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What is Genre Programming?
Plus Dollhouse gets a second life. By
Rob Vaux
May 18, 2009
Kim (Elisa Cuthbert) is back to being a victim of circumstance in 24(2009).
© Fox
(Before we begin, a brief reiteration of some news: Fox has picked up Dollhouse for a second season. Well-deserved reprieve for a show with a strong cult following? Or proof that Joss Whedon is in league with Satanic powers? You be the judge.)
It's 24's turn in the season finale docket this week, and having now been picked up for an eighth season, it looks like Jack Baur will be keeping us safe from ne'er-do-wells of all varieties for some time to come. But the show's coverage here raises a question that we at Mania have grappled with for some time: what constitutes genre programming?
Webster's defines "genre" as "a class or category of artistic endeavor having a particular form, content or technique." On this site, I use it to refer to any conventions which appeal to the "fanboy" demographic: science fiction, horror, fantasy, and so forth. Everyone basically knows them when they see them… but on their outer fringes, the defining line becomes fuzzier and fuzzier. People have commented on our inclusion in this column of the various CSI shows: basically police procedurals with an emphasis on scientific forensics. They don't believe CSI fits the definition of "genre" as it pertains to this site, and that's fine. But how, then, is 24 any more legitimate? Or a James Bond film? Because they're more far-fetched? Because they involve fictitious Presidents? I'd wager that more visitors to this site watch 24 than, say, Ghost Whisperer--which more closely adheres to the strict definition of "genre," and yet which blends the supernatural with elements of domestic melodrama that aren't nearly as appealing to this demographic as Kiefer Sutherland blowing large holes in people.
So where do we draw that line? To a certain extent, we can't. Genre classification defies any effort to form neat, stratified categories, and because of that, any line we draw will, to a certain extent, be arbitrary. But that doesn't mean that genre isn't useful. I would define genre as a series of themes, motifs or patterns which recur over multiple texts. By that definition, it serves as an creative tool more than a labeling system, allowing artists to blend different conventions, mix competing tropes, and transform previously existing stereotypes into something fresh and new. "Fanboy" genres have always displayed a particular knack for doing so: horror movies mixed with comedy, westerns in outer space, historical dramas with science fiction elements, and so on. That wouldn't be possible if we tried to eliminate the gray area on the boundaries--or worse, just dismissed the entire notion of genre as untenable. The presence of shows like 24 and CSI on this site demonstrate the futility of defining a particular genre. But that shouldn't be a cause of frustration. On the contrary, it demonstrates just how boundless the possibilities can be when you leave a little room to explore them.
Monday
24 (Fox, 8:00 PM EDT)
Those of us who bet that the show would never be so desperate as to put Kim (Elisha Cuthbert) in dire peril again are feeling pretty foolish right about now. On the plus side, Olivia (Sprague Grayden) apparently gets a stern talking to by her mother (Cherry Jones), which may be worth it for the histrionics alone.
Medium (NBC, 10:00 PM EDT)
The brilliant Anjelica Huston returns as Allison's (Patricia Arquette) colleague Cynthia Keener, who helps her out with a kidnapping case.
CSI: Miami (CBS, 10:00 PM EDT)
Another season finale, this one pitting Horatio (David Caruso) and his crew against the Russian mob.
Tuesday
Reaper (The CW, 8:00 PM EDT)
The phrase "soulless corporation" takes on a whole new meaning as Sam (Brett Harrison) goes to work for one of the Devil's (Ray Wise) front companies.
The Mentalist (CBS, 9:00 PM EDT)
The close of the show's successful first season finds Jane (Simon Baker) walking into a possible trap set by Red John.
Night at the Museum (FX, 7:30 PM EDT)
Those of you who skipped this 2006 orgy of pointless special effects and clumsy family humor haven't missed anything that merits tuning in tonight. Those of you who didn't really should know better.
Wednesday
Pirates of the Caribbean: Dead Man's Chest (ABC, 8:00 PM EDT)
Though unduly busy, this initial sequel to the surprise Disney blockbuster has a lot going for it, including a curtain call by Johnny Depp's celebrated Jack Sparrow and the first appearance of Bill Nighy as the Lovecraftian Davy Jones.
UFO Hunters (History, 10:00 PM EDT)
UFO surveillance is examined this week.
Ghost Hunters and MonsterQuest are reruns.
Thursday
Catwoman (AMC, 8:00 PM EDT)
It's easy to slap Halle Berry's name on this infamous "comic book" adaptation, but in truth she's maybe the best thing about it. And honestly, had they put another actress in the part, wouldn't it have still been a steaming waste of celluloid?
Constantine (AMC, 10:30 PM EDT)
Though it takes liberties with its source material, this 2004 Keanu Reeves supernatural adventure remains solid popcorn fun, thanks to a great visual eye and terrific supporting turns from the likes of Tilda Swinton and Peter Stormare.
The Thing (SciFi, 7:00 PM EDT)
Reviled upon release, John Carpenter's 1982 version of "Who Goes There" has since risen to become one of the best-regarded horror movies of all time.
Total Recall (SciFi, 9:00 PM EDT)
Though crude at times, Paul Verhoeven and Arnold Schwarzenegger made their 1990 adaptation of a Philip K. Dick short story tons of guilty-pleasure fun. Also, it features both Sharon Stone in a leotard and a telepathic mutant Siamese twin stashed under some guy's coat… two great tastes that truly taste great together.
Kröd Mändoon and the Flaming Sword of Fire is a rerun this week.
Friday
Wolverine and the X-Men (NickToons, 8:00 PM EDT)
New episodes return this week, as Professor X is captured by Sentinels in the future and plots with his fellow prisoners--including Bishop, Hellion and an aging Domino--to reclaim Cerebro from their clutches.
Batman: The Brave and the Bold (Cartoon, 8:30 PM, EDT)
The team-up with Robin continues as Crazy Quilt looks to get even with the Boy Wonder.
Iron Man: Armored Adventures (NickToons, 7:00 PM EDT)
The Crimson Dynamo take a whack at the ole buckethead this week, after two years exiled in outer space.
Primeval is off for the Memorial Day weekend.
Saturday
Supergator (SciFi 7:00 PM, EDT)
There's no need to talk this one up. Either you were in the minute you read the title, or you decided that Saturday is a really good night to wash your hair.
Lake Placid 2 (SciFi, 9:00 PM EDT)
Cloris Leachman has an Oscar. She also agreed to star in this direct-to-video sequel while every member of the original cast took a pass. Hope it was a big, fat check Cloris.
Sunday
The Last Templar (NBC, 9:00 PM EDT)
NBC is so panicky they're re-running this Indiana Jones knock-off miniseries featuring Mira Sorvino as an adventurous archaeologist. Seriously, were the ratings for Kings that low?!
Polar Storm (SciFi, 9:00 PM EDT)
NBC isn't the only station regurgitating previously aired TV movies, as SciFi provides a double dip for this bit of natural disaster silliness starring Heroes' Jack Coleman.
Never have gotten into 24, but I'll be DVR'ing it tonight and fast-forwarding through the show to see my buddy's cameo extra role.
Rob, of course Joss made a deal with the devil. Fox is Satan!
The first Night At the Museum was a fun, family movie. Don't know when I'll get to check out the new one, but I'll try to catch it eventually. As for this weekend, it's all about T4!