tstone
02-17-2008, 09:09 AM
Ok, let's preface this with the fact that although I'm a Bond fan, I'm generally not a fan of the Moore era. The kiddified, family friendly approach to the series, way over-the-topness, Bond's embrace of his own cliches and shameless goofiness firmly took hold in this era, though some say it got it's start in latter Connery films. Ok, be that as it may, it's the Moore films, whoever is to blame, where it became an embarrassing institution. Slapstick. Pratfalls. Doubletakes. Goofy sound effects, sheer stupidity.
Now, don't get me wrong. There are some good films that come out of the Moore era, The Spy Who Loved Me standing out as a great case in point. I used to think that Octopussy was one in that category. Well, it's been a long time since I viewed that film. Saw it again today. You know? I used to say that A View to a Kill was one Moore film too many. Now, I see that view was too generous.
Ok, convoluted setup (and one of my favorite Bond themes, Rita Coolidge's 'All Time High') with Bond in Cuba, then you see another double 0 agent dressed as a clown, mortally wounded, making it to the British Embassy in East Berlin with a fake Faberge egg. This gets MI-6, and Bond, involved in investigating a case of jewel smuggling and forgery. The ringleaders are a corrupt Soviet general and an Indian criminal mastermind named Kamal Khan. Ok, this is convoluted enough, but then, there is Khan's tie to the mysterious Octopussy, a cult leader of sometime, and her bevvy of beautiful, babe-licious accolytes.
When I was a youngster, I didn't understand hardly any of what was going on. But when they got around to it, they got to what seemed to be thrilling action sequences. The girls were hot, too.
Now, I'm older. And, hanging on an overly, unnecessarily convoluted plot, like cheap Christmas tree ornaments, are goofy action sequences, full of all kinds of forth wall breaking moments. When Bond got a tiger to sit by telling it so, then, finally, he goes swinging through a tree with a Tarzan yell, I had had enough. I turned that crap off.
Excrement.
Next, going to be seeing "For Your Eyes Only". Maybe THAT one should have been the last Moore Bond.
Now, don't get me wrong. There are some good films that come out of the Moore era, The Spy Who Loved Me standing out as a great case in point. I used to think that Octopussy was one in that category. Well, it's been a long time since I viewed that film. Saw it again today. You know? I used to say that A View to a Kill was one Moore film too many. Now, I see that view was too generous.
Ok, convoluted setup (and one of my favorite Bond themes, Rita Coolidge's 'All Time High') with Bond in Cuba, then you see another double 0 agent dressed as a clown, mortally wounded, making it to the British Embassy in East Berlin with a fake Faberge egg. This gets MI-6, and Bond, involved in investigating a case of jewel smuggling and forgery. The ringleaders are a corrupt Soviet general and an Indian criminal mastermind named Kamal Khan. Ok, this is convoluted enough, but then, there is Khan's tie to the mysterious Octopussy, a cult leader of sometime, and her bevvy of beautiful, babe-licious accolytes.
When I was a youngster, I didn't understand hardly any of what was going on. But when they got around to it, they got to what seemed to be thrilling action sequences. The girls were hot, too.
Now, I'm older. And, hanging on an overly, unnecessarily convoluted plot, like cheap Christmas tree ornaments, are goofy action sequences, full of all kinds of forth wall breaking moments. When Bond got a tiger to sit by telling it so, then, finally, he goes swinging through a tree with a Tarzan yell, I had had enough. I turned that crap off.
Excrement.
Next, going to be seeing "For Your Eyes Only". Maybe THAT one should have been the last Moore Bond.