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John Carpenter Directs DARKCHYLDE


By Rob M. Worley     November 01, 2010
Source: Mania

© Mania

John Carpenter is set to direct the movie adaptation of Randy Queen's Darkchylde. Plus: First look at Tintin! Sony Prez becomes Spider-Man producer. Green Hornet video & poster. More! It's your Comics2Film 10.11.1!




Box Office: RED

The grump old comics adaptation RED has demonstrated that it has more stamina than other young whippersnappers at the box office according to the weekend chart published by Box Office Mojo.

The Bruce Willis feature, based on the comics by Warren Ellis and Cully Hamner held onto the #3 spot for the second week in a row. It tood in another $10.8 million in receipts. That brings the domestic box office to close to $59 miillion, just a hair above the estimated production budget for the movie. 

The performance represents a mere 28% shrinkage in audience against the new opener Saw 3D (the #1 movie of the week). Compare that to the 59% drop suffered by Paranormal Activity 2 (#2 ranked film) in its second week, and the 60% drop seen by Jackass 3D (now trailing RED at #4) in its third week.



Sony Prez Becomes SPIDER-MAN Producer

From a press release

(Culver City, CA) – Matt Tolmach has launched a new production company and will become a producer on the next installment of Spider-Man, the blockbuster film franchise he helped shepherd since its inception in 2002, it was announced today by Michael Lynton, Chairman and CEO of Sony Pictures Entertainment and Amy Pascal, Co-Chairman. Doug Belgrad has been promoted to sole president of Columbia Pictures and will take on additional divisional responsibilities. As part of the transition, Belgrad has named Hannah Minghella president of production for Columbia Pictures.

Said Pascal, “I couldn’t be happier for or prouder of Matt, Doug and Hannah. Matt and I have worked together for over 15 years. Anyone who knows him knows he has been talking about this for a long time. He has always approached every project he has ever worked on with the attentiveness of a brilliant producer’s eye and that is what has made him such an excellent executive. As he takes this amazing step with his career, I know we will continue working together for as long as we are both in this business. We tried to convince him to stay in his current job, but we understand the time has come and completely support his decision. Spider-Man has been a big part of his life for the past ten years, and this is the perfect segue. We know he is going to be a killer producer for us.”

“It is also the right moment for Doug to step into a greater leadership position within the company,” she added. “We have worked together since he was a financial analyst for Jon Dolgen, and I have seen him evolve into a consummate studio executive with a rare combination of creative talent and savvy business skill. As he takes on more responsibility in this new and expanded role running Columbia Pictures, I would entrust the division to no one else. And when he told me he wanted Hannah to return to Columbia as president of production, I was beyond thrilled. Doug sees in her what we all know to be true: she is a singular star. In her three years at Sony Pictures Animation she has proven that she is an extraordinary leader and executive and I know she will be a fantastic addition to what is already the best production team in the business."

From now through November, Tolmach will begin the transition to become a significant producer on the lot as he ramps up his company, which has a three-year commitment with the studio. In December, he will join producers Laura Ziskin and Avi Arad on the set of the new Spider-Man adventure.

“This move has been a dream of mine and something I've been discussing with Michael, Amy and Doug for more than a year now," Tolmach said. "I’ve loved being a studio executive, and Columbia Pictures has always been my home, my family. I’m incredibly blessed to have had Doug as my partner in this job for the past eight years, and I’m very proud of what we've accomplished; I am also deeply grateful to Amy and Michael for their unwavering support and leadership. Consistent with that, everyone has embraced this next chapter for me, and I am planning on making movies here for a long time. Over the years, I have worked with a lot of truly talented producers, and that I now get to join two of them on the set of Spider-Man is almost too good to be true.”

“With this move, the studio is gaining a new producer whose taste we know and whose creative skill we implicitly trust,” said Lynton. “We are very fortunate to have such a deep bench of executive talent at Sony Pictures. That allows us to recognize and encourage the leadership potential of extraordinary colleagues who can make very valuable contributions to our studio. We also have the benefit of making this change from a position of strength, given the amazing track record of Matt and Doug and their team over the past several years. Columbia Pictures is in incredibly strong hands under Doug, and we look forward to working with Matt for a long time to come.”

Belgrad said, “Matt has been an unbelievable partner. I treasure our friendship and am so proud of the work we did together. I have no doubt he'll be a superb and prolific producer for us. While this is a completely natural and exciting evolution of our relationship, I'll sorely miss his presence across the hall. I have been blessed to work with Amy for all but three of my years at the company. She’s been a remarkably generous mentor, and Michael has been incredibly supportive since the day he arrived. Prior to Hannah's successful run invigorating Sony Pictures Animation along with Bob Osher, I saw first-hand how fantastic she is; how much she loves storytelling, how deeply she understands the creative process, and how powerfully filmmakers respond to her. With Hannah coming aboard to lead one of the most experienced and capable production teams in the industry, I expect a seamless and smooth transition. She is the perfect choice to take on this new role and responsibility.”

Added Minghella, who has served as president of production for Sony Pictures Animation since 2008, “I am honored and tremendously excited by this opportunity to rejoin the Columbia Pictures production team. There is a reason this group is revered and respected throughout the industry by filmmakers, artists and executives from all corners of our business, and it is a genuine privilege to return and work with my friends and colleagues in this new capacity. At the same time, I am eternally grateful to all the gifted artists, storytellers and staff who have been so dedicated to making Sony Pictures Animation such a phenomenal experience and working environment. SPA will always be a special place to work and collaborate and for good reason: the talent here is second to none.”

“I am truly excited and happy for Hannah,” said Bob Osher, president of Sony Pictures Digital Production. “In the time she has been with Sony Pictures Animation, she has brought her outstanding eye for talent and intense discipline to every aspect of our business. I know that she will continue to be a champion of animation and remain connected to the projects and filmmakers that we have been working with the past several years.” Osher expects to name a successor to Minghella in the coming weeks.

Minghella joined the company in 2005 as a director of creative affairs working in the office of the chairman of the Motion Picture Group under Pascal, where she collaborated closely with Belgrad on several projects, including the production of the highly successful James Bond film Casino Royale. Since being named president of production of Sony Pictures Animation, she has overseen the production of Cloudy with a Chance of Meatballs and the upcoming releases Arthur Christmas, The Pirates!, and Hotel Transylvania. She also has been active bringing new projects and talent to the studio, such as Doug Sweetland, who will be directing The Familiars for producer Sam Raimi.

Tolmach and Belgrad, who have enjoyed one of the longest and most successful executive partnerships in recent motion picture history, have shared the role of president of Columbia Pictures since 2008. They began guiding the label as a team in 2003.

During their long-running tenure at Columbia Pictures, Tolmach was closely associated with Sam Raimi, Judd Apatow, Roland Emmerich, Adam McKay, Jimmy Miller, Neal Moritz, David Fincher and David Koepp, among other filmmakers. He oversaw such blockbusters as 2012, The Da Vinci Code, Angels & Demons, and The Pursuit of Happyness, as well as such groundbreaking comedies such as Superbad, Talladega Nights: The Ballad of Ricky Bobby, Step Brothers, Pineapple Express, and Zombieland. Belgrad has been with Columbia Pictures since 1989 and during his rise through the production ranks has been associated with such studio franchises as Men in Black and Bad Boys. He has worked closely with Adam Sandler and Will Smith for the last decade and has been instrumental in overseeing such films as The Social Network, The Karate Kid, Grown Ups, The Ugly Truth, Hancock, Fifty First Dates, Hitch, 21, and Paul Blart: Mall Cop, among others.

Under Lynton and Pascal’s leadership, Belgrad and Tolmach’s production team have brought unprecedented stability and success to the studio. So far this year, Columbia Pictures has released a string of box office hits, including The Karate Kid, which has taken in more than $351 million worldwide to date; Grown Ups, the most successful film starring Adam Sandler ever released, with more than $269 million generated globally; Salt, the action-thriller starring Angelina Jolie that has been a domestic and international hit, with more than $290 million in box office receipts to date; Eat Pray Love, starring Julia Roberts, has so far generated more than $180 million worldwide; Will Ferrell and Mark Wahlberg’s The Other Guys, which has grossed over $226 million worldwide to date; and The Social Network, the studio’s most recent critical and commercial hit, which has generated more than $105 million around the world to date.



C2F Quick Hits

  • Coming Soon reports that Lionsgate is now officially calling the upcoming Robert E. Howard adaptation Conan 3D and has targeted it for an August 19, 2011 release.
  • Universal Pictures has set July 29, 2011 as the release date for Cowboys & Aliens, the Jon Favreau movie, loosely based on the comics published by Platinum Studios, which stars Daniel Craig, Olivia Wilde and Harrison Ford.
  • The official Facebook page for Steve Johnson FX has revealed a number of images for the resurrection suit that was to be featured in Tim Burton's (thankfully) ill-fated Superman Lives movie. We've presented a few below, but there are a lot more if you click through.
  • Thanks to AntoBlueberry for the submission.



Empire Reveals TINTIN

The cover feature for Empire Magazine's October issue will focus on the Peter Jackson/Steven Spielberg production of the CG animated adaptation of famed comic Tintin. The magazine has posted online the first images from the highly anticipated feature, including your first look at Tintin, Captain Haddock and Snowy as they appear in the film.

Check it out:

TINTIN graces the latest cover of Empire Magazine

CGI character image from TINTIN


Thanks to AntoBlueberry for the submission.



GREEN HORNET Poster, Black Beauty Feature

As we draw closer to the release of Michel Gondry and Seth Rogen's Green Hornet movie, Sony is starting to roll out promo pieces for the film.

The IMP Awards website has revealed a new poster for the film. While Trailer Addict has posted a feature on the Hornet's iconic war wagon: The Black Beauty. Enjoy!


Thanks to AntoBlueberry for the submission.



Carpenter to Direct DARKCHYLDE Feature

 Randy Queen's Darkchylde Ent. announced this weekend that horror master John Carpenter is officially attached to produce and direct a feature film adaptation of Queen's 1990s-era comic Darkchylde. Carpenter and Sandy King’s Storm King Productions will produce the movie along with Randy and Sarah Queen’s Darkchylde Ent.

The story focuses on Ariel Chylde, a sweet-natured girl cursed to become the creatures from her many recurring nightmares. Every time Ariel Chylde transforms, she sheds her skin and a new nightmare emerges from her Id to act out her deepest, darkest impulses.

Back in July, Queen revealed test footage of the main character's metamorphosis that his company had produced with famed F/X studio Weta Workshop.

Carpenter said in a press release, "Randy Queen’s hijacked angel, Ariel Chylde, is the best young female character since Laurie Strode in Halloween. Bringing Ariel and her dark mysteries to life should be quite an adventure for us all."

Equally enthused is Queen who adds, "I’m beyond thrilled that John Carpenter, one of our most important, and legendary genre directors...has come onboard with Weta Workshop to help bring the nightmarish tale of Ariel Chylde to the silver screen. As a horror fan, the thought of Carpenter and Weta together, beautiful dreamscapes, and multiple transformations, makes me incredibly excited. There is a reason nearly his entire catalogue has, or is being remade, and it’s because Carpenter is a genius."

Details will be forthcoming at


Thanks to AntoBlueberry for the submission.



Rob M. Worley is the writer and creator of the all-new, all-cat kids comic book series Scratch9. Issues #1 and #2 are in stores now. Issue #1 is also available as a digital download via iVerse Media's iTunes app. Visit for news and info!


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Hobbs 11/1/2010 7:08:40 AM

I'm a huge Carpenter fan and even though he hasn't had a really good movie in a long time I still root for him.  Anyone know when his latest movie, The Ward, is set to come out?  I'm glad to see him in the directors chair again.  Can't wait for Darkchylde.

Thank God Burton didn't get his hands on the supes franchise. 

Rheul_home 11/1/2010 7:10:19 AM

Tintin? Really?

samurai1138 11/1/2010 7:16:55 AM

Kind of a slow news day today. Dark Chylde sounds interesting, so let's keep our fingers crossed. Tin Tin? whatever. I suppose if theres some popping 3D eye candy I'll check it out, but it clearly didnt have the chops to get the live action treatment. And I may get lynched for saying this, but Green Hornet doesnt look THAT bad, if it had been a serious take it probably would have people talking, but the trailer was entertaining enough, so I'll withhold judgement for now. And what can we see about Tim Burton's Superman? Didnt Routh wear that outfit when he came back to Earth, minus the rainbow shiny effect? It never ceases to amaze me that they almost made that movie. Still, one day I'd love to see a shot of Nic Cage in the Supes costume, just for the laugh value.

8man 11/1/2010 7:23:56 AM

All that to discuss who's producing the next Spider-Man?  A movie that may not even make it into theaters and may suck like that last one?  Stop.

I've said it before, I'll say it again.  Green Hornet is going to be a fun movie and will do well at the box office.  Chicks will dig the car! 

qwed88 11/1/2010 7:40:23 AM

 Why is it no one seems to be able to handle a Superman movie properly?

Tevii 11/1/2010 8:03:57 AM

@qweed88 - I honetly think its because they don't stick to the source material. They try and change it because they feel "the boyscout" is outdated. Theyve been saying that for as long as I can remember. Now they are going to make him darker

Stop trying to change Superman, stick to the source material and then we will have a GREAT Superman movie.

captm0rgan77 11/1/2010 8:30:11 AM

 Not familiar with Tintin. But it looks like the kind era that Spielberg lives for. It looks like it might be a fun popcorn flick, that's all Spielberg is good for now-a-days. Not that I blame him, if I had all that bling sitting on my awards wall I'd do whatever I felt like too.

Green Hornet . . . not sure yet. I'm on the fence with that one. I really wanted to see Stephen Chow as Kato in that.

As for the Supes thing; I'm happy that things turned out this way. I was entertained by Singer's remake/rehash and if his blunder was what was needed for Warner to wake up and get serious than I'd say, good. I'm confident in the new team they have helming the franchise. I'd hate to see what might have become from Burton's version. Warner might have just locked Supes up in the vault for a long time.

LocoLobo73 11/1/2010 8:39:51 AM

OH come on guys The SUPERMAN LIVES COstume rocks, lmao jeez I think that might have killed the character faster then the Giant Spider!!!!!!!!

Dark CHYLDE : great comic , this should make for a awesome flick , I hope Carpenter pulls this one off, I would rather have had Del Toro for this one , its right up his alley.

Green Hornet, I'll more than likley check it out , it looks like it will be fun, plus I think the real stars will be black beauty and Kato

By the way any of you Manaic , check out THE WALKING DEAD , lastnight, this is going to be an awesome series, I am already stoked about the next episode.

wessmith1966 11/1/2010 10:01:18 AM

Thank the heavens that Superman movie was never made. Someone asked no one can seem to make a good Superman movie. I think it's because everyone wants to put their stamp on the character. Making a great Superman movie isn't brain surgery. It's actually quite simple...Find a director who's adept at working with effects (and I think WB found one in Zack). Next, get a couple of writers and people who know the character to write the script. Paul Dini, Bruce Timm and Alex Ross would put together THE PERFECT Superman film. Forget about getting the "it" writer in Holleywood; get epople who know the spirit and history of the character. DC/WB have been working with the best Superman creators for years; why on earth would you even think of going outside that box for the movie?

Green Hornet is going going to be 2011's Land of the Lost. It's going to get a lot of promotion and it's going to be an awful movie. The trailers they've shown are the evidence. Seth Rogen should stick to bongs and bad jokes.


stanandkylerule 11/1/2010 10:36:36 AM

Samurai, I think you've got your wish in the pic of the bluish costume on the dummy above.  I'm pretty sure that looks like a replica of Nic Cage's face (probably sat and had the mold created for the suit).

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