Superman offers an eerily prescient message of recovery and hope in the aftermath of the nation's tragedy
© 2001 DC Comics
A strange SUPER-tribute
By: Arnold T. BlumbergDate: Monday, September 17, 2001
It couldn't have been better (some might say 'poorly') timed if it tried. Last week, just days after the most horrific event in modern American history, the week's comics finally made it to store shelves only one day late. There, amongst the issues of AKIKO and CAPTAIN AMERICA, was a bizarre bit of coincidental storytelling that gave readers a chill - ADVENTURES OF SUPERMAN #596, its cover a typical chest-baring scene of Superman revealing his symbol under his street clothes. Unlike the usual representation of this event, however, this issue featured a Superman with a red and black chest logo, a new version intended to reflect his new attitude in the aftermath of the summer's "Our Worlds at War" crossover event. Superman has seen the greatest tragedy of his career and he has been changed; his new logo indicates that he will carry on, but in remembrance of those that fell in DC's universe-spanning war.
The eerie timing of Superman's memorial to the fallen and the arrival of this aftermath issue just days after the events at the World Trade Center and the Pentagon was certainly serendipitous. While the film and television industries scrambled to shift the schedules of projects that included terrorist or Trade Center-based set pieces and references, no one could have expected that a comic book tale planned and written months in advance would have offered such a creepy coda to the real world attack on America. While most of pop culture seems eager to sanitize its stories and err on the side of excessive political correctness, I would argue that this issue of Superman could not have been a better tribute if it was intended as such.
The Martian Manhunter and Plastic Man survey the damage in ADVENTURES OF SUPERMAN #596. Note the World Trade Center towers in the center.
© 2001 DC Comics
As Superman and comic book fans, we often ruminate on one of the biggest challenges facing any writer who wishes to portray Superman in a seemingly realistic world how do you deal with the fact that Superman should theoretically be able to handle all crime everywhere and basically prevent any hardship anywhere on Earth? Shouldn't Superman be able to eliminate the threat of nuclear war (an attempt immortalized in the lackluster film, SUPERMAN IV: THE QUEST FOR PEACE), terrorism and any other threat while rebuilding after tragedy in the space of a few seconds? Why wouldn't Superman save us?
Luthor asks the question we always ask of Superman: Why doesn't he just take care of everything himself?
© 2001 DC Comics
At a time when the entertainment industry has become absorbed in second-guessing its every move to avoid offending anyone, there may be some at the DC offices who regret the coincidental timing of this aftermath issue. I suggest that rather than worry about the few who might find its appearance this week on comic store shelves to be inappropriate, they should instead be proud: without any possible forward planning, they successfully managed to produce a heartfelt and respectful memorial to those who perished in this terrible tragedy while telling a tale that just may ease the souls of young readers faced with comprehending the true evil that exists in our world. ADVENTURES OF SUPERMAN #596 will be remembered, perhaps not as its creators would have hoped, but as an issue that offered a special and necessary footnote in American history.
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