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How Lost Found Itself Again
Can other shows come back just as good? By
Rob Vaux
May 11, 2009
Mania presents the conundrums to be touched upon in this season of ABC's LOST(2009)
© Mania.com/Robert Trate
The season finale parade marches on with over a half dozen genre shows wrapping up this week. The biggest by far dominates ABC's Wednesday lineup. Not only has Lost cemented its reputation as perhaps the best piece of programming on television, but it did so after a near disastrous period where it looked for all the world to fall into terminal Heroes-like confusion. The excess of storylines became the sole purpose of the show's existence, dominated by narrative cul-de-sacs and stunning twists for the sake of stunning twists. The whole "tail-section passengers" thread essentially swallowed itself, and even with the addition of a first-rate villain in Ben Linus (Michael Emerson), the entire series was living up to its name in the worst possible way.
Then Lost received a definitive finale date: marking when exactly it would end while providing ample opportunity to get there. That reinvigorated the writing team, who now had a set dramatic arc to fill and could pace it all without worrying about being cut off midway through (or padding the show with extra seasons). In its wake came clarity and purpose, allowing the show to be everything it could… much like Battlestar Galactica, which bowed on in a timely fashion rather than trying to milk the cash cow and dying a death by inches.
The networks would do well to follow their lead. A set three- or four-season run lets the creators know what they're working with, gives a bona fide hit the attention it deserves and allows the network to plan for possible replacements well in advance. Of course, that requires executives willing to take risks, but even so, when those risks don't pan out, they can simply cancel the show and move on. Riding a series into the ground rarely does justice to the creative forces which spawned it, and with competition for audience attention spans fiercer than ever, it might make sense to adopt a "4 years and out" strategy a little more frequently. If networks are desperate enough to program Jay Leno five nights a week, they can certainly consider emulating Lost's example for future hits.
Monday
24 (Fox, 9:00 PM EDT)
While they've made it clear that Tony's (Carlo Bernard's) Muslim patsy is a hapless innocent, he does seem apt to lose his head at pivotal times… and if he has a canister of biotoxin strapped to his back when he does, this season's Very Bad Day will get a whole lot worse really quickly.
Medium (NBC, 9:00 PM EDT)
NBC continues double-dipping Medium, first by finishing off the "Allison (Patricia Arquette) Sells Out" three-parter, then by putting her in a coma and having her swap bodies with a man. Body-swap episodes are always painful, so proceed with caution.
CSI: Miami (CBS, 10:00 PM EDT)
The victim du jour this week has been boiled like a shank of lamb, but the real juice concerns more personal matters: Dr. Price's (Megalyn Echikunwoke) no-longer-secret drug habit.
Tuesday
Fringe (Fox, 9:00 PM EDT)
A successful first season ends with the timely appearance of Leonard Nimoy--who had himself a pretty damn good weekend--playing the mysterious William Bell.
Reaper (The CW, 8:00 PM EDT)
Remember that asshat high school teacher who made your life miserable before you finally graduated and told him where to stick it? Sam (Bret Harrison) had one of those… and now he gets to collect the man's soul. Vengeance can be so, so sweet.
The Mentalist (CBS, 9:00 PM EDT)
A young man is killed at a retreat for juvenile delinquents, sending Jane (Simon Baker) out to the woods to find himself a culprit.
Speed Racer (Cinemax, 7:45 PM EDT)
Epileptic patients may wish to skip this spastic, twitchy adaptation of the classic Japanimated children's show. It dearly needs to take its Ridilan.
Wednesday
Lost (ABC, 8:00 PM EDT)
ABC has blocked out the whole evening for the Lost finale, starting with one of those recap specials at 8. The episode itself starts at 9, with Jack (Matthew Fox) preparing to change the course of history and Locke (Terry O'Quinn) presumably still firing loaded weapons at Ben's (Michael Emerson) feet while screaming, "dance monkey!" A good time is promised for all.
CSI: NY (CBS, 10:00 PM EDT)
In a move certainly not intended to cash in on Friday's release of Angels and Demons, Lt. Dan & Co. uncover a mystery of "historic" importance involving Ancient Greek artifacts.
MonsterQuest (History, 9:00 PM EDT)
Finally, a monster I've heard of! The extinct Tasmanian tiger is on the docket this week, with reports of sightings that may thrill conservationists far more than horror fans.
UFO Hunters (History, 10:00 PM EDT)
Tonight's episode covers the Navy's very real Atlantic Undersea Test and Evaluation Center… and the presumably more fanciful suggestion that it may be secretly researching UFO technology.
Halloween (Showtime, 9:00 PM EDT)
Rob Zombie should never write dialogue for teenage girls… or try to remake a horror classic, as this ugly and hateful exercise in abject stupidity proves.
Ghost Hunters is in reruns this week.
Thursday
It's Season Finale Thursday all across the dial!
Smallville (The CW, 8:00 PM EDT)
Half a season of playing footsie around the issue finally ends when Clark (Tom Welling) takes on Doomsday in the rumble to end all rumbles. The entirety of the DC Universe apparently guest stars.
Supernatural (The CW, 9:00 EDT)
The end of days hits the CW as the Winchester boys try to take down Lucifer himself. Best of luck with that, fellas.
CSI: Crime Scene Investigation (CBS, 9:00 PM EDT)
Rare poker chips are the motive of choice for this week's murder, as CBS's venerable warhorse wraps up its 9th season on the air.
CSI: NY (CBS, 10:00 PM EDT)
Not content with just one CSI finale, CBS adds a second dose of Lt. Dan as the heir to a publishing empire is kidnapped on the team's watch.
The Da Vinci Code (TNT, 8:00 PM EDT)
Remember when the whole world fell in love with this book, only to wake up one day and realize how bone-thuddingly stupid it actually was? And remember when Ron Howard and Tom Hanks made a movie version that dumbed it down even further while simultaneously adding suicidal boredom to the mix? TNT's airing it tonight.
Serenity (SciFi, 9:00 PM EDT)
A fantastic six-hour send-off to the Firefly TV series… mercilessly crammed into 100 minutes and then thrust feverishly at non-believers like a Scientologist with a box full of Dianetics. Small wonder nobody saw it.
Kröd Mändoon is a rerun this week.
Friday
Ghost Whisperer (CBS, 8:00 PM EDT)
Yet another season finale on Friday as Melinda (Jennifer Love Hewitt) receives ominous warnings from beyond the grave about the fate of her unborn child.
Batman: the Brave and the Bold (Cartoon, 8:30 PM EDT)
Considering that Booster Gold's appearance in the old Justice League cartoon was an act of unqualified brilliance, I'm skeptical about whether they can top it here. Also, Batman teams up with some kid named Robin; not sure that partnership will last…
Iron Man: Armored Adventures (NickToons, 10:00 PM EDT)
Pepper is kidnapped by Whiplash, and it's Tony Stark to the rescue.
Primeval (SciFi, 10:00 PM EDT)
It's a monster from the future, not the past, causing all the trouble this week, or so Helen (Juliet Aubrey) believes.
Saturday
Harry Potter and the Goblet of Fire (ABC, 8:00 PM EDT)
ABC is rapidly running out of Harry Potter films to stack its Saturday night with. Luckily, this is one of the better ones, as Harry faces a resurgent Lord Voldemort during a magical competition at Hogwarts.
The Hitchhiker's Guide to the Galaxy (ScFi, 9:00 PM EDT)
This 2005 adaptation of Douglas Adams' beloved sci-fi classic remains perfectly serviceable, thanks to some spot-on voice work and Sam Rockwell's loopy turn as intergalactic smarmmaster Zaphod Beeblebrox.
Sunday
The 6th Day (Showtime, 6:55 PM EDT)
This late-era Arnold Schwarzenegger thriller is actually better than its maligned reputation suggests, making it the modest best bet for genre entertainment this Sunday.
Joy Ride 2: Dead Ahead (SciFi, 9:00 PM EDT)
Yes, it's probably as bad as it sounds. In fact, it's likely much, much worse.
Lost has always been awesome no matter the season, get the facts straight.
ABC did the right thing, an end date was needed so we wouldn't be stuck with filler episodes and they ordered less episodes after going for like 23-25 episodes per season. Lost went to another level after that.
Don't know why other networks don't practice it as many shows would benefit from it. I think they do it in England all the time with their shows.
It shouldn't be applied to all shows, sitcoms don't need it.
I doubt other networks will follow with setting end dates, but what they should all adopt should be less episodes for all the series they have.
FX & HBO consistenly deliver quality tv series and they all keep their series within a 10-13 episode range per season.