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Fringe: Bad Dreams
What Dreams May Come? By
Stephen Lackey
April 22, 2009
Mania reviews the latest episode of Fox's FRINGE(2009).
© Mania.com/Robert Trate
This week’s episode of Fringe opens with one of the most tense and creepy scenes of the series so far. A woman is playing with her baby in an empty subway station waiting for a train. The scene is cut to lead viewers to believe that something is going to happen to her, that someone is going to leap out of the shadows and grab her. Just then the train rolls up. The woman reaches up to grab one of her baby’s balloons and another woman appears out of nowhere just in time to push the mother in front of the train. It happens suddenly and is very jarring. When the camera pans around to reveal the killer is Olivia, the stage is set for this week’s episode.
The path of this week’s episode is well worn by other hit shows, most recently Medium comes to mind. Olivia seems to be seeing murders through the eyes of the real killer. For a time she actually believes that she is some way committing the murders herself. There’s an old movie that starred Ally Sheedy called Fear that was brought to my mind during this episode of Fringe and this week’s episode of Medium, coincidentally. In that film, Sheedy has a mental ability that allows her to see through the eyes of killers. All goes swimmingly until one killer actually sees her looking and begins using her own ability against her. It doesn’t go that direction in Fringe but the point is that we’ve seen plenty of movies and TV shows where the basic idea portrayed in Fringe this week has been used to death. With that said, the core idea here gets baser and more complex at the same time. By more base, I’m referring to the fan service in the episode of Olivia kissing a female stripper and having an orgasm while hypnotized. Sure, these scenes are definitely fan service but they are also quite humorous.
While the pattern wasn’t specifically referenced this week, Olivia’s past and her involvement with Bishop and William Bell does get a bit more development. It’s been apparent from the beginning that Dr. Bishop knows more about Olivia than he’s been telling but this week – at the end of the episode specifically – we finally get some verification that Bishop hasn’t just forgotten some parts of his past but he’s actually holding back. Bishop doesn’t get as many humorous one liners this week but he does get a few and they are as always great. Part of the reason they work so well has to be John Noble’s delivery. He owns every scene he’s in. Ana Torv gets to do some funny stuff this week and she handles it beautifully. It’s not all about line delivery. In fact, the best scene she gets this week all comes from the expressions on her face in the strip bar. Bishop Jr. and Astrid get very little to do this week and that’s a bad thing. Jesika Nicole does as much as she can do with a character with almost no development. More screen time and back-story for her character would be a great addition to the show. Eventually, she’ll probably be the centerpiece of a single story episode. Integrating her into the larger mythology might be too much considering everyone else is so tied to it. Speaking of Bishop Jr. ,the writers are still teasing a relationship between him and Olivia but never quite going there. Wouldn’t it be interesting if the two of them ended up in a Luke and Leia situation? They have both been a part of the Bishop/Bell experiments so who knows?
While this episode wasn’t as mind blowing as last week’s, it was still a great installment from the suspenseful opening scene to the humorous bit of fan service everything this week was riveting. The stinger at the end manages to introduce Bell without actually showing him yet. The next few episodes should be “fascinating”.
I liked the revrerse empath angle. Very cool. Might have been a cool ange if Olivuia eally was uncomnssciously kiling people, but this woorked for the larger set up. I also like that the guy wasn't deliberatelt malicious, just unabe to control his own emotions or his power. I also liked the idea of a hidden war, being the real motivation for Massive Dynamic, and the paralell reality invasion sounds intruging. Anna Torv delivers her guilt ansdd uncertainty well, and it;'s great to see her doing some comedy too. I loved the orgasm scene even more for the other's reactions than ers, Astrid, Bishop Jr. and Finally Bishop whe they eac realized wat was actually happening.
John Nobel is brillaint as always, Astrid always delivers good reactions, doing grea work with minimal diaalogue. Bishop Jr. always gives good shock and audience perspectve. "Uh, can we examine that sentence for a minute?"
And I love the final revealation about Bishop and Olivia.
Wonder if she'll start reverse empathing at some point too.