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Rise Up and Hear the Bells: The Return of Captain America

By: Kurt Amacker, Columnist
Date: Wednesday, January 30, 2008

Greetings, Maniacs, and welcome to another rip-roaring Comicscape! Two important things happened in comics this week: the new Captain America premiered and Y The Last Man concluded after a very well-regarded run. Each deserves their own Comicscape column. But, given the amount of mainstream attention Marvel has garnered for the return of Captain America – if not Steve Rogers – the Star-Spangled Avenger goes first. Besides, I have to finish rereading the entire run of Y: The Last Man before I can really assess it for next week. Pity me, please. Before we proceed, I should mention that spoilers lurk below. However, The New York Daily News already revealed the identity of the new Captain America. And, Newsarama all but revealed it in their early review of Captain America #34. While we’re at it, Ed Brubaker already said it in-story in Captain America #33. But, I warn you once again: there are spoilers below, and if you’ve somehow managed to dodge the big reveal, then please skip to the listings.

As we often do here at Comicscape, I want to give Ed Brubaker credit for taking a few patently ludicrous concepts and imbuing them with the humanity and care they needed to work as stories. For years, both fans and Marvel have stated the familiar refrain – Captain America’s dead partner, James “Bucky” Barnes will always remain dead. Colossus can come back. The Punisher can willingly leave the service of Heaven and return. Jean Gray can return for the tenth time. But, Bucky stays dead. Ed Brubaker not only resurrected Bucky, but he did it so well that no one in their right mind could complain. For those unaware, Bucky died in the last days of World War II. Captain America and he clung to a drone plane as it took to the sky with a bomb attached by Baron Zemo. Cap fell into the water and froze in a block of ice, but Bucky failed to detach himself from the plane in time. It exploded, dropping him into the ocean below. Of course, this only happened in a flashback many years later. Bucky never properly died in a present story. Brubaker wrote that the Soviets recovered his body and turned him into the Winter Soldier – a brainwashed cybernetic assassin meant for the blackest of black ops. After each operation, the Soviets would put him back into suspended animation, thus accounting for his unusually young age in the present. In Captain America’s ongoing fight with the Red Skull and former Soviet general Aleksander Lukin, he managed to use the all-powerful Cosmic Cube to restore Bucky’s mind and identity. After the events of Civil War, Barnes witnessed the assassination of Captain America on the steps of the Manhattan courthouse where his hearing was to occur. In a decision of cold calculation, Barnes decided to kill S.H.I.E.L.D. Director – and Iron Man – Tony Stark for his circumstantial association with Cap’s death. After stealing his deceased friend’s iconic shield, Barnes confronted Stark aboard the Helicarrier and fought him to a stalemate. Stark then revealed the last wishes of Steve Rogers, conveyed in a single letter written before his death. It said that if he were to die, that his mantle should be passed on to Bucky. 

First, aside from a couple of minor criticisms, Ed Brubaker has handled the last eight issues of Captain America very well, particularly given that the title character died in #25. My only real qualms lie with the tone of the series, which sometimes feels like an uneven mixture of a modern espionage thriller and the comparably cartoonish Marvel Universe. Brubaker brings a welcome gravity to some of the super-heroic proceedings. But, it’s almost difficult by comparison to watch the Red Skull’s alluringly-clad daughter, Sin, gunning down S.H.I.E.L.D. agents alongside snake-themed B-list super-villains auditioning for her new Serpent Squad. In trying to bring a level of realism to a superhero series, Brubaker only makes some of the patent absurdities of the idea even more apparent by comparison. But, superhero comics have always required a massive suspension of disbelief. Civil War tried to ease that burden on readers, but it did so with very mixed results. Hence, if you can accept the mixture of amoral post-September-11th espionage with spandex-clad vigilantes – or registered costumed adventurers, if you prefer – then Captain America remains one of the best Marvel titles in print, with a strong run leading up to the character’s return. If you can’t deal with that, then you should probably just give up superhero comics altogether. 

When you look past some of those minor absurdities and examine Bucky’s story, you see a compelling story about a man out of time that knows almost nothing but violence. He’s spent most of his adult life as a brainwashed killing machine. When Steve Rogers gave him his memories back, he had to come to terms with his past and the future before him. But, Rogers wouldn’t allow his old partner to fall into a moral abyss – as a super-villain, a mercenary, or whatever else. Passing on the mantle of Captain America stands as his final move to redeem his friend. And, with Bucky’s acceptance, Brubaker and Marvel have reinstated one of the great symbols of American patriotism. But, things have changed just a bit.

Let’s get the obvious bit out of the way – the costume looks a bit different, with the lower half being some kind of black bodysuit. No doubt, the 34th issue of the series will explain the change in more detail. But in reality, it will help differentiate Barnes from the other Captain Americas throughout history, many of whom wore variations on the classic costume. The stark clash between the black and the red, white, and blue strikes me as a little odd, but I can’t muster any real indignation over it. The costume looks fine. But, there’s the matter of the gun. As Captain America, Barnes will actually shoot – and, presumably, kill – people. This may upset a few people, given the character’s long history of using only his shield and his fists, and eschewing the use of deadly force. When Rogers broke the neck of a terrorist in Chuck Austen’s post-September-11th run on the series a few years ago, many fans complained. But, let’s clarify a few things. In the character’s earliest appearances fighting in World War II, he killed enemy soldiers on the battlefield. In Ed Brubaker’s first run on the series, Cap derailed a hijacked commuter train, killing a couple of the criminals in the process. Steve Rogers never butchered people like the Punisher or Wolverine have, but he damn well killed people. Relying on a shield as an offensive weapon has grown patently implausible as a character trait, no matter how defining and memorable. I get the gun. It’s fine. Shoot some dangerous criminals, please. It’s different for the character, but it makes sense. And, it would strike me as unbelievable if Bucky just gave up firearms to take on Cap’s mantle, particularly after his history as the Winter Soldier.

Captain America’s status in relationship to S.H.I.E.L.D. has also changed. After Avengers: Disassembled, Steve Rogers worked for the agency under Nick Fury, then Maria Hill. Barnes told current director Tony Stark at the end of #33 that he would only work as Captain America on his own, and not under the command of S.H.I.E.L.D. Presumably, he will act as a registered hero, per the Superhuman Registration Act. Or if he doesn’t, he will at least be unofficially sanctioned and not arrested for his costumed adventuring. Whether he will affiliate with either of the Avengers teams in operation remains to be seen, but I don’t see it happening in the immediate future. For now, I think this serves the character best. Captain America stands for an ideal. He doesn’t represent a single presidential administration, military, or law enforcement agency. He stands as an ideal – the Aristotelian form of a patriot, unfettered by bureaucracy or circumstances. He is, in the purest sense of the word, a superhero – a character not beholden to realism, exceptions, or cynicism. He reminds us of the very thing we should strive for, though we will likely never achieve it. 

There’s an elephant in the room with us, I’m afraid. Let’s consider the possibility that Steve Rogers may very well return at some point. Character deaths and resurrections occur with such alarming regularity in the Marvel Universe that one wonders why anyone has funerals there anymore. If a hero dies, I half-expect his friends and teammates to yawn and say, “He was probably just teleported to some alternate timeline, where werewolves control the U.S. government and he’ll have to support the oppressed living puppets in their revolution to overthrow the regime. Just tell the guys from the Exiles to keep an eye out for him.” I fear that Marvel may one day undo the goodwill and good press it earned with Cap’s tasteful, dramatic, and meaningful demise back in #25. Remember, that there’s a Captain America movie coming in a few years. One wonders if the higher-ups at Marvel Entertainment will demand that the comic book Captain America have the same identity as the filmic one. I don’t know. But, if I see a cover in a few years with Steve Rogers and Bucky Barnes with their fists raised at each other with the title CAP VS. CAP! in giant letters, I may have to stop reading comics and take up alcoholism. I think that Marvel and Brubaker have done everything right with this story. I certainly didn’t relish seeing Rogers die, but it hurt in the way that a good story should. And, Bucky stands as the ideal candidate to fill the role. 

Today, Marvel has restored one of the great characters in American comics. A different man wears the mask. But, he stands as a fitting choice to do so, both from a storytelling and a historical perspective. Now, let’s just hope that the publisher has the wherewithal to let this change stick and not bring back Rogers to spike sales.

 
Welcome back, Cap. 

The Spinner Rack

By Ben Johnson and Kurt Amacker

DARK HORSE COMICS

Conan #48 (MR) $2.99

Ben: In this issue… SOMEONE DIES!!!

Kurt: Dude, so many people die in this book that my hands get bloody when I read it.

Oh My Goddess Vol 28 Rtl TP $10.95

Predator Omnibus TP Vol 02 $24.95

Kurt: I wish these were as good as I remember them being when I was a kid. Damned childlike wonder and lack of critical faculties.

Star Wars Dark Times #8 $2.99

Kurt: I have real trouble buying the idea that the Dark Times were somehow separate from the Empire’s overall rule. I kind of got the impression that Obi Wan just meant that the years under the Empire were the Dark Times, the present included. It seems like a shameless ploy to create yet another continuity pocket in the Star Wars universe in which to tell more stories. Anybody there? Hello?

Star Wars Knights Of The Old Republic #25 $2.99

DC COMICS

Action Comics #861 $2.99

Batman #673 $2.99

Batman The Man Who Laughs HC $19.99

Ben: Not since Adam West.

Kurt: This collects the one-shot of the same name, with Detective Comics #784-786.

Black Adam The Dark Age #6 (Of 6) $2.99

Cartoon Network Block Party #41 $2.25

Countdown To Adventure #6 (Of 8) $3.99

Countdown To Final Crisis 13 $2.99

Ben: Lucky number 13!!! Hooray!!!

Kurt: I would like to point out that I really enjoy the music of independent artist Wednesday 13, and that I often take pleasure in other things with the number 13 in them. That said, I don’t read this series anymore. Ben is writing the column in a few weeks. That is all.

Crossing Midnight #15 (MR) $2.99

Death Of The New Gods #5 (Of 8) $3.50

El Diablo TP (MR) $12.99

Ben: Made from jalapeño stalks and habanero seeds.

Kurt: Damn it, Ben…this is actually a really good dark western miniseries by Brian K. Vaughan. Pick this up.

Green Lantern #27 $2.99

Jack Of Fables #19 (MR) $2.99

JSA Classified #34 $2.99

Manhunter TP Vol 04 Unleashed $17.99

Outsiders Checkmate Checkout TP $14.99

Penguin Revolution Vol 05 $9.99

Ben: Further proof that all the good name are taken.

Spirit #13 $2.99

Trials Of Shazam #11 (Of 12) $2.99

Y The Last Man #60 (MR) (Note Price) $4.99

Ben: Thanks for sticking with us until the end, that will be $2 extra please.

Kurt: Look for my analysis and commentary next week. Whee!

IMAGE COMICS

Casanova TP Vol 01 Luxuria (MR) $12.99

Madman Atomic Comics #6 $2.99

Proof #4 (MR) $2.99

Suburban Glamour #3 (Of 4) $3.50

Ben: I’m waiting for Rural Glamour.

Kurt: It involves missing teeth and overalls.

Witchblade Cvr A Choi & Oback #114 $2.99

Witchblade Cvr B Basri #114 $2.99

MARVEL COMICS

Amazing Spider-Man #546 BND 2nd Ptg Var $3.99

Ben: Because there is no issue this week we bring you a second printing of the most heart breaking issue of Spider-Man ever.

Kurt: What, no wheatcakes?

Avengers Initiative #9 $2.99

Captain America #34 $2.99

Kurt: If you missed the entire column, this is the one where the new Captain America finally shows up.

Captain America Chosen #6 (Of 6) $3.99

Ben: And the new Captain America is…

Kurt: …not in this series. This is with Steve Rogers. But, it’s written by David Morrell, the man who gave us Rambo. So, you should read it.

Daredevil #104 $2.99

Kurt: More fun with Mr. Fear.

Fantastic Four #553 $2.99

Kurt: Mark Millar and Bryan Hitch starts on this title next month. So, look forward to a few kick-ass issues, followed by months of nothing.

House Of M Avengers #4 (Of 5) $2.99

Hulk #1 2nd Ptg Var $2.99

Kurt: An unnecessary reprint of an unnecessary series.

Marvel Adventures Fantastic Four #32 $2.99

Marvel Spotlight Ultimates 3 $2.99

Kurt: Please, no more.

Marvel Zombies Army Of Darkness HC 2nd Ptg Dm Var $19.99

Mighty Avengers #8 $2.99

MMW Silver Surfer HC Vol 01 $54.99

MMW Silver Surfer HC Vol 01 Var Ed 15 $54.99

New Avengers Annual #2 $3.99

Ben: How can I be expected to stop making poop jokes with titles like this?

Kurt: You’ll have to find some way to restrain yourself.

New Avengers Prem HC Illuminati $19.99

New Avengers Transformers TP $10.99

Red Prophet Tales Of Alvin Maker #12 (Of 12) $2.99

Spider Man Swing Shift Directors Cut One Shot $3.99

Spider-Man With Great Power #1 (Of 5) $3.99

Ultimate Hulk Vs. Wolverine

Ben: Just kidding.

Kurt: You’re an a—hole.

Ultimate Secrets $3.99

Ben: The secret being that pretty much every mini in the Ultimate U that is actually finished (here’s looking at you Ultimate Hulk vs Wolverine) is total crap.

Ultimate Spider-Man #118 $2.99

Ultimate X-Men #90 $2.99

Uncanny X-Men TP Rise & Fall Of The Shiar Empire $29.99

Kurt: I still haven’t read through this. Jesus, I’m behind on Uncanny.

What If Spider-Man Vs Wolverine $2.99

Kurt: Yeah, because it’s not like they’ve never fought, teamed-up, or made sweet love before. Wait, hang on.

X-Factor #26 2nd Ptg Var (Pp #798) $2.99

X-Men Emperor Vulcan #5 (Of 5) $2.99

X-Men HC Endangered Species $24.99

Kurt: I challenge one of you, Maniacs, to buy me a copy of this and mail it to my house! The chance is yours! Take it!

Young Avengers HC $29.99

Kurt: This is #1-12 of the series, along with the special. I haven’t read this, but I understand that a lot of people enjoyed it. It’s kind of a shame that a promising ongoing ends up getting canned because of delays.

Zombie Simon Garth #3 (Of 4) (MR) $3.99

Kurt: This is one of the two zombie books I actually get. Yep. I’m all out of jokes.

Questions? Comments? Let us know what you think at cinescape@mania.com.



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Comments/Responses
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ponyboy76 • Jan 30, 2008, 01:54am •
Ha! I`m sorry, but you know it will happen eventually. Sales will drop and Marvel will be in need of another big draw for the title. Quesadilla has no qualms at all about screwing with 20 years of history in Spidey`s case. Screwing with a story that will only have a few years(possibly) on it, is not going to be a problem. I agree that it hurt when Steve Rogers was killed and I wish that it never happened, but the sad fact is that it did. It would be stupid and yet another slap in the face bringing him back. I like Bucky as the Winter Soldier. I also understand the need for the gun, but I don`t know if its a good thing. What does it say about the symbol of Captain America? Of course Roger`s killed people in his time as Cap, but usually it was incidental. This new Cap, will just bust a cap( no pun intended) in somebodies ass because that what he does and what he knows.
You can argue that we live in more dangerous times and Cap`s gun is necessary, but Roger`s and Bucky for thar matter lived in an era, where the whole world was at war, so I don`t know how valid a point that would be. I personally just rather see cap beat the crap out of someone and hit them with the shield. Shooting them just seems kind of easy and not Captain Americaesque at all.

nuff said

Flint521466 • Jan 30, 2008, 03:36am •
Well put ponyboy, well put indeed.

EvilMonkey • Jan 30, 2008, 04:32am •
If they do bring Steve Rogers back, for God's Sake only let Bru write it. He's the only one who can.

I never would have thought that anyone could bring Bucky back to life in a way that didn't make me punch a wall, but he did.

evilron • Jan 30, 2008, 06:01am •
So Brubaker brought back Bucky to have Cap killed and replace him. Is there anyone who didn't see this one coming? Sorry Kurt, I know I'm not in my right mind, but I don't care how well written the story is. It all part of the steaming pile that Marvel has been handing us for several years. Between Avengers Disassembled, House of M, One More Day, a Thor clone, the return of Captain Marvel, and now skrulls have replaced several major characters. The list of crap could go on and on. There are a few gems that come through. World War Hulk was great, and oddly enough I still look forward to every issue of Ultimate Spiderman.

smegforbrain • Jan 30, 2008, 07:28am •
"However, The New York Daily News already revealed the identity of the new Captain America."

Well, it's not like it's been hard to guess from the start.

Bru's had a great run on this book, but the new Cap reveal had all the suspense of a badly written slasher flick.

His "reveal" in the X-Men: Deadly Genesis was just as easy to guess from the start, although the writing on Cap is 1000x better than that X-Men mini.

Hobbs • Jan 30, 2008, 07:43am •
LOL--Bucky as Cap...now I've seen it all!

Don't worry, once Captain America is made into a huge hit movie with Steve Rogers as the lead he will be back in the comics.

Don't know if you guys remember but a long time ago Cap resigned and I think a guy named Walker (I think thats right) took over for a while before Rogers came back. It was a good story line because Walker ended up being a nut job tht killed the bad guys thus Rogers had to come back.

I haven't read comics in a long time but everyone complains about Marvel nowadays.

ponyboy76 • Jan 30, 2008, 07:56am •
Well, resigning and being shot dead are a little different, but you are right. He ended up becoming US Agent if I`m not mistaken.

Merin • Jan 30, 2008, 08:15am •
Yeah, I don't feel the love for Brubaker. I'll give that his X-Men books have been decent (which, considering how most of the X-Books have been since the 90's, that's a compliment) I'm not really a fan of his style of story-telling.
The whole Captain America fiasco is a disaster. It's ridiculous. I'm sick of most politicians and commentators telling me how we are in "unprecedented times of danger" - right, sure, NOW is far more dangerous than the Cold War, or during Vietnam, or Civil Rights movement, or the American Revolution or Civil War . . . or going back to before America was a country. Yes, 2001 forward has been far more dangerous - what a load of CRAP.
The USA experiences 1, that's right, 1 terrorist action on it's soil in the last 7 years (that act having been over 6 years ago, mind you) and we are CURRENTLY facing the most dangerous time.
Like having a couple countries with large arsenals of nuclear weapons pointing at us was a safer time.

It's a cliched throw-away statement used by fascist leaders seeking more control and ignorant commentators who don't understand a whit of recent American history, let alone world history OR world events. The USA has been a relative haven of safety and stability compared to the rest of the world for a VERY LONG TIME.

Captain America needs to be a former cyborg assassin who wields a gun. WHATEVER. Mocking characters returning from the dead and then, in the same instance, saying that THIS WRITER I LIKE did it with such skill and nuance that it's the best thing ever - I call shenannigans.

Comparatively, Whedon brought back Colossus, whom I thought was killed in a most silly way - and he wrote the return in a way that I, and many, found REALLY moving - but I still call BS on bringing him back. I don't forgive the overused "deus ex machina" just because it was in a story I liked.

I have already canceled all orders for Iron Man, Captain America, and a few other Marvel titles as I had mentioned before. No one buys them at my store anyway and I feel no need to support them by having them available. Next on the chopping block are all Bendis titles as I don't have anyone buying New Avengers or Mighty Avengers regularly, either. If any customer asks me to pull them, I will order copies for that customer, sure, but I'm not promoting these piles of crap anymore.
There's still some goodness coming out of Marvel - but not much.

Personally, all I'm taking home myself are the Whedon books (Runaways whenever it comes out and Astonishing), New X-Men, and Thor. When Whedon leaves Astonishing so will I.

"This is how comic books are" the only friend I have who has no problem with these changes said to me (I have other friends, before some wise ass deliberately misquotes - my point being the comic-book reading friends are universally hating on Marvel) when I went on another rant about Marvel as I have been apt to do since Disassembled. I call bs on that - if we keep buying and supporting the crap, even if we hate it, waiting for the change of writers - that encourages the companies to keep changing writers and resetting things as we stick around REGARDLESS of what they do, and bringing in new talent or switching things up or setting things back can attract a handful of people not currently reading.

I know Kurt thinks this is how comics have to mature, but the truth is it is Kurt who is maturing and growing and longing for something different than what he liked as a younger person - and that's his prerogative. But to blanketly state that super-hero comics have to "change" is putting one's personal preferences onto a whole medium. The public at large isn't looking for darker, grittier versions of their light-hearted stuff. Ratatouille seemed to do fine without Pixar moving into the "dark animated" territory. Enchanted did wonderfully. We have some pretty light-hearted super-hero movies making big box office bucks. And the "darker" toned stuff, the more "realistic" movies (There Will Be Blood, No Country for Old Men, etc.) may garner critical acclaim but do NOT making the radar for the majority of movie goers.

Long rant short - Kurt, I like reading your columns. One of the reasons I keep coming back here. But it does annoy me everytime you, by fiat, seem to imply that all (maybe you just mean most, but the way you state it is as if everyone of consequence agrees with you) readers will enjoy Brubaker's Captain America storytelling - and that those few of us who don't like what Marvel is doing so just give up super-hero comics. That's illogical and ridiculous - if you prefer the spy/espionage stuff and LIKE what Marvel is currently doing, maybe YOU should be the one to give up super-hero books and read just indie stuff that has no spandex and no heroics. Why should those of us who've more or less enjoyed the majority of Marvel and DC's LONG HISTORY of super-heroic costumed crime-fighters have to give up our beloved medium because of a current trend by one company to go all 9-11 on super-hero comics?

deadcowboy138 • Jan 30, 2008, 08:46am •
Merin,
Kurt here. There's nothing wrong with enjoying superhero comics at all, bright colors, optimism, and everything. I just think that Brubaker's mixture of tones is a little uneven at times. It almost makes the book look like G.I. Joe or Metal Gear Solid -- an odd mixture of miltaristic realism and super-heroics. If anything, while I acknowledged that uneveness, I also said that if anyone had a problem suspending disbelief for superhero stories, then they need to move on. I don't. In fact, I acknowledged that Civil War tried to make things more realistic, with hugely mixed results. If anything, it was a defense of the medium's trappings.

I wasn't trying to bash Whedon with the remark about Colossus. I just rattled off a couple of character I that I could recall recently dying and coming back. I enjoyed Whedon's first arc on Astonishing pretty well, whereas his second arc turned me off of the series.

If anything, I think that Brubaker's writing of Bucky as independent of SHIELD or the US government imbues the character with a degree of necessary optimism. Captain America isn't a cop, or an agent, or a foot soldier for any administration. He is AMERICA itself, embodied and idealized. I don't know how much more optimistic you can get.

I'm not opposed to the idea of death and resurrection in comics, either. But, most of the time it's done for a quick spike in sales. But, we are talking about fantasy and science fiction stories here, where the line between death and life is fuzzy. I'm not mocking the practice, but the way in which it's usually implemented. And, unless some amazing writer comes along with a brilliant way to pull it off, Steve Rogers should stay dead. As I said in the column, it would render his passing damn near meaningless if we saw some kind of CAP VS. CAP! thing in the future. But, you know as well as I do that money talks, so I don't doubt it's coming.

DahnLee • Jan 30, 2008, 09:24am •
Hey, doesn't Spider-Man still have two more wishes from Mephisto? Maybe he can just wish Steve Rogers back to life. Or maybe it will all just be a dream...

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