TV Review


"Heroes: Godsend"

By: STEPHEN LACKEY
Review Date: Thursday, January 25, 2007

Heroes is back and again raising the bar for serialized television in this episode titled “Godsend”.  At the end of the last episode of Heroes Peter collapsed in Nathan’s arms with visions of all the heroes coming together as he erupts in a ball of energy causing a nuclear explosion.  This episode picks up there with Peter lying unconscious with a dangerous fever in a hospital.  While his mother and brother sit at his bedside he wrestles in his mind with deeper more detailed visions of what might happen.  He says to Nathan “I took his power, and I can’t control it”.  Then he explodes.  He does however catch another detail, a man, a homeless man, who stands on the street unnoticed by anyone else laughing.  When Peter wakes he leaves the hospital and actually discovers the man in his vision on the street picking pockets.  When Peter yells at the man he goes ballistic grabbing Peter and telling him that no one can see him how can he see him?  This new hero has the ability to be invisible. 

There’s no point to recapping the entire series because a lot happens, and if you haven’t seen it you can head over to the NBC website and watch the entire episode.  So, I’ll just hit the highlights, some of what I think made this episode phenomenal.  Many Doctor Who fans have been waiting for this new hero to appear because he is played by Christopher Eccleston, the first Doctor of the new series currently running on SCFI Channel.  I’ve been anxiously waiting for Hiro’s father to appear because he will be played by none other than George Takei, Mr. Sulu himself!  Hiro seeks out the sword from Isaac’s painting believing it will help him get back in control of his special abilities.  At the museum where he believes the sword is kept he finds that it’s just a replica and that a certain gangster owns the actual sword.  While there he does recount a story about the sword that his father used to tell him as a child about how the warrior that wielded it was able to channel all of his power through it.  This seems to be a precursor to Hiro visiting his father for more details about the story.  In fact Takei is set to appear in next week’s episode.  One of the things I’ve really enjoyed about this series is the subtle ways they’ve managed to connect the heroes.  Now, as the story seems to be heating up, so do the connections.  The gangster of which I speak is the same one that has Nathan under his thumb and that used Nikki to help put him there.  He’s like the Kingpin in Spider-man and Daredevil comics.  


Another story arc that has been one of the best of the series just keeps getting more interesting and that’s Claire’s story.  In the fall finale, the Haitian made everyone around her that she could trust forget about her abilities leaving her memory intact even though her father ordered him to erase hers as well.  Claire feels isolated, knowing that her mother knows nothing and she can’t trust her father she feels as though she’s withering.  When she meets with the Haitian she even begs him to return her best friend Zach’s memory so she can have someone to lean on.  When the Haitian informs her that he doesn’t have that ability she exhibits as much inner strength as her abilities give her outer strength by going to Zach and starting all over.  She gets the video camera and asks him to tape her doing a stunt, just as she did before, this time so that both of them will be able to remember it. 

The heroes are starting to come together; even Nathan is beginning to accept that he has a part to play.  The interaction between Nathan and Hiro at Isaac’s studio was hilarious.  The episode was fast paced, well balanced, even giving Nikki some interesting scenes, and while on a few minor and obvious questions were answered at the end I had the feeling that the story wasn’t treading water (Are you listening LOST?), it felt as if it had moved forward.  The writers of Smallville need to take a look at this episode to learn how to give super heroes believable drama that means something to the overall story arc.  Godsend is a fantastic way to kick the series off for the spring and I look for it to just keep getting better.



More Content By STEPHEN LACKEY
PRISON BREAK: Five the Hard Way
(Friday, October 10, 2008)
TERMINATOR: THE SARAH CONNOR CHRONICLES: Goodbye to All That
(Wednesday, October 8, 2008)
TV Wasteland: Red Mars is Coming to AMC
(Monday, October 6, 2008)
TV Feature Interview: Ghost Hunters
(Saturday, October 4, 2008)
TV Feature Interview: Scare Tactics
(Saturday, October 4, 2008)
HEROES: One of Us, One of Them
(Thursday, October 2, 2008)
SANCTUARY: Sanctuary for All
(Thursday, October 2, 2008)
TERMINATOR: THE SARAH CONNOR CHRONICLES: Allison from Palmdale
(Wednesday, October 1, 2008)
TV Feature Interview: Josh Gates Talks Destination Truth
(Wednesday, October 1, 2008)
Feature Interview: Sanctuary's Amanda Tapping
(Tuesday, September 30, 2008)
Fandango Logo
Comments/Responses
1
dragon261 • Jan 25, 2007, 07:06am •
Heroes blows 24 and Lost out of the water. 24 because it regurgitates the same tired storylines of hate and paranoia, and Lost for reasons to numerous to mention.

meathead • Jan 25, 2007, 07:31am •
I've said it before, I'll say it again: There are very few shows out there that give me goosebumps. This one does on a consistent basis. Unlike other shows, I have not gotten to the point where I sit there and say "meh" at anything, and this far into the season, that's a good thing.
I can't wait for next week! :D

mbeckham1 • Jan 25, 2007, 09:45am •
It's great to have Heroes back!

I'm very glad that Claire's managed to renew her friendship with Zach. She does need someone, both as an emotional support, as a foil who can see her incresingly weird world from another perspective, and as someone she can expresse her fears and vulnerabilities to, for the audiences sake. It wouldn't quite make sense for her to have that relationship with the Haitian, at least not yet.

I've said it before and I'll say it again. Claire's story line, more than any other, could form the basis of an entire series by itself. It has intrigue, humor, danger, and greeat human themes like identity crisis, alienation, coming of age and learning responsibility.

What we've seen so far could have been stretched into a season or two of Buffy/Veronicaesque drama. As it stands it is perhaps the most interesting of a series of interesting and interconnecting stories.

going back mortal character foils(a.k.a. sidekicks) added their perspective to this amazing world. I love Simone's reaction when she recognizes Hiro from Isaac's comic.

"Okay, the world is insane, I'm just going to accespt it."

A delightful moment from a character who has too few opportunities for comedy.

I also loved the interaction between Hiro and Nathan. And the part where Nathan talked about the world not having all these crazy connections and then Hiro walks in and says "Linderman" then sees Nathan and goes "Flying man." The look on his face was his 'okay, I give in" moment that Simone later put into words.

I think Nathan has good intentions, but after his "bad man" talk with Hiro I'm concerned that he will cause a major problem, not intentionally, but to protect his brother from the Heroes if he thinks they might kill him to save he world.

That seemed to be he conflict written on his face.

Speaking of Pete and his new friend, can't wait to see what Eccelston does with his new role

We even get another little nugget on the Nikki/Jessica story line when Nikki learns she can make the superstrength work for her without Jessica.

This series is definitely powering forward and anyone thinking of missing episode is likely to get left behind. And from the previews next week, we'll more major developments to come. Not only do we get George Takei. But Mickha reveals his powers to his dad. And Claire gets a very important phone call (speaking comparisons to Veronica Mars).

Got a theory about that, by the way, involving Jessica/Nikki. Jessica I think "died" too young. But Nikki/ Jessica could still be the caller

lister • Jan 25, 2007, 10:53am •
I enjoy Heroes but it's not perfect. And this last episode was not an A+. That's a bit much I think.

Also, dragon brought up 24 and Lost. Those are different shows and things happen on them in different ways. Heroes doesn't "blow them out of the water". When I want a dose of true suspense, those are the programs I watch. When I want something light and comic book-y, Heroes fits the bill.

bjjdenver • Jan 25, 2007, 11:22am •
Considering that this episode was a transition episode to tie the "fall" season to the "spring" season, I feel the A+ was well deserved. As far as 24 goes, it is still a very entertaining show and I am so sick of people complaining about it spreading fear, etc... It doesn't make me scared when I watch it, and the fact that they now have a former terrorist looking for peace, actually alleviates some of those feelings in me. To paraphrase last weeks SNL...also spreading feelings of hate and paranoia...terrorists.

fft5305 • Jan 25, 2007, 12:00pm •
Amen, bjjdenver! I got a kick out of that line on SNL, too! Although, I must disagree with you, lister, about Heroes being so light & comic book-y. I think the reason it has been so popular is that it eschews many of the conventions that turn mainstream viewers off of genre entertainment. Costumes, for instance. They don't have them. Also, the characters are well-rounded and interesting. They have varied and realistic reactions to the discovery of their abilities. Combine that with intricate, but not unfathomable plotting that actually goes somewhere, and you interest more than just fanboys.

lister • Jan 25, 2007, 12:15pm •
I don't think it's as heavy as you make it seem. It's carries only a little more gavitas (gotta get another plug in for 24 there) than, say, Surface or Invasion. But not much!

And comic book stuff doesn't appeal only to fanboys. Look at the popularity in comic book adaptations at the movies of late. I don't mean comic book-y in a disparaging way but in its best sense.

ponyboy76 • Jan 27, 2007, 06:22am •
While Heroes doesn`t pack as much of a dramatic punch as say a show like "24" does, it is still a pretty heavy show. It reminds me of all the best X-men comic events like Inferno, and the Dark Phoenix saga. It has elements of full on drama coupled with a good sense of levity, especially when it comes to Hiro. (He is probably my favorite character.) So, I understand what lister means about it being comic booky, opposed to 24 which gives us this "oh my god,what are we going to do feeling?" They are both awesome shows and are the reason that I watch t.v, well that and BSG, which also pulls that same sort of drama off.

mbeckham1 • Jan 29, 2007, 10:40am •
Actually, I think a good dose of lightness and humor can make dramatic moments more powerful.

In fact, that is a problem I have with dramas today is that they are only dramatic. Tension or tragedy, banking away like a single note you eventually become deaf to.

I mean if life is only tension and tragedy. You start to feel relief for characters who die rather than sadness.

But if someone lives a life that can be funny and fun as well as frightenting and sad, then you feel someone is really loosing something when they die. Wasn't Romeo and Juliet all the sadder for all the ways it could have gone right.

When Fred die in Angel and when Tara was shot in Buffy the Vampire Season Six. They were not the most violent deaths on television.

But threy were among the most shocking moments in telesion. Shocking because they followed moments of humor or triumph. Angel had just aired it's puppet episode. Buffy had soundly defeated the "Trio". And then everything fell apart.

They were also all the more tragic because they involved characters who had provided lightness and positive energy to the series. Willow mightnot have died, but she was certainly changed by the experience, and even if she had taken dark turens earlier in the season she was well on the way to being her old fan favorit self. And Fred of course was light positive force among the increasinly angst ridden team Angel, and a an favorite besides. Killing her would be killing Hiro or Hurly from Lost. In many ways killing Buffy or Angel themselves would have been less devestating.

We never really expect our leads to have a happy ending. At least I didn't with those two. But they were our safe zone, like Wash in Serenity.

The thing in both cases that made those moments dramatic and shocking was that they happened in a world where happiness and even moments of safety were possible. Where you could fool youself into thinking you were unlikley to die or lose someone you love tomarrow. Then you do.

It's something under used or unused in dramas where death and loss are a weekly given. I enjoy those series very much. I also think there is a place for series that have that contrast

The kind of thing that people can and need to relate in this day and age. That swift jolt from the world we think we live in, and want to beleive we do to the terrible reality of how far and how fast it can all go wrong.

1
Login to post a comment!