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- TV Series: Terminator: The Sarah Connor Chronicles
- Episode: Desert Cantos
- Starring: Lena Headey, Thomas Dekker, Summer Glau, Richard T. Jones, Brian Austin Green, Shirley Manson, Garret Dillhunt, Levin Rambin, and Stephanie Jacobsen
- Written By: John Wirth & Ian Goldberg
- Directed By: J. Miller Tobin
- Network: Fox
- Series: Terminator: The Sarah Connor Chronicles
Sarah Connor Chronicles: Desert Cantos
Four Guerillas and a Funeral By
Rob Vaux
February 21, 2009
Mania reviews Terminator: The Sarah Connor Chronicles: Desert Cantos(2009).
© Mania.com/Robert Trate
In the wake of the factory explosion in the High Desert, Sarah (Lena Headey) and company search for connections to Skynet among the victims' next of kin. John (Thomas Dekker) makes contact with a local girl named Zoe (Alanna Masterson), while his mother gets closer to the widow (Cyd Strittmatter) of the man at the factory she killed. After making a scene at the service, the woman produces a set of keys belonging to her late husband, which lead Sarah to a storage locker filled with bloody rags.
Meanwhile, Weaver (Shirley Manson) has sent her investigator Walsh (Max Perlich) to track down a worker who survived the explosion. Derek Reese spots him skulking around and offers him a lift to the cemetery. They trade a few veiled exchanges about the cause of the explosion before Walsh gets out. He's apparently made Reese, but he hasn't made Sarah, who follows him as he breaks into a nearby house.
Zoe's comments about her ex-boyfriend shed light into the possible nature of the bloody rags: a woman and her son who may have seen too much at the factory disappeared one day without a trace. Apparently, no one knew exactly what went on at the factory, besides the fact that it didn't involve heating and air conditioning parts as it publicly proclaimed. Zoe also shows John and Cameron (Summer Glau) a herd of dead cows in a nearby field: cause of death unknown. John picks up on some disturbing inconsistencies in Zoe's back story and behavior, leading him to believe that her "dead" father is still alive.
Sarah enters the house in pursuit of her quarry, and finds a secret passageway leading to a hidden room filled with security cameras and bloodstains on the floor. It served to monitor the entire town, which John discovers when Zoe surreptitiously gestures to a camera in the vent of her home. Video archives in the hidden room reveal Zoe's father and the man Sarah killed executing Zoe's ex-boyfriend and his family. John leads Sarah, Derek and Cameron out to the cow field, where they find Walsh, dead near a small pond. As they examine the body, the pond explodes upward: the flying drone Sarah spotted after she was shot rises up and vanishes into the night sky. It arrives at a cargo truck some distance away, driven by Zoe's father (John Pyper-Ferguson).
The Good
There's a coherent path to follow, which the show desperately needed: find the flying drone, find the key to Skynet (which presumably means Weaver). The hidden camera room was all kinds of creepy, giving the company town a Stepford Wives vibe that fits well with the show's more paranoid undertones. In addition, Jesse and Riley were left on the sidelines this week: a sensible move which nonetheless reveals how superfluous those characters have become.
The Bad
Despite the interesting elements in episodes like this, SCC has clearly drifted into bad X-Files territory: UFOs, towns with secrets, sinister conspiracies which are never quite made clear, etc. In other words, things that have comparatively little to do with the Terminator universe. While the episode thrashes its way to coherence--providing structure and an appreciable arc to a series which was frankly sunk without it--it does so at the cost of its own identity. Come back to us, SCC. We've been down this road before and it's killed better shows than you.
The Prognosis
The optimist in me hopes that they're taking one small step back to correct some problems, leading to a few giant steps forward soon. The pessimist in me don't think that's going to happen. On the other hand, Zoe's dad is clearly up to no good, and the question of who hired him--and what exactly was going on at that factory--could help drive the rest of the season to a decent conclusion.
Yup, it was like the X-Files but at least it was geared towards the Terminator universe...you contradict in your review. I don't know how you can say it has things like Skynet things in it like the beginning stages of watch camps and drones and then say its not in the Terminator universe. Overall the episode worked.
However, next weeks previews already look like they are doing another side plot to nowhere...of course there is only so much you can tell from a few quick clips. I get the impression that they didn't expect the back end of the show to be picked up so even though I 'm sure they know where they want to go with the series how to get there was always a little fuzzy to them. I remember that happened with 24's first season. They didn't know think they were going to be picked up then when they were the writers were like Oh shit! What do we do now. I get that same feeling with this show.