gloom_cookie
01-20-2006, 07:29 AM
I had the pleasure of seeing Underworld: Evolution last night, thanks to a screening hosted by a local radio station. Now the first film had its problems, but if you're going to go to a film for entertainment, and you've already bought the idea that vampires and werewolves battle over the centuries, it's all good fun. If you thought the last film was good stuff, the new one should keep your eyes on the screen in a similar fashion. The blue-shifted look is the same, most of the time, Kate Beckinsale is still beautiful, and everyone bleeds a lot. The sets, violence and filth are laid on thick and it's quite a treat.
I have a gripe, though.
****Spoilers****
****Here they come****
This issue comes from the standpoint of someone who, while in the theater seat, buys into the fact that this Lycan vs. Vampire world exists... and is worth a peek. This movie, even more than the last, knocks the history out of itself. In the first film, many vampires died, including the long-lived Viktor. I truly love what little work I've seen by Bill Nighy (http://imdb.com/name/nm0631490/), and I like him in the Viktor role. He was a baddy, so he was dispatched in Underworld. The crime I see in Underworld: Evolution is the continued ruin of vampire and lycan history. So much talk about the age of this battle comes up, and then we see the end of the last sleeping vampire elder (also the first vampire), his brother, the first werewolf, and their father. These, along with the deaths of other lesser baddies leave us with Selene (Beckinsale) and the hybrid (Scott Speedman). Unless there are unmentioned "ancients" in other lands, we're left in a very modern (under)world* I understand that the "evolution" title can refer to great change in the monster roster, as well the hybridization of the main characters, but I do mourn a bit of the dusty history. It's a little like we've been shown an old building, been asked to note the ancient date on the cornerstone, and then the wrecking ball comes crashing in.
That's my issue, and I can't say the movie itself suffers for the past bashing. Considered as a world we can slip into, like the Matrix, the Federation, Hogwarts or Middle Earth, it seems a little wreckless. I don't think the mythology begged so hard to be scrubbed clean of cobwebs.
*This supposes that you consider Selene "modern", given her great age versus fabulous skintone.
I have a gripe, though.
****Spoilers****
****Here they come****
This issue comes from the standpoint of someone who, while in the theater seat, buys into the fact that this Lycan vs. Vampire world exists... and is worth a peek. This movie, even more than the last, knocks the history out of itself. In the first film, many vampires died, including the long-lived Viktor. I truly love what little work I've seen by Bill Nighy (http://imdb.com/name/nm0631490/), and I like him in the Viktor role. He was a baddy, so he was dispatched in Underworld. The crime I see in Underworld: Evolution is the continued ruin of vampire and lycan history. So much talk about the age of this battle comes up, and then we see the end of the last sleeping vampire elder (also the first vampire), his brother, the first werewolf, and their father. These, along with the deaths of other lesser baddies leave us with Selene (Beckinsale) and the hybrid (Scott Speedman). Unless there are unmentioned "ancients" in other lands, we're left in a very modern (under)world* I understand that the "evolution" title can refer to great change in the monster roster, as well the hybridization of the main characters, but I do mourn a bit of the dusty history. It's a little like we've been shown an old building, been asked to note the ancient date on the cornerstone, and then the wrecking ball comes crashing in.
That's my issue, and I can't say the movie itself suffers for the past bashing. Considered as a world we can slip into, like the Matrix, the Federation, Hogwarts or Middle Earth, it seems a little wreckless. I don't think the mythology begged so hard to be scrubbed clean of cobwebs.
*This supposes that you consider Selene "modern", given her great age versus fabulous skintone.