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- Blu-ray: The Prisoner (The Complete Series)
- Rating: Not Rated
- Starring: Patrick McGoohan, Angelo Muscat, Peter Swanwick, Leo McKern, Kenneth Griffin, Colin Gordon, Denis Shaw, Guy Doleman
- Written By: Patrick McGoohan, David Tomblin, Anthony Skene, Terence Feely, Vincent Tilsley
- Directed By: Don Chaffey, Peter Graham Scott, Eric Mival, David Tomblin
- Distributor: A&E HOME VIDEO
- Original Year of Release: 1968, Blu-ray 2009
- Extras: Newly remixed 5.1 surround sound for all 17 episodes (in addition to the original mono tracks). 'Don’t Knock Yourself Out': Feature-length documentary, Two Brand-New Featurettes: 'The Pink Prisoner' and 'You Make Sure it Fits!'; Promo for AMC’s THE PRISONER Miniseries; Newly restored original edit of 'Arrival', Original edit of 'The Chimes of Big Ben', commentaries on seven episodes, Archive text less material, themes, Commercial break bumpers; Image Archive with over 1200 stills; Production Paperwork Archive
- Series:
The Prisoner: The Complete Series Blu-ray Review
By Hook or By Crook, Get the Blu-ray By
Robert T. Trate
November 16, 2009
Patrick McGoohan is Number 6 in the Prisoner, now on Blu-ray
© A&E Home Video
What if James Bond resigned? For reasons only known to him, Bond leaves her majesty’s secret service and walks away from being in her employ. Could a man with that much information be allowed to roam free? If the reasons are known only to him, would he be seen as a threat to his own country? Wouldn’t he also be a highly sought commodity? The Prisoner (Patrick McGoohan) is not Bond or Danger Man (Patrick McGoohan), despite the resemblance to John Drake. The parallels can be made and the hook for a modern audience makes The Prisoner (recently released on DVD and Blu-ray) an easy sell. To go even further The Prisoner is the obvious forerunner for J.J. Abrams’ Lost. One only has to watch one single episode of The Prisoner to see that.
After being gassed in his own apartment the Prisoner awakens in a strange seaside town known only as the Village. His first conversation is with Number Two (played at first by Guy Doleman), a man who seems to be all powerful and yet strangely subservient to the unseen Number One. This first conversation is much like the opening of many TV shows from that era and establishes an immediate basis for the show.
Prisoner: Where am I?
Number Two: In the Village.
Prisoner: What do you want?
Number Two: Information.
Prisoner: Which side are you on?
Number Two: That would be telling. We want information, information, information...
Prisoner: You won't get it.
Number Two: By hook or by crook we will.
Prisoner: Who are you?
Number Two: The new Number Two.
Prisoner: Who is Number One?
Number Two: You are Number Six.
Prisoner: I am not a number. I am a free man.
Number Two: Ha, ha, ha, ha...
Outside of the first and last episodes you can watch the show in any order. There are several great overall plot points for the series in each episode. However many of these plot points turn on the Prisoner only to remind him where he is and that escape is impossible. Obviously if the Prisoner escapes the show is over, a constant downer for the audience whether they like it or not. They are hooked into seeing him as a captive yet cannot wait for him to escape. The writers of The Prisoner successfully compete against what the audience wants and yet teases them each week with freedom. McGoohan also sells the audience that in every episode escape is possible. He is usually only one step away from succeeding. The next step for him is the one where the ground falls out from beneath his feet.
The show, outside of McGoohan’s stellar performance, has two great lures. The first is the constant changing of Number Two. Each and every week Number Two either succeeds or fails in bringing Number One closer to the information that the Prisoner is with holding. Each performance is unique and strangely intoxicating as the anticipation of who will be in Number Two’s chair is revealed after the opening dialogue.
The Village is the other lure to the show. Shrouded in mystery it is as much a character as the Prisoner. Is this a place for turn coat spies? A research facility, where everything and anything goes? What’s up with that white ball known as the Rover? Perhaps the Village is nothing more than one giant maze completely working independent of itself all to break the individuality of one man? By the end many answers will be revealed but much like Lost we will never get all the answers. Besides, not knowing is half the fun.
The Blu-ray Difference:
In 2006 a 40th anniversary mega box set was released for The Prisoner that included 10 discs. The first episode or episode zero, “the Arrival” was digitally re-mastered. The other episodes were not. A huge distraction when one has to look at grainy film and uncorrected lighting. Thankfully A&E, to coincide with their new Prisoner mini series, has re-released the original series on Blu-ray fully restored from the original film elements with remixed 5.1 surround sound. The picture is clean crisp and brilliant. McGoohan’s freckles and reddish hair are now completely visible. The rainbow colors of each cape and umbrella contrast the stone washed architecture of the Village like never before. The control room, despite its 1967 “futuristic” technology, has a sterile and ominous view; whereas before it looked dingy and bland. There is only one way to watch The Prisoner now and that is on Blu-ray.
Once you become a fan of The Prisoner the bonus features will be your door into the past as each original TV trailer teases you with what is to come next. There are also commentaries and a retrospective documentary, sadly lacking McGoohan. It is populated with producers, writers, cameramen and numerous Number Two’s that elaborate on the creative process that went into bringing the show to life. The new fan will also take note that the Village actually exists as it too is profiled.
If you are fan of James Bond or Lost then The Prisoner is your great amalgam of the two. At a full fifty minutes per episode (17 total) there is more than enough chase, science fiction and intrigue to make you catch your breath before you start the next episode. After forty plus years one would think that these plots would have been done over and over again, yet each revelation was as fresh as the day it originally aired. Without a doubt The Prisoner is worth capturing.
Be seeing you.
Is this substantially better than the remake? Man, I was watching the remake version last night and I was bored out of my mind, didn't even finish watching. I probably would've stuck around the whole thing if I didn't have Modern Warfare 2 calling to me.
All they were doing was talk, talk, talk. Didn't anything interesting happen after the first hour?