FlashForward: Black Swan Review - Mania.com



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  • TV Series: FlashForward
  • Episode: Black Swan
  • Starring: Joseph Fiennes, John Cho, Jack Davenport, Dominic Monaghan, Peyton List, Zachary Knighton, Sonya Walger and Courtney B. Vance
  • Written By: Lisa Zwerling and Scott Gimple
  • Directed By: Michael Rymer
  • Network: ABC
  • Series:

FlashForward: Black Swan Review

Don't Panic!

By Rob Vaux     October 17, 2009


FlashForward Review(2009).
© ABC/Bob Trate

 

FlashForward clearly thrives when it sticks to its central thesis. The soap opera theatrics and traditional plot complications quickly grow dull, but once we shift to those future visions and their implications in the present, the entire affair gets a shot in the arm. "Black Swan" succeeds on two basic variations of that equation: Agent Noh's (John Cho) increasing agitation about his impending demise and a patient (Keir O'Donnell) in Dr. Benford's (Sonya Walger) ward whose bizarre flash forward may help save his life. As long as it stays focused on them, the episode is golden. When it departs from them, it gets into more serious trouble.
 
Noh certainly has the most interesting dilemma in the show. He now knows the date of his death, a fact which he can neither ignore nor (apparently) avoid. After last week's wild goose chase, he seems intent on living each day to the fullest.… which ironically sends him and Agent Benford (Joseph Fiennes) off to scenic Indio, California for another wild goose chase. The trip elegantly highlights their differing approach to the problem. Benford is using his vision as a self-fulfilling prophecy--finding clues because he knows he found them--while Noh wants to use tangible evidence to get immediate results. The push and pull between the pair creates the episode's best dynamic, while still moving the mystery forward at an appreciable rate.
 
As Noh's thread focuses on the larger plot arc, Dr. Benford's demonstrates the more subtle social effects an incident like the blackout might have. Her patient appears placid as a Hindu cow, even in the most dire situations. In his vision, he has become a black man while "rocking the leather pants" at a club he was previously too shy to enter. Those clues come into play when he's wheeled onto the operating table, and though Benford chooses to ignore them for reasons of her own, Dr. Varley (Zachary Knighton) refuses to turn a blind eye. It illustrates the difference between their individual visions--Benford is fighting hers while Varley's has brought him peace--while also influencing how they do their jobs in the present. The basic notion can expand into a marvelous meditation on how knowledge of the future might work. Doctors can diagnose patients earlier, police can identify suspects of future crimes, and politicians can anticipate upcoming shifts in popular opinion. Of course, there's still the question of how (or whether) they can change anything based on that knowledge, but that can wait until a littler further down the road.
 
It's a pity the remainder of the episode can't quite keep up with the strongest sections. The bulk of it concerns Nicole (Peyton List), the Benfords' nanny, who turns back up to reveal her vision and make peace with it if she can. It plays out like warmed-over coffee, with too many elements cribbed from elsewhere in the series. The bubbling interplay between Dr. Benford and Lloyd Simcoe (Jack Davenport) has just about worn out its welcome too; "Black Swan" plays a wild card towards the end, moving him in an entirely new direction as if signaling that the whole marital infidelity thing is running out of gas. Then there's Dominic Monaghan, touted as a series regular, but who hasn't appeared before now. We loves us the Dom--whether he's sporting furry feet or a rock star sneer--but FlashForward seems to be setting him up as a big-time villain, which he just doesn't have the presence to convey. Though he's a step up from the Nazi last week, he'll need to do better if he wants to sell us as a credible menace.
 
Those shortcomings, however, can't derail the sense of renewed enthusiasm which the show sports after a few weeks of letdowns. The darkly humorous opening sequence shows a verve and imagination that were missing from last week, while keeping the focus clearly on the blackout itself. Those instincts serve FlashForward well, elevating "Black Swan" to the level it's supposed to be. That newfound momentum can easily be squandered, but it's nice to know that the show can still find it when it has to.

COMMENTS AND RESPONSES

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Chopsaki 10/17/2009 3:56:01 AM

Good episode but I can already tell the stuff at the hospital is going to become tired quickly. I hope this show is more 24 then ER in what it chooses to focus on. Norrington err i mean Lloyd did get alot more interesting after his phone call from Simon. It will be interesting to see what the computer hacker is able to uncover.

obsidian 10/17/2009 11:03:47 AM

Flashforward is still a little off to me.  It seems the show wants to be 3 or 4 different shows at once.  ER, 24, and some X-Files for good measure.  It's still a great concept, but the execution so far hasn't lived up to the concept in my opinion.  However, the first scene of this latest episode was wonderful...all the slow motion and carnage and the music in the background....I wish the whole show was more like that in tone.  I guess my main problem with the show is that the global disaster doesn't look like much of a disaster.  After 14 days, it seems that life is starting to get back to normal.  I don't know, it just seems that the show is giving the short end to the implications of such a disaster.  Wouldn't the hospitals still being overflowing from the highway injured?  Wouldn't people still be trapped in various dangerous situations?  What about the missing?  What about the mass funerals?  This should be like 9/11 times a million...and it just doesn't seem like the writers on the show understand that.

dawntreader 10/17/2009 11:38:39 AM

Obsidian, i tend to agree about the clean up. unfortunately i think the constant rescuing of people from things still going on would also get tiring each week. its too bad they "cleaned up" so quickly though.

i thought the episode was pretty solid. i dont think we can easily compare this show to any other. the concept and story lines the writers have set up are way beyond comparision. i think that this show is on a very good track, and this episode proves it. the sequence at the beginning is just awesome. it reminds me of the begining of the first episode of Lost. and if they can keep doing stuff like that in episodes to come, then this show is going to rock.
 

okonomiyaki4000 10/18/2009 12:17:53 AM

A little better than last week but this show is still a mess. It's really a shame to see such a good premise go to waste like this. I don't have much hope left for it at this point. I'm sure it won't be cancelled (after all, even a show as awful as Fringe got a second season and Stargate has like 2 or three spinoffs now...) but I have very little hope that it will ever be good. 

Here's a few tips for the writers: 

1) You've got a great mystery already, don't go inventing CSI B.S. like "how could this white guy become black in 6 months?" Stick to the story, it's the reason we're watching.

2) You have enough characters, stop throwing in a guest of the week (muffin lady, dead cop, old nazi, black/white guy) who has nothing to do with the main story, you already have enough trouble keeping up with the main cast.

3) Make each episode about something. Was this one about Agent Noh trying to save his own life? Was it about the "hot" terrorist suspect they have in custody (this is a really dumb subplot and needs to go away)? Was it about Dr Benford trying to avoid her future love interest? Was it about the babysitter? Was it about some white/black guy who will never appear on the show again? Focus!

 

 

rgtchtiger 10/18/2009 12:14:09 PM

 9/11 times a million?  That's...that's...I don't even know what that is!

I've been pretty satisfied with how the mystery has unfolded so far.  I do agree that upon repeated viewings, the worldwide scope of the story has been largely ignored.  There was a blink-and-you-missed it moment in the pilot of how the blackout affected nations across the globe, but the storyline has largely been confined to Los Angeles.  The handling of this story element has Goyer stamped all over it, given how quickly he likes to keep his story moving along.

As for the rest of the one-shot characters who have appeared so far, I suspect they will fit into Roger Ebert's Law of the Unnecessary Character.  I expect the Nazi to be an important character further down the line, so I can't imagine we've seen the last of him.

And as for Dominic's appearence (FINALLY!), I think he's going to make for an awesome villain.  Anyone else suspect he was the figure who was walking around in the baseball game video?  

Overall, I'm confident the show will pay off long term.  I recall reading an interview over the summer before the show premiered that Goyer and Braga have storylines planned out for future seasons, so they clearly have a direction in mind.  They're not just making this up as they go along, unlike, say, Heroes.

okonomiyaki4000 10/18/2009 3:26:54 PM

 I think you mean "Law of Economy of Characters" and if you understand what it's really about, you know that it doesn't apply to weekly television series. Its basis is in the cost of hiring actors to play roles and on TV you can hire someone for just one episode. In fact, if you want them to come back again later for more episodes, you have to pay them again. So it actually works against your argument here. 

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