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"Night at the Museum"

By: Abbie Bernstein
Date: Saturday, December 23, 2006

In Night at the Museum, the displays at the New York Museum come to life after dark, thanks to a mystical Egyptian tablet that’s been on the premises for the last 50 years. The movie has some good setpieces and the occasional effective laugh, but it also feels something like a cinematic museum of used themes and plot devices that mostly don’t get the magic they need to come to life on the screen here. 

Ben Stiller plays Larry, a divorced dad whose remarried ex-wife (Kim Raver) worries that he’s a source of disappointment to their little boy Ricky (Jake Cherry). Facing loss of visitation if he’s evicted from his current residence, Larry takes a job as night guard at the museum. A trio of older guards (Dick Van Dyke, Mickey Rooney and Bill Cobbs) are being “downsized” and replaced, but they seem good-natured about it, leaving Larry a set of rules on a sheaf of paper that he initially fails to consult. He therefore is quite surprised by the museum’s activity after dark and has a scary encounter with a Tyrannosaurus Rex skeleton before he learns the key to coexistence – only to lose the instructions to a reanimated capuchin monkey. Larry nevertheless starts getting the hang of things on his own, but a new threat looms – and he still must prove himself to his son. 

It’s hard to stress how absolutely rote the “magic as a way for father to impress kids” theme is here. Although this turns up in more studio fantasies than not, there’s nothing wrong with it if it’s heartfelt, but in Night at the Museum, it just feels like legally mandated formula. Likewise, most of Larry’s name-calling encounters with the museum’s inhabitants feel like “joke goes here” scenes rather than the result of actual comic impetus. However – and pay attention to this, because it’s big – the film does get big jolts of humor in places, often thanks to the performances of Owen Wilson and Steve Coogan as squabbling citizens of, respectively, a miniature Western frontier diorama and a likewise scale replica of a Roman legion encampment. Ricky Gervais also contributes some hilarious bits as the museum’s sentence-completion-challenged director, albeit these moments seem borrowed from The Office. 

Night at the Museum is entertaining in fits and starts and youngsters may be tickled by all the different exhibits going bananas with each other. However, there are a lot of exhibits here that most of us have seen before elsewhere, with less “oh, let’s do it like everybody else does it” dust. 
 

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Comments/Responses
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Spiderparker • Dec 24, 2006, 03:10pm •
I think Abbie Bernstein, the woman who wrote this B- review is out of touch with the kid in herself. I felt the magic in the movie even if she did not. I'm a 37 yr old straight happily married male and not afraid to say it was a great movie with just the right amount of sentimentality to it. Maybe Abbie doesn't have a son (like I do) who you want to have look up to you. So what if the plot or theme of the story is repeated. Critics get so hung up on repeated plots. Life is just one big series of repeating plots and ther are new kids born every day who have to see and learn those lessens for the first time in their life. The important thing is, is that the movie was original in concept to anything I've seen in the distant past, and that's saying alot. A lot of crap movies has come out of Hollywood and this one WASN'T one of them. I give it a solid B+. (money well spent)

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