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Kick-Ass,Dragon Race to Top
Too Close to Call for Kick-Ass debut. By
Jarrod Sarafin
April 18, 2010
Kick-Ass' box office debut.
© Bob Trate
While no release eclipsed the $21+ million mark for this report, the top five all pulled in at least $15 million this weekend. And much like last weekend’s estimates, this box office finish is really too close to call. It’s coming down to the wire between DreamWorks’ animated 3D adventure How to Train Your Dragon and the Lionsgate-distributed comic adaptation of Kick-Ass, with a mere $250,000 separating the two releases.
It could be said that Kick-Ass doesn’t have higher 3D ticket pricing attached to it so it could be considered the true winner with its opening bow of $19.7 million on 3,065 theaters across the nation. It’s a decent debut for the Matthew Vaughn-directed film with a budget set at just $30 million.
Right ahead of it is DreamWorks’ How To Train Your Dragon, which jumped up two slots from 3rd place (last weekend) back to 1st by taking in another $20.0 million on 3,825 theaters. The latest numbers has increased its overall domestic cume to $158.6 million, just shy of its budget ($165 m). And with the 3D adventure pulling in as much overseas it now has a worldwide gross of $320.5 million after 24 days of release.
20th Century Fox’s comedy Date Night finds itself in 3rd place by laughing up another $17.3 million in its second weekend of release. The film which almost won last weekend’s report (it would lose the spot when the actuals came in), averaged a respectable $5,118 per showing and increased its domestic gross to $49.2 million. The budget is set at $55 million.
Sony Screen Gems’ remake of the British comedy Death at a Funeral follows right behind by taking in $17.0 million for the 4th place spot. With the film showing on just 2,459 theaters, the opening bow of the comedy would end up with the highest average for this report at $6,913 per showing.
And the 5th place spot goes to Warner Bros. Pictures’ remake Clash of the Titans, which jumped ahead of its budget this weekend by taking in another $15.7 million in cash. The latest performance has its overall numbers sitting at $132.9 million in the U.S. With another $118.7 million in foreign sales the Sam Worthington-led adventure has a worldwide tally of $251.6 million. The budget is set at just $125 mil.
Check out the rest of this weekend’s top 10 down below.
| Rank | Movie | Weekend | Theaters | Average | Total | Budget |
| 1 | How to Train Your Dragon | $20.0 mil | 3,825 | $5,229 | $158.6 mil | $165 |
| 2 | Kick-Ass | $19.7 mil | 3,065 | $6,444 | $19.7 mil | $30 |
| 3 | Date Night | $17.3 mil | 3,380 | $5,118 | $49.2 mil | $55 |
| 4 | Death at a Funeral | $17.0 mil | 2,459 | $6,913 | $17.0 mil | $21 |
| 5 | Clash of the Titans | $15.7 mil | 3,753 | $4,202 | $132.9 mil | $125 |
| 6 | The Last Song | $5.8 mil | 2,767 | $2,096 | $50.0 mil | $20 |
| 7 | Why Did I Get Married Too? | $4.1 mil | 1,859 | $2,249 | $54.8 mil | $20 |
| 8 | Hot Tub Time Machine | $3.5 mil | 2,308 | $1,536 | $42.5 mil | $36 |
| 9 | Alice in Wonderland | $3.5 mil | 2,024 | $1,729 | $324.0 mil | $200 |
| 10 | The Bounty Hunter | $3.2 mil | 2.475 | $1,293 | $60.3 mil | $40 |
In a sign that the box office will soon be heating up with the summer fare, Hollywood is set to release yet another comic film just one week after this Kick-Ass weekend. Warner Bros. Pictures is launching their PG-13 rated adaptation of The Losers on around 3,000 theaters while CBS Films is hoping to catch some of the female (and couples) persuasion by revealing a new Jennifer Lopez-led romantic comedy called The Back-Up Plan on 3,350 theaters.
Whichever film takes down the victory next report won’t have long to savor the top spot since A Nightmare on Elm Street (April 30) and Iron Man 2 (May 7) are prepared to follow with box office wins of their own.
Friday, April 23, 2010 Releases
Wide
The Back-Up Plan (3,300)
The Losers (3,000+)
Oceans (1,200)
Limited
The Good, the Bad, the Weird
Boogie Woogie
Paper Man
Saw Kick-Ass and loved it. I'd only read one issue of the comic (2nd I think) and loved the idea of it. While the movie has more humor than I expected from that one issue it totally fit the film. I agree with some reviews that the closest way to explain it is to say it's a cross between SuperBad and Kill Bill.
It doesn't take a pure realistic approach to someone being a a real life superhero but maintains its own reality level that you would expect from the two movie examples I mentioned. Only in its climax did it seem to jump alittle further over the top than the level it initially set. Still it was great, great fun! Be curious to see how well it does worldwide as well.