Music News


Landmark Archival Release from FSM Celebrates Elmer Bernstein's Film Music Collection

By: Karl Schneider
Date: Monday, June 26, 2006

Between 1974 and 1979 Elmer Bernstein took it upon himself to re-record a selection of classic Hollywood film scores. Funding the project himself, Bernstein recorded in England, mainly with the Royal Philharmonic Orchestra, and released the recordings through mail order. These recordings have been something of a talking point for fans and collectors over the years and they are finally available on CD from Film Score Monthly. Entitled Elmer Bernstein's Film Music Collection, the thirteen original album recordings are spread across eleven discs, with a twelfth disc that showcases a brand new recording of Bernstein's never-before released 1963 score for KINGS OF THE SUN. Recorded in 2003 with the City of Prague Philharmonic, KINGS OF THE SUN marked the composer's last recording session before his death.

The eleven albums showcase scores by the likes of Max Steiner (HELEN OF TROY, A SUMMER PLACE), Franz Waxman (THE SILVER CHALICE), Bernard Herrmann (THE GHOST AND MRS. MUIR, TORN CURTAIN), Miklos Rozsa (MADAME BOVARY, THE THIEF OF BAGHDAD, YOUNG BESS), Dimitri Tiomkin (LAND OF THE PHAROAHS, GUNFIGHT AT THE O.K. CORRAL, THE HIGH AND THE MIGHTY, SEARCH FOR PARADISE), Alfred Newman (WUTHERING HEIGHTS) and Alex North (VIVA ZAPATA!, DEATH OF A SALESMAN). Bernstein of course re-recorded a small selection of his own works and they include TO KILL A MOCKINGIRD, THE MIRACLE and TOCCATA FOR TOY TRAINS.

The majority of the recordings have been remastered from the original tapes, though a small number were sourced from sealed LP recordings, due to the masters being destroyed.


The set is a limited edition of 2000 copies and is sure to sell out soon, despite the hefty $199.95 price tag. Elmer Bernstein's Film Music Collection is available from www.filmscoremonthly.com and www.screenarchives.com shipping on July 10th.

Cinescape's Music News provides weekdaily news and views on film music, game music, progressive rock, and other notable musical genres, culled from a variety of sources.

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Comments/Responses
1
johnnybritain • Jun 26, 2006, 07:05am •
Who gives a shit. Why don't you stop posting useless information like this on your page. I'm probably the only person to ever post on this section in the history of this site.

lracors • Jun 26, 2006, 09:17am •
Elmer Bernstein had a musical career that lasted from the 50's to 2004 when he passed away. He was renown for his compositions any was nominated 14 times at the Academy awards. He had a hell of a career and was involved in many quality films including:

The Man with the Golden Arm
To Kill a Mockingbird
Blind Terror
Ghostbusters
The Grifters
Gangs of New York

What makes this set interesting is that it covers what Elmer Bernstein considered to be his influences and personal favorite works. It's a shame that these had to be restored using the sealed LP recordings instead of the original masters. If nothing else, this is a reminder of how much music can be lost to us if we are not careful to preserve it for posterity.

Musical scores are one of the founding influences for Progressive Rock influenced soundscapes. Where else can you have music invoke images of what was seen on the silver screen?

johnnybritain • Jun 26, 2006, 11:45am •
Again, who gives a shit?

thevamp • Jun 26, 2006, 12:08pm •
I do, you piddling little cocksucker.

Bernstein was a film music legend scoring over two hundred films over a fifty year career. The man had talent out the ass, which is probably more than anyone can say for you, and I'm not going to just sit here and let you piss on his memory.

He was one of the best composers to provide music for the movies that ever lived, and if you don't know that or don't care, then keep you're goddamn, uninformed, uninterested opinions to yourself, fuck-o.

johnnybritain • Jun 26, 2006, 01:36pm •
Fuck Elmer Bernstein! You are on a genre film site where the majority of visitors primary concern is what the plot development of the next Star Trek film is going to be not discussions about the musical contributions of a composer, however talented or untalented he may be. There is absolutely no need to "class up" this site which i'm sure is your next argument, and honestly what loser would sit and listen to Elmer "fuckin" Bernstein on the way to work or blasting out of his stereo unless he really wanted it as a chick repellant. Get over it, this section is absolutely NOT NECESSARY. By the way Elmer Bernstein was probably a great film composer but it has no bearing on theis site WHATSOEVER.
Again, who gives a shit?

thevamp • Jun 26, 2006, 01:41pm •
Oh, no, my friend. Fuck you.

This is a FILM news site and as such, SHOULD have a section devoted to FILM music.

See the correlation there... or do you need me to draw you a fucking map?

It is you who should "get over it."

Again, I give a shit. Now shut the fuck up.


lracors • Jun 26, 2006, 01:45pm •
Beg to differ, but this article does fit, given the influences of classical and scored music on the soundscapes produced by some Progressive Rock bands, this is hardly, not necessary, as you eloquently put it.

lracors • Jun 26, 2006, 01:45pm •
by "you" I'm referring to Johnnybritain not thevamp.

johnnybritain • Jun 26, 2006, 02:15pm •
You guys are too easy. GET OVER IT. No one but you dorks care.

lracors • Jun 26, 2006, 02:33pm •
You called me easy!!!

1
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