. A great no-brainer way to enjoy an unmarried Spider-man living w/his Aunt May. Unless, of course, you are dealing with someone who literally has no brain like Quesada. Bendis’ Daredevil stuff has been great too.
For the most part these mega-crossovers don’t do much more than interrupt books I enjoy. I generally like the DC events more than the Marvels because I think they are integrated a little better than Marvel’s events into the regular storylines. Though recent storylines in Batman (and Superman from what I hear) don’t bear that out.
I don’t think you could name one company as better than the other with regards to reverting to the status quo. Marvel is on my hit list at the moment what with the One More/Brand New Day crapfest but both companies are guilty. I guess in a way I think DC handles these better because even after things revert the repercussions do tend to effect characters and storylines. I definitely would have preferred Hal Jordan remaining dead/The Spectre, but at least everyone remembers his time as an ass and The Spirit of Vengeance and issues it touches on are dealt with from time to tome. On the other hand, things like Knightfall and the mega-events that followed it in the Bat Books seem to have no real repercussions several years on.
I think you can hold up the original Crisis on Infinite Earths without any problems as great story-telling with events going on today in the DCU still being very much affected by it. Infinite Crisis sort of reverted things a wee bit. Sure Jason Todd is alive and well again, but he’s existing as an anomaly in the DCU as a result of that series and the repercussions of that are setting things up for Final Crisis. I’m not sure what the eventual outcome of it will be but I don’t think you can say things have reverted to the old status quo in all the time since COIE was published. At least not yet. All in all I’m pretty excited about Final Crisis. At least books of similar scope have some business spilling over into regular monthly titles.

rojam • Mar 05, 2008, 11:16am •
Couldn't agree more on the whole crossover thing - annoying and I've never been a fan. That's one of the reason I've switched over to smaller publishers - great stories, great art. I think the books being put out by Dynamite right now, Project Superpowers, Zorro and the LR are some of the best I've seen in a long time. Now I hear that a new publisher called Radical is playing around with the Arthur and Hercules legends - all pretty cool by me - and easy to keep up with (and by easy I mean cheaper)

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