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Forgotten Treasures

Essays on sci-fi and horror movies that may have slipped beneath the cracks.

Showing items 1 - 2 of 2

Fatal Funerals

3/16/2008 4:14:40 PM permalink

Welcome to the second installment of our look at unjustly forgotten genre films of years gone by. This entry is an English language import from Italy: home of Dario Argento, zombie horror, and that porn star who got elected to Parliament. Cemetery Man (aka Dellamorte Dellamore) contains the rich cocktail of over-the-top violence and steamy sex you'd expect from any low-grade horror movie. Less expected is the brilliant meditation on the philosophical concepts behind such base pleasures... and the presence of a pre-celebrity Rupert Everett in the lead. Everett plays Francesco Dellamorte, caretaker at a picturesque village cemetery whose occupants have a difficult time staying put. The local Mandragola roots are bringing them back to rotting life (with a taste for human flesh, nach). Dellamorte considers taking them out a part of his duties, and so with shotgun in hand and mute manservant Gnaghi (Francois Hadji-Lazaro) in tow, he sets a lonely vigil each night, waiting for the recently deceased to come knocking so he can blow their heads off. He could use some help, but it's tough getting any. The local politicians don't quite understand the nature of the problem, the paperwork involved is brutal, and the police have enough trouble with the unruly living to worry about the dead. It's easier for him to just shut up and blast away, whether the zombies be nuns, local businessmen, or that troop of boy scouts wiped out on the highway. Then Dellamorte falls for the hot young widow (Anna Falchi) of a local fiftysomething and his rather repetitive life develops some nasty twists. When she dies (well, when he inadvertently kills her) and she reanimates, he has to put her down. The act drives his ennui and depression into full-bore madness. He begins to see her face in every woman he meets (all played by Falchi), whom he pursues with reckless abandon before they too are killed. The Grim Reaper himself pays a visit as well, hoping to recruit Dellamorte for a more permanent job that he takes to with unusual aplomb. Director Michele Soavi (a prot

Tags: comedy, italian zombie horror

Run Silent, Run Creepy

3/2/2008 7:04:37 PM permalink

Hello and welcome to's newest blog. Here, we're hoping to shine a light on genre films from the last few years which were overlooked, neglected, or just never found the audience they deserved. One of the joys of fandom is discovering that quiet little horror film or sci-fi movie that nobody else seemed to notice. Hopefully, we'll be able to give some of them a little extra attention in the upcoming weeks. Our inaugural film is BELOW, a nifty thriller from director David Twohy. Released without fanfare in 2002, it quickly vanished from the radar and currently occupies a sad dusty corner of the bargain rack at your local Blockbuster. An unkind fate for such a smart, scary, and remarkably well-crafted horror film. It starts with a classic "two great tastes that taste great together" premise: submarine movies mixed with haunted house movies. Both genres feature a limited cast in an enclosed space, dark corners that you can never quite see, and tons of spooky noises that may or may not come from something horrible ready to kill you. Submarines also solve one of the biggest logic problems all haunted house movies face: when the walls start bleeding and the portals to hell gape wide, why don't these people just leave? In the case of BELOW, they can't: they're stuck forty fathoms down with whatever unholy thing has decided to take up residence and there's nothing for them to do but take it. Unlike a lot of horror directors, Twohy refuses to just coast on his basic gimmick. He fleshes it out with characters who interest us, mysteries that intrigue us, and genuine suspense punctuated with just enough gore to drive its point home. It starts in the North Atlantic, circa 1943. A medical transport has been torpedoed by the Germans and a tiny handful of survivors sit waiting for rescue in a life raft. They're picked up by the USS Tiger Shark, an American submersible with an enemy warship hot on its tail. After "grabbing everything that breathes" on the raft, they go deep, chased by a hailstorm of depth charges and the nagging sense that the German vessel isn't going anywhere soon. It gets worse. One of the survivors may not be who he appears, another is a woman (Olivia Williams) which means big time bad luck, and while the Tiger Shark's XO (Bruce Greenwood) seems extremely competent, he's still not the captain, of whom we see no sign... Twohy sets the mood by taking a page from DAS BOOT and other submarine classics, with low-angle framing and tracking shots through the sub's narrow corridors that stress a sense of claustrophobic entrapment. From there, he strikes a delicate balance in determining who or what may be lurking on the ship. Is there a ghost down there? Something worse? Or is it just stress and nerves playing tricks on everyone's mind? BELOW has an answer, but it takes great pleasure in drawing out the question, keeping the audience as taut as the characters stuck in its little tin can. The constant possibility of a very real (and mundane) death from the Germans can't eclipse the sense that they have bigger problems

Tags: horror, ghost, submarine, below, twohy



Date Joined: March 2, 2008