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Resurrection by Arwen Elys Dayton
Resurrection, Egypt and the gaping holes in mainstream archeology.
By Arwen Elys Dayton
February 16, 2012
Source: Arwen Dayton
RESURRECTION by Arwen Elys Dayton(2012).
© ROC Books
Arwen Elys Dayton's Sci-Fi novel Resurrection was released in January and since them has spent weeks at #1 on Amazon's Sci—Fi lists in both the US and the UK. Here the author talks about her research trip to Egypt and how real life and the novel's plot began to intertwine.
Here's the problem. The best explanations of how the Great Pyramid was built just don’t hold up—unlike the Great Pyramid which HAS held up, for over four thousand years, despite being stripped for parts, so to speak, by successive civilizations of Egyptians.
The most accepted of the official explanations boil down to some version of: a giant ramp was used, blocks of stone (some weighing as much as 200 tons) were floated down the Nile, then rolled on logs, up the ramp and set neatly in place.
The problem with the ramp theory is that it turns out the volume of the ramp would have been a great as the volume of the pyramid itself. And as for the logs, well, trees can be very strong, but if you look at how far away the quarries were, how many trees would have been needed (and how few existed in Egypt), how heavy each individual block was, it's hard to arrive at the pyramid being built in a single lifetime.
I am not beating the drum for alien intervention or advanced technologies, but the facts do leave a novelist a lot of wiggle room.
In researching Resurrection, I toured the Great Pyramid with maverick archeologist John Anthony West, known around the world for poking large holes in archaeological doctrine. (His bestknown book, Serpent in the Sky, is a great introduction to his work.
When we arrived in Egypt, the pyramid was actually closed to visitors due to some renovations of the interior walkways. Luckily, John knew the art of baksheesh and also pulled some strings with the higher-ups. Combined, these assets bought us private entrance into the pyramid, which we explored by flashlight—a flashlight with batteries that were already low when we started and which had nearly run out by the time we emerged back into the sunlight and heat of the Giza Plateau.
John was a big proponent of the pyramid's sound enhancement qualities (which ended up playing a part in the Resurrection plot), and I was instructed to lie in the sarcophagus in the King's Chamber and chant an Om. Why an Om? I don't know, but it sounded amazing. The chamber didn't echo exactly, it just took the sound and magnified it, letting it reverberate through the solid walls for a LONG time. In that dark space, with the flashlight's beam starting to flicker as the batteries gave out, it was a bit creepy but also breathtaking. From my standpoint, my visit to the Great Pyramid may have been more exciting that the one paid by Pruit and Eddie in the story—but I'll let you be the judge.
Of course, Resurrection is not actually about how the pyramids were built. That's just a piece of the story. It's about a clash of cultures and personalities that gave shape to ancient Egypt and threatens to change the course of our modern world. And above all it's about Pruit, who hopefully, like other female heroes (Ripley from Alien always comes to mind) makes you think, "I want to be her, but please—I don't want her problems!" For better or for worse, I think there's a little bit of Pruit in all of us. I hope you enjoy Resurrection. I certainly enjoyed writing it.
Author inside sarcophagus in the King's Chamber
Author walking up the Grand Gallery
Great Pyramid diagram by Jeff Dahl