The Fourth of July Column
By: Kurt AmackerDate: Wednesday, July 04, 2007
Happy Fourth of July, Maniacs, and welcome to another flag-waving edition of Comicscape! Unfortunately, comics ship on Thursday this week, so you’ll have to wait until tomorrow to buy your fix. But, like a boulder tumbling down a mountain, Comicscape rolls on and crushes everything in its way.
Modern superhero comics face a moral crisis similar to one many Americans experience – the balancing act between ideal and reality. Before the Bronze Age, most superheroes worked firmly on the side of virtue. They fought for those ideals we still – one hopes – strive for. I mean bravery, justice, charity, and compassion for the defenseless. Placing them in real world situations complicates everything. If Superman foiled a bank robbery, no reader stopped to ask about the robbers’ abusive childhoods and whether a god-like alien had any business interfering in a police matter. The “grim and gritty” phenomenon emerged in the 1970s and ‘80s, when writers, publishers, and readers wondered how superheroes might function in the often morally ambiguous real world. Superheroes represented an ideal – something to never attain, but for which we should always strive. Just as a scholar can never learned enough and an athlete can always push harder, we look to comic heroes for high moral possibilities. We can never match Superman for his adherence to virtue and his abilities to enforce it. But, we can try our hardest to emulate his spirit and intentions.
Comic heroes and their exploits used to present fantastic morality tales that led us by example. Crime never paid and good should always stand up to injustice. Americans love that sort of thing – put down the bad guy, save the town, grab the girl, and ride off into the sunset. But, things rarely play out that simply in real life. Few criminals dedicate themselves to evil on principle alone. People hurt each other for a milieu of reasons. No one wakes up in the morning and decides to dedicate themselves to a religion of crime, like Intergang did in 52. I hardly mean to excuse every criminal with a bad childhood, though. Ultimately, everyone has a choice. But, wrong acts remain wrong. Though deciphering ethics may present an endless challenge, we have to stand up and draw the line somewhere, even if it’s at a simple belief in ethics themselves. And, I don’t endorse real-world vigilanteism for all of the reasonable arguments against it.
We shouldn’t look to superheroes for career choices but, instead, their intentions. I don’t advocate donning a mask and playing cop, judge, jury, and, occasionally, executioner. I advocate standing against injustice and fighting for the defenseless, however you may choose to do so (legally, please). However, circumstances often complicate the pursuit of an ideal and we come back to the question of American moral confusion. We want to pursue truth, justice, and the American way. We want to fight for freedom. Many of us – me included – wanted to oust Saddam Hussein, free Iraq, and ride off into the sunset. But, that same headstrong commitment to virtue and liberal Enlightenment values has resulted in a much more complicated situation. As a nation, we love heroes and want nothing more than to put the wrong things right, but that doesn’t always prove practical. Sometimes, the mugger shoots you first. Sometimes, Frank Castle accidentally allows a bus full of school children to perish. Batman can get a new spine and Superman can return from the dead, but you won’t, and neither will anyone caught in the crossfire.
Heroes serve as moral beacons. For that reason, I find Marvel’s Civil War interesting. I hardly mean to beat a dead horse into the ground though, because after some consideration, I find it more fascinating than pleasing. Marvel has all but abandoned the idea of heroes as moral ideals. Rather, the publisher has decided to thrust its universe squarely into the realm of moral ambiguity and real-world consequences. In the new Marvel Universe, a hero shouldn’t interrupt a crime in progress without worrying about civilian casualties and collateral damage. I don’t mind reading that kind of story, because I enjoy both youthful idealism and darker subject matter. But, it almost seems like Marvel has misunderstood the appeal of its characters. Readers wanted heroes to operate with a degree of moral clarity rarely found in the real world. I feel confident in saying as much because I’ve read your letters and comments on the subject. I’ve commended Marvel in the past for taking their universe in a darker, unexpected direction, because I honestly thought Captain America and those heroes against the registration act would win. I thought the ideal would stand in the face of pragmatism. While I appreciate Marvel’s willingness to venture beyond a common understanding of its universe, I also wonder if that kind of story fits better in something like Watchmen or Squadron Supreme. This new perspective on Civil War and its aftermath didn’t dawn on me until Captain America died. Initially, Captain America’s death felt like the passing of heroic idealism from Marvel. It saddened me, but the very dark narrative direction the Marvel Universe had taken fascinated me more. But, when Steve Rogers is buried at Arlington National Cemetery tomorrow in Fallen Son #5, it will really drive the point home: cynicism has replaced idealism. I like “grim and gritty” and I love my amoral, complicated superheroes, but I understand now – a lot of you don’t read comics for realism. You read them for moral inspiration and to understand the greater ideal for which you should, I hope, forever strive. That idealism characterizes us as Americans. We believe in heroes. We can save the day. Circumstances will always complicate our efforts, but in the end, we can’t let go of the journey towards something greater than the present. No matter what happens, our ideals remain.
Happy Fourth of July to everyone; Semper Fidelis to my fellow Marines; and a safe journey to those troops still serving both overseas and stateside. The American dream will never die on our watch.
The Spinner Rack
By Kurt Amacker
Kurt: Ben is on the run from the feds again, so the column falls to me. You’d think that I would’ve picked a more reliable replacement for Al. Next time, I’m going to consult the F.B.I.’s Ten Most Wanted List before I hire my color guy.
DARK HORSE COMICS
City Of Others #3 (of 4) $2.99
It’s Steve Niles and Bernie Wrightson. How can you go wrong?
Gunsmith Cats Burst Vol 2 TP $10.95
This is a manga about a couple of girls that own a gun store and also work as bounty hunters. I hope you’re as excited about it as I am.
Hellsing Vol 8 TP $13.95
I can honestly say that the cartoon is way better than the comic.
Usagi Yojimbo Vol 21 Mother Of Mountains TP $15.95
Who Wants To Be A Superhero Feedback (one Shot) $3.50
Um, no.
DC COMICS
Action Comics #851 $2.99
Richard Donner, Geoff Johns, and Adam Kubert finally return.
Action Comics 3d Var #851 $3.99
For a dollar more, you can have 3-D. I know I will.
All New Atom #13 (cd) $2.99
It’s on a CD? Does that mean I have to listen to it instead of read it?
All Star Superman #8 $2.99
Grant Morrison is late as usual, but I still love him.
Amazing Transformations Of Jimmy Olsen TP $14.99
American Virgin #16 (MR) $2.99
Batman Ego And Other Tales HC $24.99
Black Canary #1 (of 4) $2.99
Cipher Vol 8 $9.99
Countdown 43 $2.99
I really hope this picks up, because I usually enjoy Paul Dini’s work. This isn’t bad or anything, but it isn’t quite “must read” yet. Actually, it’s already “must read” for me because I’ll have to write about it in about 10 months.
Danger Girl Body Shots #4 (of 4) $2.99
Detective Comics #834 $2.99
Paul Dini’s still on the title. Rejoice.
Exterminators #19 (MR) $2.99
Faker #1 (of 6) (MR) $2.99
This is written by Mike Carey. It’s about freshman year at college, which was possibly the worst year of my life, ever.
Gen 13 Best Of A Bad Lot TP $14.99
Golden Age Dr Fate Archives Vol 1 HC $75.00
Jonah Hex #21 $2.99
Justice League Unlimited #35 $2.25
Looney Tunes #152 $2.25
Midnighter #9 $2.99
Nightwing #134 $2.99
Outsiders #49 $2.99
Outsiders Vol 6 Pay As You Go TP $14.99
Scalped #7 (MR) $2.99
Silverfish HC (MR) $24.99
Supergirl #19 $2.99
Supernatural Origins #3 $2.99
Time Guardian Vol 2 $9.99
Vs (versus) Vol 6 $9.99
Welcome To Tranquility #8 $2.99
Y The Last Man #57 (MR) $2.99
The end is near.
IMAGE COMICS
Astounding Wolf-Man #2 $2.99
Sweet! I actually checked out Free Comic Book Day just to get the first issue. I’ve been looking forward to this for a month now. I love Robert Kirkman.
Astounding Wolf-Man Directors Cut #1 $3.99
Oh, for Christ’s sake.
City Of Heroes #20 $2.99
This is based on a video game.
Collected Normalman TP $19.99
Creature From The Depths (one Shot) $3.99
Dynamo 5 #5 $3.50
Girls & Goddesses Pin Up Art Of Joseph Linsner S&n ED HC (MR $75.00
Girls & Goddesses Pin Up Art Of Joseph Michael Linsner HC (MR) $29.99
Invincible Vol 8 My Favorite Martian TP $14.99
True Story Swear To God Image ED #7 (note Price) $3.50
Walking Dead Vol 2 HC Ltd Sgn ED $59.99
This series still rules. It’s slow as hell at times, but this way you don’t have to wait a month in between the very brief snippets of story Kirkman gives us.
Ward O/t State #3 (of 3) $3.50
MARVEL COMICS
Anita Blake Vh Guilty Pleasures Vol 1 HC DM ED $19.99
Anita Blake Vh Guilty Pleasures Vol 1 HC ED $19.99
Captain America #25 Directors Cut $4.99
This costs $5.00? What, is it the all-nude edition?
Captain America War & Remembrance TP New Ptg $24.99
This collects #247-255 of Captain America vol. 1.
Daredevil Battlin Jack Murdock #2 (of 4) $3.99
Dark Tower Gunslinger Born #6 (of 7) $3.99
Dark Tower Gunslinger Born Jae Lee Sketch Var #6 (of 7) $3.99
Dark Tower Gunslinger Born Tan 2nd Ptg Var #4 (of 7) $3.99
Essential Defenders Vol 3 TP $16.99
I love Marvel’s Essential line, though the Defenders were never really my thing.
Fallen Son Death Of Captain America Iron Man $2.99
See above.
Fantastic Four And Power Pack #1 (of 4) $2.99
Man, if only Al Brown were here. I could make jokes to high Heaven.
Invaders Classic Vol 1 TP $24.99
Irredeemable Ant-Man #10 Wwh $2.99
This series will be cancelled with issue #12. And, you know what? I blame you.
Loners #4 (of 6) $2.99
Marvel Adventures Spider-Man #29 $2.99
Marvel Two-in-one #1 $4.99
Marvel Zombies Army Of Darkness #5 (of 5) $2.99
Ms Marvel #17 Cwi $2.99
New Avengers Transformers #1 (of 4) $2.99
Are they more than meets the eye?
New Warriors #2 Cwi $2.99
Ptolus City By The Spire Vol 1 TP $14.99
Punisher #49 (MR) $2.99
Punisher Presents Barracuda Max #5 (of 5) (MR) $3.99
Barracuda is possibly the most reprehensible character ever committed to fiction.
Runaways #27 $2.99
The only thing by Joss Whedon I will probably ever read.
Thor #1 $2.99
J. Michael Straczynski writes and I don’t read. Sorry, but he lost it after Midnight Nation.
Ultimate Power #6 (of 9) $2.99
Uncanny X-Men #488 $2.99
I’d like to remind everyone that Ed Brubaker is writing this. You should buy it on principle.
Union Jack London Falling TP $10.99
This spins out of an arc of Captain America from a while ago. The cover price is reasonable enough, so I might actually buy it.





Happy 4th, Kurt!
(and I'm probably buying Thor #1 - JMS hasn't quite hit the "now irrelevant" status of Claremont for me yet)