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WONDERLAND Takes Second Win

Fantasy grabs $430 million worldwide in two weeks.

By Jarrod Sarafin     March 14, 2010


Walt Disney and director Tim Burton fall down the rabbit hole successfully for ALICE IN WONDERLAND(2010).
© Walt Disney/Bob Trate

 

Despite the fact that this weekend saw the distribution of four new wide releases out of Hollywood, we still have only one film dominating the box office landscape for this second report in a row. It wasn’t even a close race. None of the new films—not even a new Matt Damon action vehicle-- could touch upon the latest 3D phenomenon release also known as Alice in Wonderland.
A week after Walt Disney’s remake of Lewis Carroll’s classic hauled in an amazing $116.1 million in its opening bow, the Tim Burton-directed fantasy dropped only 46% over its second weekend and found itself grabbing another $62.0 million in cash as a result. Just off domestic ticket sales alone, the film has earned $208.6 million. Obviously great March numbers for a film with a price tag of $200 mil.
The fantasy also ruled the foreign theatrical rabbit hole over the weekend for an record-strong second stanza -- down just 24% from its opening round -- with an estimated $76 million in receipts from 6,621 screens in 48 markets. Walt Disney Studios Motion Pictures International reports it is "the biggest second weekend ever realized for any title (released) during the winter-spring corridor (January-April) in industry history."
Alice in Wonderland’s worldwide cume now sits at $429.6 million after only its first ten days of release.
And now we come to the rest of the top five films, three of them new wide releases, who just couldn’t keep up with the 3D craze.
Following in 2nd place is Universal Pictures’ Green Zone. Despite the fact that the film combined the successful Bourne team of lead star Matt Damon and director Paul Greengrass, the Iraq story only found $14.5 million in its first debut. While most March releases are produced on relatively low budget costs, the studio and director reportedly spent $100 million on this one. And with its first lackluster weekend, it’s going to have quite mountain to climb over the rest of its theatrical run if it wants to come close to crossing that mark in ticket sales.
Taking down the 3rd place spot is Paramount’s romantic comedy She’s Out of My League, which grabbed an estimated $9.6 mil in change over its first three days. Unlike “Zone”, it seems a decent enough debut for the comedy given the low price tag of just $20 million. Check out our interview with the film’s co-star Alice Eve here.
There was also another romance-driven tale hitting theaters for the first time with Summit Entertainment’s Remember Me, which found it landing in the 4th place spot. The Robert Pattinson film opened up in 2,212 theaters over the weekend and found $8.3 million in estimated ticket sales. The budget was listed at $16 million.
And 5th place goes to Martin Scorsese’s latest successful release Shutter Island. The DiCaprio-led thriller took in another $8.1 million in its fourth weekend, increasing its overall domestic tally to $108.0 million. A decent enough Feb-Mar performance for a film that cost only $80 million to produce.
Check out the rest of the top 10 below.
 

Rank
Movie
Weekend
Theaters
Average
Total
Budget
1
Alice in Wonderland
$62.0 mil
3,728
$16,631
$208.6 mil
$200
2
Green Zone
$14.5 mil
3,003
$4,840
$14.5 mil
$100
3
She’s Out of My League
$9.6 mil
2,956
$3,248
$9.6 mil
$20
4
Remember Me
$8.3 mil
2,212
$3,752
$8.3 mil
$16
5
Shutter Island
$8.1 mil
3,356
$2,426
$108.0 mil
$80
6
Our Family Wedding
$7.6 mil
1,605
$4,735
$7.6 mil
----
7
Avatar
$6.6 mil
1,718
$3,842
$730.3 mil
----
8
Brooklyn’s Finest
$4.2 mil
1,939
$2,212
$21.3 mil
$17
9
Cop Out
$4.2 mil
2,882
$1,468
$39.4 mil
$30
10
The Crazies
$3.6 mil
2,359
$1,547
$33.3 mil
$20

 
Next weekend will see the release of three new wide releases on top of the four that came opened this past weekend. The question remains as to whether any of them could touch Tim Burton’s Alice in Wonderland, which is taking full advantage of this 3D phenomenon hitting theaters across the globe.
As many of you box office fans know, the 3D craze has been a source of debate in feedback between the Maniacs and pretty much all across the webisphere.  
With every record that James Cameron’s Avatar took down in its climb to the top, there was someone willing to bring up the fact that it still didn’t compare to the box office-adjusted inflation of something like 1939’s Gone with the Wind (inflation= $1,537 billion in domestic sales). In fact, the Cameron epic currently stands 14th on that list.
Another point of contention is the higher ticket sales that comes along with these IMAX and 3D showings across the nation.
Maniac WesSmith1966 wrote something last weekend which has been echoed numerous times since Avatar first hit theaters in terms of defining box office success vs. higher ticket pricing.
“I have no problem with nor any animosity towards 3D release box office numbers, but I think reporters and bloggers have to put the numbers into perspective. $116 million is great, but when 70% of that is because of the higher ticket prices, I think it skews perception of the movie's opening weekend success. Why is this important to me? I worry that more and more movies will be made in 3D just to bank the big opening numbers.
When movies open big, people that may have been on the fence about going to see the movie will look at the numbers and say ‘It must be good if it made all of that money’ and go. Instead of making the 3D integral to the story and look of the film, it will be added to many films just to bring in more people. The quality will suffer. That's why I'm bothered by the inflated numbers and the poor reporting that doesn't take those inflated numbers into consideration when writing stories and headlines.”
There’s certainly a point where some of it needs to be taken into perspective but this contention of higher pricing has been taken into account for years in and out of Hollywood. Beyond the fact that pricing has always sky rocketed up at the theater chains as time moves forward, there’s the competitive DVD market and numerous other factors which should be taken into account when comparing this age of cinema to ones of the past.
But numbers are still numbers and that’s what we’re reporting here. Even if we did add little cliff notes to the end of every report** (the words 3D Higher Ticket Sales Included), there’s probably an argument to be made on behalf of every blockbuster film which came out a generation after the previous one. Each one had to deal with a different demographic landscape.
But enough from me. Let’s hear from you Maniacs on the subject.
Sound off below.
 
Friday, March 19, 2010 Releases:
Wide
Diary of a Wimpy Kid (3,100+)
The Bounty Hunter (3,000)
Repo Men (2,450)
Limited
Hubble 3D
The Runaways
Greenberg
Last Night
 

COMMENTS AND RESPONSES

Showing items 1 - 10 of 22
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decepticons2 3/14/2010 4:11:34 PM

Wife and I saw Alice, it wasn't bad. Curious if other people could say what IMAX 3D price is at where they go. For one ticket it is 17.50 all times genral admission. So since most people go in twos thats 35 bucks there.

I almost believe we have to be reaching a point where dollar numbers are a moot point. Lets know how many people were in actual seats. Of course we would see a shrinking number for some of these mediocre blockbusters. I bought tickets for U2 a pair cost almost 600 from ticket master. So i can guarantee they will be the highest grossing concert in my area. But other acts sell the same venue out two maybe three times. For a 1/6th of the price that is more impressive.

Just wait next year at this time report will say Beverly Hills chihua(mispelled?) in 3D grosses 150mill opening weekend :(

Tonebone 3/14/2010 4:16:52 PM

I just truly hate the argument about ticket prices, inflation, etc... I highly doubt these discussions were going on when Star Wars became the highest grossing film. Why are they thrown out now when films certain fans don't like seem to do well?

lister 3/14/2010 4:39:22 PM

Well, when Star Wars came out, it was a phenomenon. Regardless of the ticket price, it was obvious that the nation as a whole shifted to a new place. So there was not a lot of comparison to what had gone before because it's effects infiltrated almost part of the culture. Not so with, say, Titanic. It was a blockbuster to be sure. But without the immediate cultural trickle-down effect that Star Wars and it's related merchandizing caused, there was breathing room to take a look at the sales figures.

And by then the disparity between pricing for Titanic and, say, Gone with the Wind, was much wider than between GwtW and SW. It started to become more obvious and, as everyone became more obsessed with personal cinema criticism and fan-ism, what was considered to be #1 came under more scrutiny. That's not going to go away now. It's only gotten "worse".

fft5305 3/14/2010 4:39:30 PM

I agree to an extent, but I think saying that 70% of a Box Office figure is because of 3D is a gross exaggeration.  I pulled some figures from the theater I usually go to (an AMC in Columbia, MD).  The prices for a regular evening show, a 3D show, and an IMAX 3D show are $10.50, $13.50 and $14.50 respectively.  Granted, I don't know the number of seats in each house, or how many standard theaters across the country have the movie versus 3D houses.  From what I've read, I am sure there are fewer IMAX seats per show than regular houses.  I would think that due to technological restraints and social inertia, the number of regular seats outnumbers 3D seats, but for the sake of argument and simplicity's sake, let's say the number of tickets for each price level are equal.  That would mean one ticket at each level represents $38.50 in Box Office Gross, $7.00 of which is the excess of the 3D tickets over standard-priced tickets.  That only counts for just over 18%.  Yes, I put waaaaaay too much thought into this, but there it is.  I think a simple notation that the BO figure includes higher priced 3D tickets is sufficient.  It won't really matter anyway.  Mindless buffoons who will see a movie just because it made $116M instead of $108M won't care about the footnote, and either way, Hollywood will continue to jump on the 3D bandwagon because even a $62M week 2 is better than $32.4M, the combined amount that the next 3 movies (non 3D) made in this, their opening weekend.  Whether it makes sense or not, that's how Hollywood works.

evilbeagle 3/14/2010 5:09:03 PM

I saw Alice this weekend and was underwhelmed.  I didn't hate it, but I cannot really say I like it either.  Let's put it this way, it was a decent matinee.  I'm also not sure that the 3D did much for the film.  In fact, I'm wishing I would have seen Avatar in 2D to really see if I felt there was much of a difference.  I like 3D, and I'm sure it's the next step toward the holographic televisions we have seen in sci-fi movies (you can laugh now, but we probably won't be laughing 25-30 years from now), but I'm not sure that it's worth the few extra dollars that are forked over for each ticket.

Here's a thought...what if movie houses were to become obsolete?  Some films are already released to download the same as their theatrical release date, so isn't it in the realm of possibility that movie distributors may eventually make more money by cutting out the middle man (AMC, Dickenson, etc) and releasing movies direct to the public for prices nearly equivalent to what you would pay to go to the movies?  Yes, I realize pirating and things of that nature will slow the progress on this, but mark my words--some day we will all be watching new releases through high def pay per view in our high tech home theater rooms!!!!! MOOOHOOOOHAAHHHAAAAA

animefanjared 3/14/2010 7:56:57 PM

I think there is validity to the argument that 3D and IMAX showings are artificially exaggerating grosses, because the unspoken assumption of most people is that more money means more people saw the movie.  And if more people saw the movie, then it *must* be better (yeah, right). 

But at the same time, anyone who is really paying attention knows that most movies these day make a huge percentage of their total gross in the first week or two.  While "Avatar's" gross is clearly inflated by the 3D craze, there is also something to be said for that fact that it has continually placed in the top ten for three months running.  That is the true mark of a movie that is a cultural sensation, and cannot be denied.  The fact that "Alice" held so well for its second weekend shows that people are clearly curious to see it, even though it has notably not gotten particularly great word of mouth.

Secondly, movies these days (particularly the big tentpole releases) are so ridiculously expensive to produce, they pretty much have to make a ton of money to just pay for the cost of their production and marketing.  "Alice" cost $200 million to make, and who knows how much more to market (Disney put ads for that movie everywhere).  I think the far more telling figures are how profitable these movies wind up being, not their raw gross.  What's more impressive:  "Avatar's" $700 million on it's rumored $500 million budget, or something like "Paranormal Activity" making millions on a $100,000 budget?  I don't know the answer.

And finally, I will be very interested to see how well these big 3D releases sell on DVD, when the spectacle is not as much a factor.  I think what we're seeing is that, whatever our personal feelings about the 3D craze and it's effect on the artistic quality of movies, it is doing exactly what Hollywood producers want: it is putting butts in the seats of theatres as opposed to illegal downloads or waiting to rent the movie when it comes out on video.  And as long as it does that, we better get used to it.

WarCry 3/14/2010 7:58:39 PM

I do think a push to change to a "tickets sold" system would be better, but Hollywood is all about $$ and it doesn't matter where it comes from. If they sold 1 ticket for $500MM, they wouldn't complain and would claim the record for highest 1-day or whatever else.

Look at just Cameron's work. Forget the quality of the movies for a moment, that's open for debate and is subjective. Titanic stayed in theatres for the better part of 10 months. Avatar beat the numbers, but did so in just a few months. It seems to me that more people WANTED to see Titanic, with the crowds there week after week. Avatar got huge numbers early, and now it's fading, especially in areas with limited 3D screens (My town has 1 out of 9 screens in 3D, and Avatar - in 2D or 3D - is gone.

Like I said, I know $$ is king in Tinsel Town, but they need to be very careful, because it's no longer the be-all-end-all of public demand when it comes to movies.

WarCry 3/14/2010 8:01:39 PM

Also, one note to add about box office vs other sources of income, it was about 4 years ago I saw a quote from a Hollywood exec who said the mentality at his studio (don't recall the studio, sorry) was changing to reflect theatrical releases are now 2-hour trailers for the DVD releases. I think that's why you're starting to see smaller theater exit/DVD release timespans.

karas1 3/15/2010 3:32:06 AM

I saw Avatar on Christmas, when it had only been out a week or two.  The theater I saw it in did not have IMAX.  But it did have Avatar on 2 or 3 screens in 3D and only 1 screen in regular old 2D.

Another local theater doesn't offer 3D and only had Avatar in 2D.  But I'm sure newer theaters with 3D capability (or 3D equipment or whatever) offered more screens in 3D than 2D. 

It would be interesting to find out how many screens were showing Avatar in each format. 

ponyboy76 3/15/2010 3:36:12 AM

I passed on Alice in Wonderland this weekend. I saw Green Zone and Shutter Island instead. Both were pretty damn good. Shutter Island was an excellent flick, right down to the old school suspense music. It was definitely a well done homage to those types of movies from the past by Scorssese. DiCaprio and Ruffalo were great. Green Zone  was also well done, but because you essentially know how its going to end there is less of a punch to it. Still, Matt Damon is a badass

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