Television Review


The Sarah Connor Chronicles: The Turk

By: Stephen Lackey, Columnist
Review Date: Thursday, January 24, 2008

OK, you’ve seen the letter grade above so I know a few particular comments have skipped the review and went right to commenting. Let’s put our fanboy-ism aside for a minute and take a real look at what happened, and what didn’t happen in this episode.

The Terminator universe is built on three main points: pulp/science fiction plotting, big robots, and probably the most important thing is the cat and mouse suspense of the franchise. The true thrill of the movies is the situation of regular people on the run from an unstoppable killing machine. The idea was still consistent in T2 because even though our hero’s had a Terminator on their side he was an antique compared to the new model that was chasing them. You could argue it was the little bit of humanity he gained that allowed him to beat the “liquid cop” or you could just say that he triumphed due to his programming to do anything it takes to protect John Connor. At any rate, the people on this series seem fairly settled, not really in any danger at all. Sure ,the Terminator is busy forcing a scientist to make him some skin but Sarah and John don’t know that. In the first and second and even in the third film John would be taking advantage of the lead time to run more. They were able to run plenty in T2 and still investigate the creation of Skynet.

So, there’s no suspense of forward momentum feeling to the episode, what’s left? Well Sarah finds an intern who may be responsible for the earliest creation of Skynet. She sets up a date with him to check him and in fact he has created a super chess playing computer. There’s a thematic element of Sarah dealing with her humanity and her ability to do what it takes to save her son and the world. We get the theme hammered over our head in the opening moments of the episode where Sarah tries to kill the scientists behind The Manhattan Project. These scientists turn into Terminators giving us the only real action sequence of the episode. Does anyone else think these Terminators moved a bit like the new Cylons? A smart series can get points across without making you feel like the loser in a UFC fight. A good example is of course, Battlestar GalacticaBSG is able to use thematic elements as subtle yet integral parts of the viewing experience. So far this series hasn’t been as clever in this respect.

Cameron, as charismatic as she is continues to be inconsistent as a character. Sometimes she’s more human, and sometimes she isn’t. Granted, since episode one she’s spent more time acting robotic than human, but it’s still happening here and there. This isn’t Cameron learning more how to be human. Learning is evolutionary; it’s not the Hokey Pokey. Once she learns something it should be ingrained into her but instead, she is doing this dance where she steps into humanity and steps back out again.

Overall there was zero suspense this week and not very much of importance happened other that Sarah holding onto her humanity when she has to decide what to do about the intern and his mega chess playing computer. Speaking of Sarah dealing with her humanity, she already went through this evolution between Terminator and Terminator 2. She was completely a regular human in the first film and by the end of it she was pregnant and had accepted the destiny of her son and what she must do. Over the time between the first and second film, she lost her humanity and became a machine herself physically and mentally with only one goal; to protect her son. In fact in Terminator 2, she actually finally recovered some of her humanity because of interactions with her son and a true machine. Now, we’re going to see her grow again from a human to a machine. You could justify by saying hey, they were in comfortable hiding for two years maybe believing that the fight was over so Sarah reverted to being a regular human and now she must convert herself again to a machine capable of killing someone for what they will do rather than what they have already done. If that’s the argument you subscribe to I can accept it but not be happy about it because this is a character development we’ve already seen once and done better than we can ever hope to see on a television series. The biggest advances this series needs to make are to build some real suspense and to find a way to make us actually care about John, the man that will eventually save us all. I know I know he gets a monologue about how he should have saved a girl committing suicide because he’s supposed to that as a leader but it wasn’t well done enough for me to really care.



More Content By Stephen Lackey, Columnist
JERICHO: Condor
(Thursday, February 21, 2008)
PRISON BREAK: The Art of the Deal
(Wednesday, February 20, 2008)
Strike Victims
(Monday, February 18, 2008)
LOST: The Economist
(Saturday, February 16, 2008)
SUPERNATURAL: Mystery Spot
(Saturday, February 16, 2008)
Jericho: Reconstruction
(Thursday, February 14, 2008)
Prison Break: Hell or High Water
(Wednesday, February 13, 2008)
Sarah Connor Chronicles: Queen's Gambit
(Wednesday, February 13, 2008)
RANT: Rivet Counting
(Monday, February 11, 2008)
SMALLVILLE: Siren
(Sunday, February 10, 2008)
Comments/Responses
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BeerBastard • Jan 24, 2008, 12:20am •
Come on... bad episode because they don't have a Terminator chasing them? That's precisely what most people don't want this show to become... and endless chase episode after episode. It'll come in time, give time to the show to develop and soon enough you'll have your chase scenes. That they're dwelling into different aspects is the compelling part of the show... like how they are developing the FBI character, who was great in the last episode.

It was the first day for Cameron at school... school with teenagers that are quite different than they were 8 years ago. Also, she has only shown she can act a bit human when she's around John... she hasn't done so around anyone else... that much is consistent. What does that mean? That there's a level of familiarity with John that dates back to when she spent time with him in the future... and we know that because John apparently spent a lot of time with her, like telling her of his childhood "The Wizard of Oz" bit. Looking at the previews, it looks like a major action episode is coming. Like all tv shows that have a continuing plot and story... it requires patience by the viewer, and if you stick with it you'll be rewarded. We can't just start bashing an episode because it attempts to get the viewers deeper into the plot and give us different aspects of what's happening. Not comparing it, but that's what makes The Wire so good.

If there's one thing that I hate, is the abundance of people comparing the Terminator desings to the Cylon designs and making it seem as if Terminator copied them. That's not the case. The new terminator is very close in ressemblance to the old terminator design which came before the new Cylon design. So the better argument is, why does the Cylon design ressemble the Terminator design (both old and new) in the first place. So, do their movements look similar... sure, they're robots after all. While we are at it, they both move similar to Robocop.

In your previous review you said that TV Show viewers aren't all idiots, that they can pick up things that are subtle. Hate to break it to you, but the abundance of viewers that are idiots is quite high... and many of them are responsible for the nielsen ratings. If you look around message boards you'd come across a ton of people that can't identify the last scene as a flashback making comments as "lol the editors for Terminator are awful... they put the scenes out of order". They can't even comprehend the paintings at the school and why the girl commited suicide... something that was quite obvious for non-idiots and quite subtle like you wanted, yet since they don't understand then it's utter garbage. Let's face it, subtle doesn't work much in the tv show business... that's why LOST season after season has been losing viewers for the most part.

ponyboy76 • Jan 24, 2008, 02:47am •
The episode was pretty good. I took a few things away from it. The first was a question I had while watching last episode was answered. I was wondering how the Terminator was going to be able to blend in to society and go after them if he didn`t have any skin. He couldn`t just walk around the whole season in that crazy SW:ROTJ clothing. So,we got to see how they manufactured the skin. I wonder if that is how they get all the eyes, even in the future or iwas taking the doctors just out of necessity.
I also got to see a glimpse all be it a small one of John actually wanting to step up as a hero. In the 1st 2 eps its pretty much just him being a teenager and having Mommy do everything for him. He shows in this ep that he has it in him.
I am not one of those "idiots" , but for the life of me I just didn`t get the paintings. Can someone please explain?

BeerBastard • Jan 24, 2008, 03:30am •
Little by little the paitings were revealing that the girl was having a student-teacher affair... and from the looks of it, it probably was with the Guidance Counselor; you can tell because of the "IDAN" portion... each painting revealed a new letter. So because of the pressure, she killed herself. A bit extreme, but it did the job. Plus, who here doesn't like a little bit of head splattered all over the concrete on a tv show?

oldnewbie • Jan 24, 2008, 04:02am •
While I enjoyed the episode, it appears the producers are not sure what to do with Summer's terminator. When first seen she's capable of acting like a regular teenager; and now she's become Data; incapable of regular human interaction. Sure the times have changed, but for the most part kids have not... is she so out of flux because gifts are "tight" and so forth? Anyway, I like the show and I hope Fox doesn't 'terminate' it before it can catch some real steam.

HudsonTaco • Jan 24, 2008, 05:53am •
I would agree with your review and letter grade this time. I felt it was the weakest of the 3 episodes so far. Terminator for me is about action and suspense and this episode had niether. Not a bad show I just hope they get better more exciting from here on out.
That said you seem to be getting really defensive about the comments section about this seires and to be honest the only thing I read last time was the fact you called the FBI agent a Terminator thus showing that you really didn't pay attention to the last episode. I read the last review and this one as well I do agree with your letter grades on both episodes but don't be upset when people poke holes in your review. You didn't even explain how you came to that conculsion or defend it last time.

hanso • Jan 24, 2008, 06:01am •
Yeah Lackey, you need to pay more attention to what you are watching, how can we take your reviews seriously when last you were saying the FBI guy was a Terminator?
At least come out and say it was a mistake.

wessmith1966 • Jan 24, 2008, 07:01am •
Yeah, I'd agree with the "C+" rating. I liked Sarah's solution to Andy's burgeoning AI. I agree with oldnewbie's thoughts on Summer. Maybe the producers realized they needed to dumb her down a little when it comes to human interaction to give the character room to grow. I like the depth that Lena's giving Sarah. I'm not overwhelmed by the show so far, but it's ok and has a lot of potential as long as it doesn't go the "Dawson's Creek" route too much.

mbeckham1 • Jan 24, 2008, 07:33am •
I liked the episode. I liked the perrspective we were given on Sarah Connor, and the way Lena played her moral conflict. The reference to J. Robert Oppenheimer was well played.

I also like that Cameron stopped John Connor from saving her "friend" and how he reacted. She's a machine and has a clear and cold sense of priorities and it was good to be reminded of that. Also it put some real and understandale distance between John and Cameron and also between John and Sarah.

I do like that she's not quite able to get human emotions or social senarios, though it does conflict with her ease of human interaction in the Pilot. It would have been amusing and creative to have her try and use 90s slang and pop references in the twenty first century because that was the time she was programmed to fit into. But that would probably be a bit complicated to put on screen.

The Terminator's new skin scenes were chilling and brilliantly grotesque and gothic, or techno gothic.

All in all, a quiet episode, but it's the quiet ones and how they are handled that show the creators' chops, and if they can do a quiet one and keep the character moments this interesting, I'm gonna love to see what happens what happens when they bring on the big plot turners.

cheaptrick1977 • Jan 24, 2008, 08:31am •
Why did Cameron act more human in the pilot? Because at first, it was supposed to be a big suprise to the viewer that she was a Terminator. We were supposed to think she was human until the part she opens the car door and says "Come with me if you want to live." They should've taken it from there instead of regressing the character, but I understand why did.

chirop1 • Jan 24, 2008, 08:41am •
I like the show. And besides... what else is there on TV these days?

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