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The Phenomena Guide to the Da Vinci Code Guides
By DAVID V. BARRETT
March 10, 2006
THE DA VINCI CODE by Dan Brown
© Doubleday
The Da Vinci Code by Dan Brown is one of those publishing phenomena that authors and publishers dream of. It sold millions of copies in its first year and is about to be released as a major film. But why did it become so huge? After all, as a murder-mystery thriller it's not bad, but there are hundreds more just as good or better. And why has it attracted so much antagonism? It was even banned in the Lebanon, because some Catholics there felt it was "an insult to our dignity and beliefs".
The answer, of course, is its subject matter. It deals with a multitude of religious ideas that are fundamentally different from the story of Christianity we were all brought up with. Jesus was married to Mary Magdalene, and they had a child; their descendants became the 5th-8th century Merovingian kings of France; and after the Merovingians were replaced by the Carolingians (Charlemagne's dynasty) the sacred bloodline of Jesus and the Magdalene was protected through the centuries by a secret society, the Priory of Sion, right up to the present day. Add to this the idea that the Holy Grail isn't an object but the sang real, the Royal Blood, the fruit of the Magdalene's womb, and you've got a pretty potent mix of ideas. And clues to all this are contained in the paintings of Leonardo da Vinci.
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