Mania Grade: B+
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- Starring: Andy Serkis, James Franco, Freida Pinto, John Lithgow, Tom Felton and Brian Cox
- Written by: Rick Jaffa and Amanda Silver
- Directed by: Rupert Wyatt
- Studio: 20th Century Fox
- Rating: PG-13
- Run Time: 120 minutes
- Series:
Mania Review: Rise of the Planet of the Apes
Warning: they fling poo. By
Rob Vaux
August 05, 2011
Rise of the Planet of the Apes
© 20th Century Fox/Robert Trate
Note to the Academy: are you going to give Andy Serkis his freaking Oscar now or what?
Serkis pioneered what they’re currently calling “performance capture,” the art of digitally rendering an actor’s movements and facial features to create a CGI character onscreen. His Gollum in The Lord of the Rings was a watershed moment for the technology, and now -- as the intelligent chimpanzee Caesar in Rise of the Planet of the Apes – he reminds us that such technology can only work with a great actor behind it. Caesar’s pixilated features still betray a few signs of artifice, but one look into his eyes and any sense of disconnect vanishes. We feel every step of his journey from birth to simian Moses, and Serkis ensures we’re in his corner throughout.
Fans of the Planet of the Apes franchise shouldn’t be surprised. These movies always tended to side with the gorillas, and this one is no exception. Caesar begins life as an unwelcome surprise: birthed in a science lab, gifted with extraordinary intelligence and hidden by his mother while their lab-coated captors search for a cure to Alzheimer s. She’s killed and the project is shut down, while he becomes the secret ward of Will Rodman (James Franco). Rodman believes in the drug they were studying, and thinks that the young chimp may hold the key. But he also has compassion for Caesar and the other apes in the lab. Sadly, he seems to be the only one, as Caesar learns to his horror and humanity’s ultimate folly.
If you’ve seen any earlier Apes films – or even just the previews for this one – you can guess where it leads. But the predictability of the overall arc can’t hide the countless fresh and engaging details that director Rupert Wyatt plants throughout the film. He paints the apes with supreme sympathy, and yet never shortchanges humanity’s complexity as villains. We see our arrogance and cruelty on full display, but also our compassion and willingness to make great sacrifices for others. That lends the resulting conflict an eerie plausibility, despite the presence of few easy stereotypes and some pseudo-scientific hand-waving. Give an ape some real brains, and the capacity to reproduce them, and who’s to say this wouldn’t be the result?
Serkis is the straw that stirs the drink: tying us into Caesar’s world with aching emotional truth. We sense his changing perceptions of himself, from a unique child to a persecuted freak and finally as the leader of a new order that may be more deserving of this world than the current managers. His psychological development girds Rise of the Planet of the Apes with real intelligence: the first film in the franchise to even pretend to match the brilliance of the 1968 original.
Which isn’t to say it skimps on action. Wyatt approaches Caesar’s various dilemmas with imagination and skill, leading up to a showdown on the Golden Gate Bridge that stands as one of the summer’s highlights. He also finds a few moments to tip his cap to the first film… heartfelt and clever winks devoid of the smugness that helped kill the Tim Burton remake. Indeed, the film’s most stunning moment – the one that really sends jaws thudding to the theater floor – begins as an already cool riff on the famous “damn dirty apes” line, before taking a turn into the wholly unexpected.
“Wholly unexpected” actually sums up the entire movie pretty well. When Fox announced that they were remaking the fourth (and possibly the weakest ) of the Apes movies, people thought they were nuts. How wonderful it is to be proven wrong here, with a touching, exciting and even thoughtful coda to the latest blockbuster season. As for Serkis, we always knew how good he was. It’s up to the Academy to look past the digital monkey suit and see this extraordinary performance for what it is.
Going to watch it tomorrow ... should be good