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- Age Rating: 13 & Up
- Region: 1 - North America
- Released By: Bandai Entertainment
- MSRP: 49.98
- Running time: 625
- Aspect Ratio: 1.33:1
- Disc Resolution: 480i/p (mixed/unknown)
- Disc Encoding: MPEG-2
- Series: Escaflowne
Escaflowne: Anime Legends Complete Collection
April 11, 2006
Release Date: April 11, 2006
Escaflowne: Anime Legends Complete Collection
What They SayThe Review!
© Bandai Entertainment
After a very successful TV series, it was pretty obvious that a movie was going to be done. Since this is a Bandai production, one of the things they do is something I really like, in that they take the same setting and characters but retell the story in a different way, one more suited to the big screen as opposed to trying to continue a completed series or make a direct adaptation.
For our primary viewing session, we listened to this disc in its original language of Japanese. And in glorious DTS at that. This feature has a couple of selections for audio, but Japanese and DTS is our primary choice and this track was just fantastic. The movie's soundtrack is very well done, with a great blend of music and sound effects. There's a healthy selection of audio that gets sent to the rear speakers, but it's the forward soundstage that makes great use of directionality. There's three other audio tracks as well, with the Japanese and English Dolby Digital 5.1 and an isolated musical score track also in Dolby Digital 5.1. In sampling all four tracks in some key sequences, both my wife and I were most impressed with the DTS track, but that won't come as a surprise to anyone who knows us.
This feature is presented in its original aspect ratio of 1.85:1 and is enhanced for widescreen sets, which means people like myself are getting a great level of resolution here. The transfer here looks fantastic and manages to really retain its film like feel as opposed to a digital piece of animation. Colors are rich and vibrant, cross coloration is non existent as well as cross coloration. There's the proper amount of grain one would expect from a feature like this. Overall, we simply got absorbed by the film as it went on, as it matched my recollections of the theatrical print I saw.
The feature keepcase has a nice animation shot of both Van and Hitomi with the image of Escaflowne from the back cover mixed underneath. The back cover gives a brief summary of the movies plot and provides some basic audio information and the production credits. The insert provides another look at the cover and folds open to reveal the chapter stops, audio options and the special features that are on this particular disc. The back gives full production credits and character to actor credit for both Japanese and English languages.
The main disc menu is really nice, with it using animation from the show where we move through the clouds until we come to the destination. The menus selections are all nicely done, with the cursor being a feather that moves from item to item. Each menu features some music from the feature and all have pretty solid access times. These are good solid menus.
Of the two extras on the feature disc, the first one that we'll tackle is the isolated audio score. This is essentially a dub your own Escaflowne since none of the dialogue is here, just the gorgeous score. It's also presented in full 5.1 sound, so it's definitely a great way to check out how well the music is mixed. The other feature on this disc is the inclusion of the storyboards from the movie as an alternate subtitle track, giving the viewer a chance to see how things were planned and plotted and all the little bits that people really into animation filmmaking will just love to see.
Content: (please note that content portions of a review may contain spoilers)
As much as I enjoy the TV series, from start to finish, I won't do any comparisons between the feature and that, as it's a pointless exercise. After my second time seeing the movie, I'm moving towards liking it better than the series, but the two are really different beasts and comparisons just get silly.
The beginning of the film has two sections that eventually come together. In the world of Gaea, we get introduced to Van as he flies through the air with his white wings extended. From on up high, he brings them back into himself and begins a fast descent towards a massive black airship that's flying just in the clouds. With a loud crash, he hits one of the lookout posts and quickly slays the black clad soldier there. Van makes his way deep into the airship, killing quickly and efficiently as he goes. His attack goes up to the bridge, where in a very samurai like fashion, the remainder of the crew is dealt with.
On Earth, we get introduced to high school girl Hitomi. She's laying out on the roof of the school sleeping, dreaming the same dream again where she's a little girl and time stops at a train station and she sees a strange man standing there looking at her. Her friend Yukari finds here on the roof and the two talk a little bit about what's going on, as we learn that she's recently quit the track team and just feels like sleeping all the time. Things take an odd twist as Yukari discovers a suicide note Hitomi was leaving her, as she was going to jump off the roof. Hitomi couldn't do it though, as she proclaims herself a coward.
As Hitomi and Yukari are out and about, Hitomi feels someone calling to her. She begins to fall into her selfish/depressed cycle and says things to cause Yukari to leave her, which only makes Hitomi feel worse. But the pull of this call is strong, and she ends up in the sports arena where a black-cloaked man beckons to her, to fulfill her destiny as the Wing Goddess. She's confused as all can be, but transfixed by his words, as the sky begins to darken and the stadium feels up with water, swallowing her up into itself.
This is where the two stories meet, as Hitomi is transported to Gaea and into the belly of Escaflowne, a massive piece of near-organic armor that the black airship was transporting. It's also the object of Van's attack, as having Escaflowne will give him the power to defeat the enemies of the Wing Goddess, which he believes Hitomi to be when she falls out of the armors cockpit. Everything is too much for Hitomi to bear, and she eventually passes out after meeting some of the people who Van fights alongside.
The world of Gaea is under siege. The forces of the Black Dragon Clan are going out and destroying everything they can, led by Folken. Folken is a dark and imposing man with a voice that just commands attention. His goal is to eliminate everything in the world, which is why he is after Escaflowne, as the prophecies dictate that it will cleanse the world with its power. But now it's fallen into the hands of Van as well as the catalyst he needed, Hitomi. Her sorrow and desire to die, to fade away to nothing, is critical to bringing his plan to fruition.
The film moves the plot forward with Hitomi joining Van and the group that he's with that fights against Folken and his plans. We learn more of the history of the world and of Van, the king of a nation that no longer exists. His own sorrow is strong, and it's something that Hitomi finds herself attuned to, and the two eventually click in a certain way that's not the typical first-love romance, but something more basic between each other. There's various fight sequences the occur as things move forward, as a new armor is discovered that Folken has, as well as the desire of Folken to gain Hitomi back for his own plans.
The world of Escaflowne is very richly filled, though we only get a few areas here and there for the film. The city of Toshura is an enticing one, with it's high walls circling around it and the layers it has. The designs for the kingdom and others we see are delicious, giving plenty of new visuals that we haven't seen before. The character designs are also a treat, using the TV series models as a basis and tweaking them. Gone are the long pointy noises (and yes, I was disappointed by that), but we get more fleshed out and richer looking designs. Van and Hitomi get tweaks and are still pretty much the same, just done in a different style. Allen's changes are more noticeable, as his hair is quite a bit longer and his black leather fetish is revealed. The most drastic change is Millerna who sports short shorts and tight tops for her fighting outfit and sits in ways a lady shouldn't sit.
One of the best parts of the movie is the music. And this is definitely a movie that deserves its rich music, from the action sequences to the haunting Sora lyric that comes out several times, be it the woman with Folken singing it or the two sisters in the bar. Yoko Kanno and Hajime Mizoguchi, two of my favorites, produce a get piece of music with this movie. During the Escaflowne's second awakening, as it appears before Hitomi, the way the music plays with the wood is just gorgeous. I listened to the soundtrack to this for what seems like two years before seeing the movie, and it's one that I just love to listen to.
The Escaflowne movie is a great piece of film that tells a simple story without retelling the entire TV series in compressed form. It takes a basic premise from it and works with one segment of it, turning it into a very workable and quite enjoyable story. The pacing is great, as it flows without slowing down too much or being too much of an amusement park ride. Prior to seeing the disc, I saw it theatrically two weeks earlier (in Japanese) and just found it to be a beautifully animated piece. Revisiting something so quickly is not something I enjoy in general, but there's such a level of detail to this movie that taking in a second viewing so soon was a real treat, especially to be able to hear the DTS track.
The Escaflowne movie is likely to be my favorite release of 2002 and is something that is easy to recommend, even if you haven't seen the TV series.
Japanese 2.0 Language,English 2.0 Language,English Subtitles,Playstation Game Footage,Music Videos,Textless Opening,Club Escaflowne Cast Interviews,Club Escaflowne Staff Interviews