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- TV Series: FlashForward
- Episode: Black Swan
- Starring: Joseph Fiennes, John Cho, Jack Davenport, Dominic Monaghan, Peyton List, Zachary Knighton, Sonya Walger and Courtney B. Vance
- Written By: Lisa Zwerling and Scott Gimple
- Directed By: Michael Rymer
- Network: ABC
- Series:
FlashForward: Black Swan Review
Don't Panic! By
Rob Vaux
October 17, 2009
FlashForward Review(2009).
© ABC/Bob Trate
FlashForward clearly thrives when it sticks to its central thesis. The soap opera theatrics and traditional plot complications quickly grow dull, but once we shift to those future visions and their implications in the present, the entire affair gets a shot in the arm. "Black Swan" succeeds on two basic variations of that equation: Agent Noh's (John Cho) increasing agitation about his impending demise and a patient (Keir O'Donnell) in Dr. Benford's (Sonya Walger) ward whose bizarre flash forward may help save his life. As long as it stays focused on them, the episode is golden. When it departs from them, it gets into more serious trouble.
Noh certainly has the most interesting dilemma in the show. He now knows the date of his death, a fact which he can neither ignore nor (apparently) avoid. After last week's wild goose chase, he seems intent on living each day to the fullest.… which ironically sends him and Agent Benford (Joseph Fiennes) off to scenic Indio, California for another wild goose chase. The trip elegantly highlights their differing approach to the problem. Benford is using his vision as a self-fulfilling prophecy--finding clues because he knows he found them--while Noh wants to use tangible evidence to get immediate results. The push and pull between the pair creates the episode's best dynamic, while still moving the mystery forward at an appreciable rate.
As Noh's thread focuses on the larger plot arc, Dr. Benford's demonstrates the more subtle social effects an incident like the blackout might have. Her patient appears placid as a Hindu cow, even in the most dire situations. In his vision, he has become a black man while "rocking the leather pants" at a club he was previously too shy to enter. Those clues come into play when he's wheeled onto the operating table, and though Benford chooses to ignore them for reasons of her own, Dr. Varley (Zachary Knighton) refuses to turn a blind eye. It illustrates the difference between their individual visions--Benford is fighting hers while Varley's has brought him peace--while also influencing how they do their jobs in the present. The basic notion can expand into a marvelous meditation on how knowledge of the future might work. Doctors can diagnose patients earlier, police can identify suspects of future crimes, and politicians can anticipate upcoming shifts in popular opinion. Of course, there's still the question of how (or whether) they can change anything based on that knowledge, but that can wait until a littler further down the road.
It's a pity the remainder of the episode can't quite keep up with the strongest sections. The bulk of it concerns Nicole (Peyton List), the Benfords' nanny, who turns back up to reveal her vision and make peace with it if she can. It plays out like warmed-over coffee, with too many elements cribbed from elsewhere in the series. The bubbling interplay between Dr. Benford and Lloyd Simcoe (Jack Davenport) has just about worn out its welcome too; "Black Swan" plays a wild card towards the end, moving him in an entirely new direction as if signaling that the whole marital infidelity thing is running out of gas. Then there's Dominic Monaghan, touted as a series regular, but who hasn't appeared before now. We loves us the Dom--whether he's sporting furry feet or a rock star sneer--but FlashForward seems to be setting him up as a big-time villain, which he just doesn't have the presence to convey. Though he's a step up from the Nazi last week, he'll need to do better if he wants to sell us as a credible menace.
Those shortcomings, however, can't derail the sense of renewed enthusiasm which the show sports after a few weeks of letdowns. The darkly humorous opening sequence shows a verve and imagination that were missing from last week, while keeping the focus clearly on the blackout itself. Those instincts serve FlashForward well, elevating "Black Swan" to the level it's supposed to be. That newfound momentum can easily be squandered, but it's nice to know that the show can still find it when it has to.
Good episode but I can already tell the stuff at the hospital is going to become tired quickly. I hope this show is more 24 then ER in what it chooses to focus on. Norrington err i mean Lloyd did get alot more interesting after his phone call from Simon. It will be interesting to see what the computer hacker is able to uncover.